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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 107 results for Facon

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Corset, Facon, silk, elastic, metal, French — Corset
Facon
Saks Fifth Avenue
1930–35

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise — Tazza
Venetian or façon de Venise
first half 16th century

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Goblet, Gray-green nonlead glass. Blown, pattern molded, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
16th century

Wineglass, Colorless (slightly tan) and transparent bright blue-green bubbly nonlead glass. Blown, trailed, pincered., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
probably 17th century, possibly late 19th century

Spouted jug, Transparent dark blue and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, probably Barcelona — Spouted jug
Façon de venise, probably Barcelona
ca. 1500

Pitcher, Colorless (gray) and transparent dark blue-green nonlead glass. Blown, ice-glass technique, trailed., Italian (Venice), or façon de Venise — Pitcher
Italian (Venice), or façon de Venise
early 17th century

Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona) — Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century

Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise — Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century

Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony — Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century

Dish, Colorless (gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrol (Innsbruck) — Dish
Venetian or façon de Venise, probably Tyrol (Innsbruck)
mid to late 16th century

Tazza, Colorless (slightly tan) and transparent turquoise blue nonlead glass. Blown, trailed, diamond-point (scratch) engraved., Italian (Venice) or façon de Venise, northern European — Tazza
Italian (Venice) or façon de Venise, northern European
17th century

Double cup (Doppelscheuer), Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Façon de venise, Germany or Silesia (possibly Petersdorf) — Double cup (Doppelscheuer)
Façon de venise, Germany or Silesia (possibly Petersdorf)
late 19th century

Goblet, Colorless (slightly gray) transparent turquoise blue, and opaque brick red, white, and yellow nonlead glass. Blown, pattern molded, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
probably 17th century, possibly 19th century

Armorial goblet, Colorless (strong gray) nonlead glass. Blown, enameled, gilt., Façon de Venise, probably southern Germany or Tyrol — Armorial goblet
Façon de Venise, probably southern Germany or Tyrol
1592

Wineglass, Colorless (slightly gray) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered, milled., Façon de Venise, northern European (possibly the Lowlands) — Wineglass
Façon de Venise, northern European (possibly the Lowlands)
17th century

Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian — Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century

Wineglass, Glass, blown with applied decoration, Italian, Venice (Murano) or façon de Venise possibly Dutch — Wineglass
Italian, Venice (Murano) or façon de Venise possibly Dutch
17th century

Beaker, Colorless (slightly tan) nonlead glass. Blown, ice-glass technique, trailed, gilt., Italian (Venice) or façon de Venise, probably south Lowlands — Beaker
Italian (Venice) or façon de Venise, probably south Lowlands
late 16th–early 17th century

Tazza, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrolean; possibly Venice — Tazza
Venetian or façon de Venise, probably Tyrolean; possibly Venice
ca. 1570

Wineglass, Colorless (slightly purplish gray), bubbly nonlead glass. Blown, diamond-point (scratch) engraved., Façon de Venise, probably northern European (Lowlands or France) — Wineglass
Façon de Venise, probably northern European (Lowlands or France)
early 17th century

Goblet vase, Glass, Italian, Venice or Façon de Venise — Goblet vase
Italian, Venice or Façon de Venise
16th–17th century

Drinking bottle (Porrón), Glass; blown, a retorti, Spanish, probably Barcelona (Façon de Venise) — Drinking bottle (Porrón)
Spanish, probably Barcelona (Façon de Venise)
18th century

Bowl, Glass; blown, a ghiaccio, applied decoration, Spanish, probably Catalonia, façon de Venise — Bowl
Spanish, probably Catalonia, façon de Venise
16th-17th century

Boot glass, Colorless (gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Boot glass, Colorless (slightly tan) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Bottle with two white fillets, Glass, Italian, Venice, Murano or façon de Venise — Bottle with two white fillets
Italian, Venice, Murano or façon de Venise
17th century

Pharmacy jar (albarello), Glass; blown, marbleized decoration, possibly Italian, Venice (Murano) or possibly French, façon de Venise — Pharmacy jar (albarello)
possibly Italian, Venice (Murano) or possibly French, façon de Venise
18th–19th century

Head I, Francis Bacon British, born Ireland, Oil and tempera on board — Head I
Francis Bacon
1947–48

Three Studies for Self-Portrait, Francis Bacon British, born Ireland, Oil on canvas — Three Studies for Self-Portrait
Francis Bacon
1979

Armchair, Francis H. Bacon, Mahogany, tooled and painted leather, American — Armchair
Francis H. Bacon
A. H. Davenport
1886–88

Fan, Faucon French, mother-of-pearl, linen, ivory, metal, metallic,, French — Fan
Faucon
1895–1905

Fan, Faucon French, Wood, metal, silk, sequins, mother-of-pearl, paper, French — Fan
Faucon
1900–1915

Queen Elizabeth I (1533–1603), John Bacon the Elder British, Coade stone with traces of blue/gray paint, British, Lambeth — Queen Elizabeth I (1533–1603)
Multiple artists/makers
ca. 1780

Contentment, Peggy Bacon American, Lithograph — Contentment
Peggy Bacon
1936

Lingering Memories, Peggy Bacon American, Pen and black ink, watercolor, and opaque watercolor with traces of graphite on paper — Lingering Memories
Peggy Bacon
1954