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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,381 results for Faxon & Read

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The Cabinet Maker's Assistant

Robert Conner

Faxon & Read

1842

The Cabinet Maker's Assistant

Robert Conner

Faxon & Read

1842

Quillwork Sconce, Ruth Read American, Paper, shells, wire, glass, American — Quillwork Sconce
Ruth Read
1720–40

Quillwork Sconce, Ruth Read American, Paper, shells, wire, glass, American — Quillwork Sconce
Ruth Read
1720–40

Pitch Pipe, Cook & Read, Metal, American — Pitch Pipe
Cook & Read
after 1876

Frank H. Read

1910

Westminster Hall: or Professional Relics and Anecdotes of the Bar, Bench and Woolsack.

Multiple artists/makers

1825

Multiple artists/makers

1778

Multiple artists/makers

March 12, 1784

Multiple artists/makers

1790

The Seasons, Benedictus Antonio van Assen British, born The Netherlands, Stipple engraving — The Seasons
Benedictus Antonio van Assen
Joseph Read
1793

The Lady's Companion. Fifth Edition. Vol. I

Read and Baldwin

1751

Chinese Furniture

Mentzer Read Co.

1925 (?)

Interior of the Crystal Palace from the Transept, from an Accurate Drawing Approved by the Royal Commissioners

Read and Company

1850

Etching...a practical treatise...

Multiple artists/makers

1914

Read's Crinoline Sketches, No. 9, Anonymous, British, 19th century British, Hand-colored lithograph — Read's Crinoline Sketches, No. 9
Anonymous, British, 19th century
Read and Company
July 22, 1859

Mr. Ben: Read, A Member of Hogarth's Club at the Bedford Arms Tavern, Drawn by him about the Year 1757, Richard Livesay British, Etching and aquatint, printed in brown ink — Mr. Ben: Read, A Member of Hogarth's Club at the Bedford Arms Tavern, Drawn by him about the Year 1757
Multiple artists/makers
November 27, 1781

The Serious and Comic Valentine Writer, For the Present Year, With Answers of Rejection or Compliance, Adapted to Both Sexes, and All Situations in Life

W. Strange

Joseph Read

19th century

Henrietta Read (later Henrietta Meares)

Multiple artists/makers

1905 (?)

Hyde Park. Tom and his Cousin, dashing among the Pinks in Rotten Row

Multiple artists/makers

after 1822

Portrait of Elizabeth Barrett Browning

Multiple artists/makers

1830–97

Multiple artists/makers

1760–80

A Voyage to North America and the West Indies in 1817

Multiple artists/makers

1821

Remembrance of the Great Exhibition: A Series of Views

Multiple artists/makers

1853

Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England"), William Hamilton British, Etching and stipple engraving — Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England")
Multiple artists/makers
May 1, 1787

Multiple artists/makers

second half 19th century

Corset, Facon, silk, elastic, metal, French — Corset
Facon
Saks Fifth Avenue
1930–35

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Hunting Sword with Scabbard, Steel, bronze, gold, wood, leather, Saxon — Hunting Sword with Scabbard
Saxon
early 18th century

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Wineglass, Colorless (slightly tan) and transparent bright blue-green bubbly nonlead glass. Blown, trailed, pincered., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
probably 17th century, possibly late 19th century

Spouted jug, Transparent dark blue and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, probably Barcelona — Spouted jug
Façon de venise, probably Barcelona
ca. 1500

Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise — Tazza
Venetian or façon de Venise
first half 16th century

Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
16th century

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Goblet, Gray-green nonlead glass. Blown, pattern molded, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Square-Headed Bow Brooch, Gilded copper alloy inlaid with niello, Anglo-Saxon — Square-Headed Bow Brooch
Anglo-Saxon
500–600

Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona) — Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century

Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise — Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century