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Showing 123 results for Flaminio Innocenzo Minozzi
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Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, yellow, and rose wash, with a vertical line in leadpoint (in half part of the drawing) through the center to create the symmetry
Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome
Flaminio Innocenzo Minozzi
1755–1817
Designs for an Altar in a Niche, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, purple-gray and green wash, over leadpoint; vertical line in leadpoint and pen and brown ink through the center of the drawing to create the symmetry
Designs for an Altar in a Niche
Flaminio Innocenzo Minozzi
1755–1817
Design for a Trompe L'Oeil Ceiling, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, rose, green and blue wash, over traces of black chalk or leadpoint
Design for a Trompe L'Oeil Ceiling
Flaminio Innocenzo Minozzi
ca. 1750–60
Description of a Plan with Three Figures and Divan Below, Flaminio Innocenzo Minozzi Italian, Pen and brown and gray ink, brush and gray wash
Description of a Plan with Three Figures and Divan Below
Flaminio Innocenzo Minozzi
18th century
Architectural Design for a Ceiling with a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown wash, gray and blue wash over leadpoint
Architectural Design for a Ceiling with a Dome
Flaminio Innocenzo Minozzi
1755–1817
Design of a Perspective projection for an Urn, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of black and red chalk
Design of a Perspective projection for an Urn
Flaminio Innocenzo Minozzi
n.d.
Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of red chalk
Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top
Flaminio Innocenzo Minozzi
1735–1817
Design for Part of a Church Ceiling with a Dome, Faustino Trebbi Italian, Pen and Ink with gray, blue and brown wash
Design for Part of a Church Ceiling with a Dome
Faustino Trebbi
Flaminio Innocenzo Minozzi
1735–1817
Ground plan of catafalque for Esequie and Tommaso Maria de Angelis
Flaminio Innocenzo Minozzi
18th century
Folding plate of full catafalque for Tommaso Maria de Angelis
Flaminio Innocenzo Minozzi
1768
I Riti Nuziali degli Antiche Romani per le Nozze di S.E. Don Giovanni Lambertini con S.E. Donna Lucrezia Savorgnan
Multiple artists/makers
1762
The Glorification of Saint Anthony Abbot, Carlo Innocenzo Carloni Italian, Oil on canvas
The Glorification of Saint Anthony Abbot
Carlo Innocenzo Carloni
Saint John the Baptist, Innocenzo da Imola (Innocenzo Francucci), Black and white chalk
Saint John the Baptist
Innocenzo da Imola (Innocenzo Francucci)
Giuliano di Piero di Simone Bugiardini
early 16th century
Frammenti di Ornati per li Giovani Principianti nel Disegno (Fragments of Ornament for the Young Students of Design)
Multiple artists/makers
1783
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair, Flaminio Torre (Torri) Italian, Red chalk on brownish paper
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair
Flaminio Torre (Torri)
1621–61
Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap, Flaminio Torre (Torri) Italian, Etching
Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap
Flaminio Torre (Torri)
Guido Reni
1640–50
Pan and Cupid, Flaminio Torre (Torri) Italian, Etching
Pan and Cupid
Flaminio Torre (Torri)
Agostino Carracci
1640–60
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni, Flaminio Torre (Torri) Italian, Etching
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni
Flaminio Torre (Torri)
Guido Reni
ca. 1620–61
Samson holding the jaw bone of an ass over his head and standing next to the Philistines he has just killed, more dead bodies in the background, a tapered composition with rounded top, after Reni, Flaminio Torre (Torri) Italian, Etching
Samson holding the jaw bone of an ass over his head and standing next to the Philistines he has just killed, more dead bodies in the background, a tapered composition with rounded top, after Reni
Flaminio Torre (Torri)
Guido Reni
ca. 1640–60
Saint Lucy in Glory, Carlo Innocenzo Carloni Italian, Brush and red and brown wash, over red chalk
Saint Lucy in Glory
Carlo Innocenzo Carloni
1686–1775
The Decapitation of a Male Saint, Carlo Innocenzo Carloni Italian, Brush and red wash, over red chalk
The Decapitation of a Male Saint
Carlo Innocenzo Carloni
1686–1775
Power, represented by a woman seated on clouds holding a crown and surrounded by putti, Carlo Innocenzo Carloni Italian, Etching; first state of two
Power, represented by a woman seated on clouds holding a crown and surrounded by putti
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Academic Study, seen from the back, Carlo Innocenzo Carloni Italian, Etching
Academic Study, seen from the back
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Wealth, represented by a woman seated on clouds and surrounded by putti, one of whom is pouring coins, Carlo Innocenzo Carloni Italian, Etching; first state of two
Wealth, represented by a woman seated on clouds and surrounded by putti, one of whom is pouring coins
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Putti holding flowers, Carlo Innocenzo Carloni Italian, Etching; first state of two
Putti holding flowers
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
The Annunciation to Saint Joseph, Carlo Innocenzo Carloni Italian, Etching; second state of two
The Annunciation to Saint Joseph
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Saint Charles giving communion to the plague-stricken, Carlo Innocenzo Carloni Italian, Etching; second state of two
Saint Charles giving communion to the plague-stricken
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Hercules leading Cerebus out of Hades, Hercules at center holding a wooden club and wearing lion's skin, two young boys with a shield at left with various soldiers behind them
Matthaeus Greuter
Innocenzo Martini
ca. 1620–25
The Descent from the Cross
Alessandro Badiale
Flaminio Torre (Torri)
ca. 1640–68
Palazzo Pontificio (Palazzo Quirinale)
Multiple artists/makers
1655
Punishment imposed to a Priest and his Accomplice, volume 3, plate 216 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Allegory of Avarice, Jacopo Ligozzi Italian, Oil on canvas
Allegory of Avarice
Jacopo Ligozzi
Hexagonal canister (Schraubflasche), Jonas Laminit, Silver gilt, enamel, German, Augsburg
Hexagonal canister (Schraubflasche)
Jonas Laminit
ca. 1650
Snuffbox, Pierre-Innocent Zurich, Gold, enamel, French, Paris
Snuffbox
Pierre-Innocent Zurich
1782
Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Grammar
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
Allegorical Figure Representing Metaphysics, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Metaphysics
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
Traveling set in leather case, Johann Ludwig Laminit German, Gilded silver, steel, Meissen porcelain, tooled leather, velvet, German, Augsburg
Traveling set in leather case
Multiple artists/makers
ca. 1745–50
Two Seated Musicians (Recto); A Group of Figures Squared with Diagonal Lines (Verso), Camilo Innocenti Italian, Black chalk and graphite on heavy wove paper
Two Seated Musicians (Recto); A Group of Figures Squared with Diagonal Lines (Verso)
Camilo Innocenti
n.d.