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1-42 of 26,105 results for Elkin Mathews & John Lane, The Bodley Head, London
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Love in a Dream, from Daphnis and Chloe
Charles Ricketts
Elkin Mathews & John Lane, The Bodley Head, London
1893
The Sphinx
Multiple artists/makers
1894
Keynotes
Multiple artists/makers
1893
Poems Dramatic and Lyrical
Multiple artists/makers
1893
Hero and Leander
Multiple artists/makers
1893–94
Daphnis and Chloe, A Most Sweet and Pleasant Pastoral Romance for Young Ladies...
Multiple artists/makers
1893
Terracotta amphora (jar), The Horse-Head Amphorae, Terracotta, Greek, Attic
Terracotta amphora (jar)
The Horse-Head Amphorae
ca. 600 BCE
Terracotta mug in the form of a woman's head, Class G: The London Class of Head Vases, Terracotta, Greek, Attic
Terracotta mug in the form of a woman's head
Class G: The London Class of Head Vases
ca. 500–490 BCE
The quest of the golden girl : a romance, William Henry Bradley American
The quest of the golden girl : a romance
Multiple artists/makers
1897
Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London
Side table
John Wildsmith
John Mayhew
table top 1759, base 1794
Queen Elizabeth I (1533–1603), John Bacon the Elder British, Coade stone with traces of blue/gray paint, British, Lambeth
Queen Elizabeth I (1533–1603)
Multiple artists/makers
ca. 1780
Emma from "Madame Bovary", John Archibald Austen British, Pen and black ink, brush and wash, over graphite
Emma from "Madame Bovary"
Multiple artists/makers
ca. 1928
"A Spirited Epiphonema -- raised a third and sometimes a full fifth above the key of the discourse" (for "Tristram Shandy"), John Archibald Austen British, Pen and black ink, brush and wash, over graphite
"A Spirited Epiphonema -- raised a third and sometimes a full fifth above the key of the discourse" (for "Tristram Shandy")
Multiple artists/makers
ca. 1927
Afternoon among the Cypress, Arthur Frank Mathews American, Oil on canvas, American
Afternoon among the Cypress
Arthur Frank Mathews
ca. 1905
The art of the Saracens in Egypt, Stanley Lane-Poole
The art of the Saracens in Egypt
Stanley Lane-Poole
Chapman & Hall
1886
Terracotta amphora (storage jar)
The Horse-Head Amphorae
ca. 560–550 BCE
Tea caddy with spoon (one of a set of three), John Swift British, Silver, British, London
Tea caddy with spoon (one of a set of three)
John Swift
1762–63
Nécessaire incorporating a watch (one of a pair), John Barbot British, Gold, agate, rubies, diamonds, silver, wood carcass, silk velvet, mirror glass; glass, enamel, ivory, steel; movement: gilded brass, steel; enamel face, British, London
Nécessaire incorporating a watch (one of a pair)
John Barbot
ca. 1760
Nécessaire (one of a pair), John Barbot British, Gold, agate, rubies, diamonds, silver, wood carcass, silk velvet, miror glass; enamel miniature; glass, enamel, topaz; movement: gilded brass, steel, enamel face; shagreen on wood with gold piqué ornament and gilt-brass mounts, British, London
Nécessaire (one of a pair)
Multiple artists/makers
ca. 1760
Salver, John Robinson, Silver, British, London
Salver
John Robinson
1744–45
Tea caddy with spoon (one of a set of three), John Swift British, Silver, British, London
Tea caddy with spoon (one of a set of three)
John Swift
1762–63
Tea caddy with spoon (one of a set of three), John Swift British, Silver, British, London
Tea caddy with spoon (one of a set of three)
John Swift
1762–63
Terracotta rhyton (vase for libations or drinking), Cow-Head Group, Terracotta, Greek, Attic
Terracotta rhyton (vase for libations or drinking)
Cow-Head Group
ca. 460 BCE
Terracotta neck-amphora with twisted handles (jar), Pilos Head Group, Terracotta, Greek, South Italian, Campanian
Terracotta neck-amphora with twisted handles (jar)
Pilos Head Group
ca. 350–325 BCE
Cup with cover, M., London, Silver, partly gilded, British, London
Cup with cover
M., London
1581/82
Faith, John Bacon the Elder British, Coade stone, overpainted, British, Lambeth, London
Faith
John Bacon the Elder
Coade Manufacture, Lambeth, London
1791
Skull Crowned with Snakes and Flowers (for "The Duchess of Malfi"), Henry Weston Keen British, Pen and black ink, brush and wash
Skull Crowned with Snakes and Flowers (for "The Duchess of Malfi")
Multiple artists/makers
ca. 1930
Spider, Web, Snake and Flowers (for "The Duchess of Malfi and The White Devil"), Henry Weston Keen British, Pen and black ink
Spider, Web, Snake and Flowers (for "The Duchess of Malfi and The White Devil")
Multiple artists/makers
ca. 1930
The Ghost of Isabella (for "The White Devil," Act III, scene iii), Henry Weston Keen British, Pen and black ink and graphite
The Ghost of Isabella (for "The White Devil," Act III, scene iii)
Multiple artists/makers
ca. 1930
Floral Tailpiece Designs for "The Duchess of Malfi" and "The White Devil", Henry Weston Keen British, Pen and black ink
Floral Tailpiece Designs for "The Duchess of Malfi" and "The White Devil"
Multiple artists/makers
ca. 1930
Unused Tailpiece Design for "The Duchess of Malfi", Henry Weston Keen British, Pen and black ink
Unused Tailpiece Design for "The Duchess of Malfi"
Multiple artists/makers
ca. 1930
Box, Lucia Kleinhans Mathews American, Painted wood, American
Box
Lucia Kleinhans Mathews
The Furniture Shop
1916
Stage Fort across Gloucester Harbor, Fitz Henry Lane (formerly Fitz Hugh Lane) American, Oil on canvas, American
Stage Fort across Gloucester Harbor
Fitz Henry Lane (formerly Fitz Hugh Lane)
1862
"She has taken great pains in honor of her husband's memory, who was said to have loved Italian art" (for "The Red Lily"), Donia Nachshen British, Pen and black ink, brush and black wash with touches of white gouache (bodycolor)
"She has taken great pains in honor of her husband's memory, who was said to have loved Italian art" (for "The Red Lily")
Multiple artists/makers
ca. 1930
"While he was talking of every-day matters, her mind was in a reverie far away" (for "The Red Lily"), Donia Nachshen British, Pen and black ink, brush and black wash with touches of white gouache (bodycolor)
"While he was talking of every-day matters, her mind was in a reverie far away" (for "The Red Lily")
Multiple artists/makers
ca. 1930
Basket, John Edwards II British, Silver, silver plate, British, London
Basket
John Edwards II
1731/32
Pair of candelabra, John Carter II, Silver gilt, British, London
Pair of candelabra
John Carter II
1771–72
Miniature kettle and stand, John Le Sage British, Silver, wood, cane, British, London
Miniature kettle and stand
John Le Sage
ca. 1740
Miniature cream jug, John Le Sage British, Silver, British, London
Miniature cream jug
John Le Sage
18th century
Miniature tea caddy, John Le Sage British, Silver, British, London
Miniature tea caddy
John Le Sage
ca. 1725
Miniature waiter, John Le Sage British, Silver, British, London
Miniature waiter
John Le Sage
1739/40
Miniature waiter, John Le Sage British, Silver, British, London
Miniature waiter
John Le Sage
1744