Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 923 results for Elizabeth Castaldo

Sort by:

Black Trans Lives Matter, Center for Book Arts, Letterpress — Black Trans Lives Matter
Center for Book Arts
Elizabeth Castaldo
2020

No Justice No Peace Defund The Police, Center for Book Arts, Letterpress — No Justice No Peace Defund The Police
Center for Book Arts
Elizabeth Castaldo
2020

End White Silence Speak Up Against Racism, Center for Book Arts, Letterpress — End White Silence Speak Up Against Racism
Center for Book Arts
Elizabeth Castaldo
2020

Injustice Anywhere Is A Threat To Justice Everywhere, Center for Book Arts, Letterpress — Injustice Anywhere Is A Threat To Justice Everywhere
Center for Book Arts
Elizabeth Castaldo
2020

Woman Fixing Her Hair, Elizabeth Catlett American and Mexican, Mahogany and opals — Woman Fixing Her Hair
Elizabeth Catlett
1993

"The Tarts", Elizabeth Hawes American, silk, American — "The Tarts"
Elizabeth Hawes
1937

Gift basket, Elizabeth Hickox Wiyot-Karuk, Conifer root, hazel shoots, maidenhair stems, bear grass, and dyed porcupine quills, Wiyot and Karuk, Native American — Gift basket
Elizabeth Hickox
ca. 1910

Armelle, Elizabeth Colomba French, Oil on canvas — Armelle
Elizabeth Colomba
1997

Glass Panel, Stiegel's Elizabeth Furnace American, Free-blown glass, American — Glass Panel
Stiegel's Elizabeth Furnace
1763–74

Poyen Family Record Sampler, Elizabeth Josephine Poyen American, Silk on linen, American — Poyen Family Record Sampler
Elizabeth Josephine Poyen
ca. 1819

A proud continuum : eight decades of art at Howard University, Carolyn Elizabeth Shuttlesworth-Davidson — A proud continuum : eight decades of art at Howard University
Carolyn Elizabeth Shuttlesworth-Davidson
Howard University
2005

Musical instruments and their homes, Mary Elizabeth Adams Brown American — Musical instruments and their homes
Multiple artists/makers
1888

Elizabeth Copeland

ca. 1915

Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black — Sharecropper
Elizabeth Catlett
1952 (published 1968–70)

First Anniversary Portrait: Ifland-Johnson, Elizabeth Heyert American, Chromogenic print — First Anniversary Portrait: Ifland-Johnson
Elizabeth Heyert
1980

Jacket, Elizabeth Hawes American, wool, cotton, American — Jacket
Elizabeth Hawes
1968

Uniform, Elizabeth Hawes American, [no medium available], American — Uniform
Elizabeth Hawes
1942–1948

Coat, Elizabeth Hawes American, [no medium available], American — Coat
Elizabeth Hawes
1941–1948

Uniform, Elizabeth Hawes American, (a–g) wool<br/>(h) metal, American — Uniform
Elizabeth Hawes
Abercrombie and Fitch Co.
1941–1942

Uniform, Elizabeth Hawes American, cotton, American — Uniform
Elizabeth Hawes
1941–1943

Terrifying Terrain, Elizabeth Murray American, Oil on shaped canvases — Terrifying Terrain
Elizabeth Murray
1989–90

Red Bellied Macaw and Yellow Naped Macaws, Elizabeth Butterworth British, Opaque watercolor and graphite on paper — Red Bellied Macaw and Yellow Naped Macaws
Elizabeth Butterworth
1988

Mother and Child, Elizabeth Catlett American and Mexican, Lithograph — Mother and Child
Elizabeth Catlett
1944

. . . In Other Folks’ Homes, from “The Negro Woman” series, Elizabeth Catlett American and Mexican, Linocut — . . . In Other Folks’ Homes, from “The Negro Woman” series
Elizabeth Catlett
1946

. . . In the Fields, from “The Negro Woman” series , Elizabeth Catlett American and Mexican, Linocut — . . . In the Fields, from “The Negro Woman” series
Elizabeth Catlett
1947

My Reward Has Been Bars Between Me and the Rest of the Land, from “The Negro Woman” series, Elizabeth Catlett American and Mexican, Linocut — My Reward Has Been Bars Between Me and the Rest of the Land, from “The Negro Woman” series
Elizabeth Catlett
1947

Self-Portrait with Glen, Scarecrows, Elizabeth Layton American, Graphite and colored pencils with incising on paper — Self-Portrait with Glen, Scarecrows
Elizabeth Layton
1979

My Role Has Been Important in the Struggle to Organize the Unorganized, from “The Negro Woman” series, Elizabeth Catlett American and Mexican, Linocut — My Role Has Been Important in the Struggle to Organize the Unorganized, from “The Negro Woman” series
Elizabeth Catlett
1947

. . . Special Houses, from “The Negro Woman” series, Elizabeth Catlett American and Mexican, Linocut — . . . Special Houses, from “The Negro Woman” series
Elizabeth Catlett
1946

Industrial Landscape, Elizabeth Terrell American, Opaque watercolor on board — Industrial Landscape
Elizabeth Terrell
ca. 1939

Embroidered Sampler, Elizabeth Easton American, Silk on wool (?), embroidered, American — Embroidered Sampler
Elizabeth Easton
1795

Wedding ensemble, Elizabeth Hawes American, rayon, leather, American — Wedding ensemble
Elizabeth Hawes
Saks Fifth Avenue
1932

Lounging pajamas, Elizabeth Hawes American, silk, American — Lounging pajamas
Elizabeth Hawes
1939

Evening dress, Elizabeth Hawes American, wool, silk, leather, American — Evening dress
Elizabeth Hawes
ca. 1935

Hat, Elizabeth Hawes American, Wool, enamel, American — Hat
Elizabeth Hawes
1941–45

Evening dress, Elizabeth Hawes American, silk, American — Evening dress
Elizabeth Hawes
1940

Belt, Elizabeth Hawes American, silk, leather, American — Belt
Elizabeth Hawes
ca. 1937

"Serena Blandish", Elizabeth Hawes American, silk, metal, American — "Serena Blandish"
Elizabeth Hawes
1933

Evening coat, Elizabeth Arden American, silk, leather, American — Evening coat
Elizabeth Arden
Antonio del Castillo
ca. 1950

"Dry Goods Economist", Elizabeth Hawes American, cotton, metal, silk, American — "Dry Goods Economist"
Elizabeth Hawes
1935