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More than 10,000 results for Façon de Venise, northern European (possibly the Lowlands)

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Wineglass, Colorless (slightly gray) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered, milled., Façon de Venise, northern European (possibly the Lowlands) — Wineglass
Façon de Venise, northern European (possibly the Lowlands)
17th century

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Wineglass, Colorless (slightly tan) and transparent bright blue-green bubbly nonlead glass. Blown, trailed, pincered., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
probably 17th century, possibly late 19th century

Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Wineglass, Colorless (slightly purplish gray), bubbly nonlead glass. Blown, diamond-point (scratch) engraved., Façon de Venise, probably northern European (Lowlands or France) — Wineglass
Façon de Venise, probably northern European (Lowlands or France)
early 17th century

Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona) — Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century

Spouted jug, Transparent dark blue and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, probably Barcelona — Spouted jug
Façon de venise, probably Barcelona
ca. 1500

Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise — Tazza
Venetian or façon de Venise
first half 16th century

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Goblet, Gray-green nonlead glass. Blown, pattern molded, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Tazza, Colorless (slightly tan) and transparent turquoise blue nonlead glass. Blown, trailed, diamond-point (scratch) engraved., Italian (Venice) or façon de Venise, northern European — Tazza
Italian (Venice) or façon de Venise, northern European
17th century

Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian — Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century

Goblet, Colorless (slightly gray) transparent turquoise blue, and opaque brick red, white, and yellow nonlead glass. Blown, pattern molded, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
probably 17th century, possibly 19th century

Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony — Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century

Beaker, Colorless (slightly tan) nonlead glass. Blown, ice-glass technique, trailed, gilt., Italian (Venice) or façon de Venise, probably south Lowlands — Beaker
Italian (Venice) or façon de Venise, probably south Lowlands
late 16th–early 17th century

Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise — Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century

Pitcher, Colorless (gray) and transparent dark blue-green nonlead glass. Blown, ice-glass technique, trailed., Italian (Venice), or façon de Venise — Pitcher
Italian (Venice), or façon de Venise
early 17th century

Double cup (Doppelscheuer), Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Façon de venise, Germany or Silesia (possibly Petersdorf) — Double cup (Doppelscheuer)
Façon de venise, Germany or Silesia (possibly Petersdorf)
late 19th century

Boot glass, Colorless (gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Boot glass, Colorless (slightly tan) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Book of the Gospels, Northern Highlands artist, Parchment (vellum), acacia wood, tempera, ink — Book of the Gospels
Northern Highlands artist
late 14th–early 15th century

Tazza, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrolean; possibly Venice — Tazza
Venetian or façon de Venise, probably Tyrolean; possibly Venice
ca. 1570

Wineglass, Glass, blown with applied decoration, Italian, Venice (Murano) or façon de Venise possibly Dutch — Wineglass
Italian, Venice (Murano) or façon de Venise possibly Dutch
17th century

Armor of Henry II, King of France (reigned 1547–59), Jean Cousin the Elder French, Steel, gold, silver, leather, textile, French, possibly Paris — Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder
Baptiste Pellerin
ca. 1555

Goblet, Bubbly colorless (very faint gray), opaque white, and transparent turquoise blue nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Northern European (possibly south Lowlands or Germany) — Goblet
Northern European (possibly south Lowlands or Germany)
probably late 17th century

Armorial goblet, Colorless (strong gray) nonlead glass. Blown, enameled, gilt., Façon de Venise, probably southern Germany or Tyrol — Armorial goblet
Façon de Venise, probably southern Germany or Tyrol
1592

Italian Peasant Woman with Basket on her Head, Northern European Artist Working in Italy Northern European, Graphite on buff wove paper with blue fibers — Italian Peasant Woman with Basket on her Head
Northern European
1820–40

Corset, Facon, silk, elastic, metal, French — Corset
Facon
Saks Fifth Avenue
1930–35

Dish, Colorless (gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrol (Innsbruck) — Dish
Venetian or façon de Venise, probably Tyrol (Innsbruck)
mid to late 16th century

Mäsqälä qǝddase (liturgical cross), Northern Highlands artist, Bronze, Northern Highlands region — Mäsqälä qǝddase (liturgical cross)
Northern Highlands artist
13th–14th century

Processional Cross, Northern Highlands artist, Brass, Northern Highlands region — Processional Cross
Northern Highlands artist
14th–15th century

Pendant in the form of a swan, Gold, partly enameled; pearls, Northern European — Pendant in the form of a swan
Northern European
16th century

Justice, Gold, partly enameled, set with diamonds and emeralds; pearls, Northern European — Justice
Northern European
late 16th centuy

Cross, Gold, partly enameled, set with diamonds, Northern European — Cross
Northern European
16th century

Pendant in the form of a ferret, Gold, partly enameled, set with rubies and diamonds; pearls, Northern European — Pendant in the form of a ferret
Northern European
16th century

Chalice, Brother Bertinus, Silver and silver gilt, Northern European — Chalice
Brother Bertinus
1222

Crucified Christ, Walrus ivory with traces of paint and gilding, Northern European — Crucified Christ
Northern European
ca. 1300

Saint Sebastian, European poplar, paint, gesso, Northern European — Saint Sebastian
Northern European
late 15th century