Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,548 results for Dr. Julian Fau

Sort by:

Anatomia de las Formas Exteriores del Cuerpo Humano, con un atlas de 24 laminas, que contiene mas de 80 figuras

Multiple artists/makers

1851

Plates for the Anatomy of the external forms of man for the use of artists, painters, and sculptors

Dr. Julian Fau

1848

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

Composed Armor, Julian Arrechia Spanish, Steel, copper alloy (latten), leather, Italian — Composed Armor
Julian Arrechia
Raymond Bartel
ca. 1450–60 and later, restored and composed in the 1920s

The Factory Village, Julian Alden Weir American, Oil on canvas, American — The Factory Village
Julian Alden Weir
1897

Idle Hours, Julian Alden Weir American, Oil on canvas, American — Idle Hours
Julian Alden Weir
1888

Fruit, Julian Alden Weir American, Oil on canvas, American — Fruit
Julian Alden Weir
ca. 1888

The Green Bodice, Julian Alden Weir American, Oil on canvas, American — The Green Bodice
Julian Alden Weir
by 1898

The Red Bridge, Julian Alden Weir American, Oil on canvas, American — The Red Bridge
Julian Alden Weir
1895

Kimkim, Dr. Abbas Magaji Ahuwan Nigerian, Ceramic, American — Kimkim
Dr. Abbas Magaji Ahuwan
1989

Kimkim, Dr. Abbas Magaji Ahuwan Nigerian, Ceramic, American — Kimkim
Dr. Abbas Magaji Ahuwan
1989

Archetypal Painting for A.G., Julian Schnabel American, Acrylic and modeling paste on canvas — Archetypal Painting for A.G.
Julian Schnabel
1975–76

Study for "Shrimp Scow on Barnegat Bay", Julian Levi American, Wash and ink with graphite on illustration board — Study for "Shrimp Scow on Barnegat Bay"
Julian Levi
1939

Tankstelle [Gas Station], Julian Faulhaber German, Chromogenic print — Tankstelle [Gas Station]
Julian Faulhaber
2008

Shrimp Scow on Barnegat Bay, Julian Levi American, Oil on canvas — Shrimp Scow on Barnegat Bay
Julian Levi
1939

Bones and Trumpets Rubbing Against Each Other Towards Infinity, Julian Schnabel American, Plaster, glazed and unglazed ceramic, cervidae antlers, cervidae leg/hoof, oil paint and wax on wood. — Bones and Trumpets Rubbing Against Each Other Towards Infinity
Julian Schnabel
1981

Ithaca, Julian Schnabel American, Oil and broken dinnerware on wood — Ithaca
Julian Schnabel
1983

Obsession II, Julian Stanczak American, born Poland, Acrylic on canvas — Obsession II
Julian Stanczak
1965

Untitled, Julian Lethbridge British, Acrylic, graphite, and brush and black ink on paper — Untitled
Julian Lethbridge
1988

Untitled, Julian Lethbridge British, Acrylic, graphite, and ink on paper — Untitled
Julian Lethbridge
1988

Untitled, Julian Lethbridge British, Acrylic, graphite, and brush and black ink on paper — Untitled
Julian Lethbridge
1988

Untitled, Julian Lethbridge British, Oil on canvas — Untitled
Julian Lethbridge
2003–4

Textile length, Julian Tomchin American, Silk — Textile length
Julian Tomchin
Chardon Marché
1967

Textile length, Julian Tomchin American, Silk, textralized Antron nylon — Textile length
Julian Tomchin
Chardon Marché
1967

Untitled, Julian Lethbridge British, Oil on canvas — Untitled
Julian Lethbridge
1991–92

Good as Gold, Julian Hatton American, Oil on canvas — Good as Gold
Julian Hatton
2001

Portrait of God (from the Mutant Kings series), Julian Schnabel American, Oil, dirt, and wax on canvas tarpaulin — Portrait of God (from the Mutant Kings series)
Julian Schnabel
1981

Corset, Dr. Warner's, cotton, metal, bone, American — Corset
Dr. Warner's
1889–91

Boots, Dr. Martens British, (a, b) leather, elastic, rubber, British — Boots
Dr. Martens
Helen Storey
1995

Art Palace and Lagoon, Panama-Pacific International Exposition, San Francisco, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Art Palace and Lagoon, Panama-Pacific International Exposition, San Francisco
Julian Clarence Levi
1915

Capella Palatina, Palermo, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Capella Palatina, Palermo
Julian Clarence Levi
1903

Garden Camp Highwall, Lake Placid, New York, Julian Clarence Levi American, Watercolor on off-white wove paper, American — Garden Camp Highwall, Lake Placid, New York
Julian Clarence Levi
1943

Interior of Church, Sienna, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Interior of Church, Sienna
Julian Clarence Levi
1902

Patio del Mexuar, Alhambra, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Patio del Mexuar, Alhambra
Julian Clarence Levi
1904

Thunder Hole, Mount Desert, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Thunder Hole, Mount Desert
Julian Clarence Levi
1916

View of Mt. McKenzie and Lake—August 19, 1969, Julian Clarence Levi American, Watercolor and graphite on white wove paper, American — View of Mt. McKenzie and Lake—August 19, 1969
Julian Clarence Levi
1969

Copy after Botticelli, Julian Alden Weir American, Watercolor on paper, American — Copy after Botticelli
Julian Alden Weir

Anna Dwight Weir Reading a Letter, Julian Alden Weir American, Watercolor, gouache, black ink, and graphite on white wove paper, American — Anna Dwight Weir Reading a Letter
Julian Alden Weir
ca. 1890

Boats, Julian Alden Weir American, Pastel and graphite on paper, American — Boats
Julian Alden Weir

Connecticut Village (Going to School), Julian Alden Weir American, Oil on canvas, American — Connecticut Village (Going to School)
Julian Alden Weir
after 1891