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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 176 results for Faucon

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Fan, Faucon French, mother-of-pearl, linen, ivory, metal, metallic,, French — Fan
Faucon
1895–1905

Fan, Faucon French, Wood, metal, silk, sequins, mother-of-pearl, paper, French — Fan
Faucon
1900–1915

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Corset, Facon, silk, elastic, metal, French — Corset
Facon
Saks Fifth Avenue
1930–35

Ewer and basin, Jean Fauche, Silver, French, Paris — Ewer and basin
Jean Fauche
1739–42

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Head I, Francis Bacon British, born Ireland, Oil and tempera on board — Head I
Francis Bacon
1947–48

Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
16th century

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Goblet, Gray-green nonlead glass. Blown, pattern molded, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Wineglass, Colorless (slightly tan) and transparent bright blue-green bubbly nonlead glass. Blown, trailed, pincered., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
probably 17th century, possibly late 19th century

Spouted jug, Transparent dark blue and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, probably Barcelona — Spouted jug
Façon de venise, probably Barcelona
ca. 1500

Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise — Tazza
Venetian or façon de Venise
first half 16th century

Three Studies for Self-Portrait, Francis Bacon British, born Ireland, Oil on canvas — Three Studies for Self-Portrait
Francis Bacon
1979

Box, Nicolas François Foulon French, Fruitwood (bois de Saint-Lucie), French, Lorraine (Nancy) — Box
Nicolas François Foulon
late 17th–early 18th century

Box (part of a set), Nicolas François Foulon French, Fruitwood (bois de Sainte-Lucie), French, Lorraine (Nancy) — Box (part of a set)
Nicolas François Foulon
late 17th–early 18th century

Pair of candlesticks (part of a set), Nicolas François Foulon French, Fruitwood (bois de Sainte-Lucie), French, Lorraine (Nancy) — Pair of candlesticks (part of a set)
Nicolas François Foulon
late 17th–early 18th century

Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona) — Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century

Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise — Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century

Pitcher, Colorless (gray) and transparent dark blue-green nonlead glass. Blown, ice-glass technique, trailed., Italian (Venice), or façon de Venise — Pitcher
Italian (Venice), or façon de Venise
early 17th century

Doorway to Brasilia, Aloisio Magalhaes Brazilian, Photo offset lithography — Doorway to Brasilia
Multiple artists/makers
1959

Doorway to Portuguese, Aloisio Magalhaes Brazilian, Photo offset lithography — Doorway to Portuguese
Multiple artists/makers
1957

Goblet, Tyrol, Colorless (dark gray) bubbly nonlead glass. Blown, pattern molded, gilt., Façcon de Venise, probably Tyrolean (Hall) or French — Goblet
Tyrol
French
16th century

Armchair, Francis H. Bacon, Mahogany, tooled and painted leather, American — Armchair
Francis H. Bacon
A. H. Davenport
1886–88

Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony — Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century

Platter, Thomas Fasson British, Pewter, British, London — Platter
Thomas Fasson
Samuel Ellis
18th century

Basin with shaving attachment, Jean Fauche, Silver, French, Paris — Basin with shaving attachment
Jean Fauche
Joseph-Pierre-Jacques Duguay
1745–46 and 1760–61

Queen Elizabeth I (1533–1603), John Bacon the Elder British, Coade stone with traces of blue/gray paint, British, Lambeth — Queen Elizabeth I (1533–1603)
Multiple artists/makers
ca. 1780

Double cup (Doppelscheuer), Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Façon de venise, Germany or Silesia (possibly Petersdorf) — Double cup (Doppelscheuer)
Façon de venise, Germany or Silesia (possibly Petersdorf)
late 19th century

Goblet, Colorless (slightly gray) transparent turquoise blue, and opaque brick red, white, and yellow nonlead glass. Blown, pattern molded, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
probably 17th century, possibly 19th century

Armorial goblet, Colorless (strong gray) nonlead glass. Blown, enameled, gilt., Façon de Venise, probably southern Germany or Tyrol — Armorial goblet
Façon de Venise, probably southern Germany or Tyrol
1592

Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian — Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century

Wineglass, Colorless (slightly gray) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered, milled., Façon de Venise, northern European (possibly the Lowlands) — Wineglass
Façon de Venise, northern European (possibly the Lowlands)
17th century

Dish, Colorless (gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrol (Innsbruck) — Dish
Venetian or façon de Venise, probably Tyrol (Innsbruck)
mid to late 16th century

Tazza, Colorless (slightly tan) and transparent turquoise blue nonlead glass. Blown, trailed, diamond-point (scratch) engraved., Italian (Venice) or façon de Venise, northern European — Tazza
Italian (Venice) or façon de Venise, northern European
17th century

The Great Question, Peggy Bacon American, Pastel on paper — The Great Question
Peggy Bacon
1937

Contentment, Peggy Bacon American, Lithograph — Contentment
Peggy Bacon
1936

Tray, André Aucoc, Silver gilt, mother-of-pearl, French, Paris — Tray
André Aucoc
1887–1911

Pincushion, André Aucoc, Silver gilt, mother-of-pearl, red velvet, French, Paris — Pincushion
André Aucoc
1887–1911