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Showing 401 results for Flaminio Torre (Torri)
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The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni, Flaminio Torre (Torri) Italian, Etching
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni
Flaminio Torre (Torri)
Guido Reni
ca. 1620–61
Samson holding the jaw bone of an ass over his head and standing next to the Philistines he has just killed, more dead bodies in the background, a tapered composition with rounded top, after Reni, Flaminio Torre (Torri) Italian, Etching
Samson holding the jaw bone of an ass over his head and standing next to the Philistines he has just killed, more dead bodies in the background, a tapered composition with rounded top, after Reni
Flaminio Torre (Torri)
Guido Reni
ca. 1640–60
Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap, Flaminio Torre (Torri) Italian, Etching
Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap
Flaminio Torre (Torri)
Guido Reni
1640–50
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair, Flaminio Torre (Torri) Italian, Red chalk on brownish paper
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair
Flaminio Torre (Torri)
1621–61
Pan and Cupid, Flaminio Torre (Torri) Italian, Etching
Pan and Cupid
Flaminio Torre (Torri)
Agostino Carracci
1640–60
The Descent from the Cross
Alessandro Badiale
Flaminio Torre (Torri)
ca. 1640–68
Punishment imposed to a Priest and his Accomplice, volume 3, plate 216 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Giovanni Caroto (1495?–1555), Veronese Painter, Giulio della Torre, Bronze, Italian
Giovanni Caroto (1495?–1555), Veronese Painter
Giulio della Torre
16th century
Francesco Niconizio, Giulio della Torre, Bronze, Italian
Francesco Niconizio
Giulio della Torre
late 15th–mid-16th century
Pair of Flintlock Pistols Made for Ferdinand IV, King of Naples and Sicily (1751–1825), Royal Arms Manufactory at Torre Annunziata Italian, Steel, gold, wood (walnut), silver, Italo-Spanish, Naples
Pair of Flintlock Pistols Made for Ferdinand IV, King of Naples and Sicily (1751–1825)
Multiple artists/makers
ca. 1768
Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of red chalk
Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top
Flaminio Innocenzo Minozzi
1735–1817
Architectural Design for a Ceiling with a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown wash, gray and blue wash over leadpoint
Architectural Design for a Ceiling with a Dome
Flaminio Innocenzo Minozzi
1755–1817
Design of a Perspective projection for an Urn, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of black and red chalk
Design of a Perspective projection for an Urn
Flaminio Innocenzo Minozzi
n.d.
Description of a Plan with Three Figures and Divan Below, Flaminio Innocenzo Minozzi Italian, Pen and brown and gray ink, brush and gray wash
Description of a Plan with Three Figures and Divan Below
Flaminio Innocenzo Minozzi
18th century
Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, yellow, and rose wash, with a vertical line in leadpoint (in half part of the drawing) through the center to create the symmetry
Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome
Flaminio Innocenzo Minozzi
1755–1817
Designs for an Altar in a Niche, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, purple-gray and green wash, over leadpoint; vertical line in leadpoint and pen and brown ink through the center of the drawing to create the symmetry
Designs for an Altar in a Niche
Flaminio Innocenzo Minozzi
1755–1817
Design for a Trompe L'Oeil Ceiling, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, rose, green and blue wash, over traces of black chalk or leadpoint
Design for a Trompe L'Oeil Ceiling
Flaminio Innocenzo Minozzi
ca. 1750–60
Drawing of a Catafalque for Philip II of Spain, 1598, Alessandro Casolani della Torre Italian, Pen and brown ink, brush and brown wash
Drawing of a Catafalque for Philip II of Spain, 1598
Alessandro Casolani della Torre
1598
Ground plan of catafalque for Esequie and Tommaso Maria de Angelis
Flaminio Innocenzo Minozzi
18th century
Folding plate of full catafalque for Tommaso Maria de Angelis
Flaminio Innocenzo Minozzi
1768
Design for Part of a Church Ceiling with a Dome, Faustino Trebbi Italian, Pen and Ink with gray, blue and brown wash
Design for Part of a Church Ceiling with a Dome
Faustino Trebbi
Flaminio Innocenzo Minozzi
1735–1817
From Warwick Lane, from "Caricatures of the English", Philippe Jacques de Loutherbourg French, Etching; after third state
From Warwick Lane, from "Caricatures of the English"
Multiple artists/makers
May 1, 1790
Portrait of Alessandro Casolani, Bernardino Capitelli Italian, Etching
Portrait of Alessandro Casolani
Bernardino Capitelli
Alessandro Casolani della Torre
1634
Fiestas de la S. Iglesia Metropolitana y Patriarcal de Sevilla
Multiple artists/makers
1671
Jupiter and Juno on Mount Ida, Francesco Bartolozzi Italian, Stipple engraving and etching, printed in color; second state of four
Jupiter and Juno on Mount Ida
Multiple artists/makers
January 1, 1784
Genius and Beauty, Francesco Bartolozzi Italian, Etching and stipple engraving, printed in brown ink; fourth state
Genius and Beauty
Multiple artists/makers
September 15, 1782
Prudence, Love and Beauty, Francesco Bartolozzi Italian, Etching and stipple engraving, printed in brown ink; fifth state
Prudence, Love and Beauty
Multiple artists/makers
September 15, 1782
Terpsichore, Francesco Bartolozzi Italian, Etching and stipple engraving, printed in brown ink
Terpsichore
Multiple artists/makers
May 31, 1779
Erato, Francesco Bartolozzi Italian, Etching and stipple engraving, printed in brown ink
Erato
Multiple artists/makers
February 1, 1779
Poetry, Francesco Bartolozzi Italian, Stipple engraving and etching; printed in red ink; third state of three
Poetry
Multiple artists/makers
February 15, 1783
Music, Francesco Bartolozzi Italian, Stipple engraving and etching; printed in red ink; fourth (?) state of five
Music
Multiple artists/makers
February 15, 1783
Design after the monument of Leonardo Loredano, Antonio Francesco Luccini Italian, Etching; squared in red chalk
Design after the monument of Leonardo Loredano
Multiple artists/makers
1625–1700
Virgin and Child with the infant Saint John the Baptist, Anonymous, Engraving
Virgin and Child with the infant Saint John the Baptist
Multiple artists/makers
ca. 1581–1613
Chariot surrounded by two rows of halberdiers before cart on which there is a temple, from Maria Vergine Coronata; Descrizione e dichiarazione della Divota Solennita fatta in Reggio li 13 Maggio 1674
Multiple artists/makers
1675
Presentation Saber with Scabbard, Royal Arms Manufactory at Torre Annunziata Italian, Steel, copper alloy, wood, gold, mother-of-pearl, coral, Italian, Naples
Presentation Saber with Scabbard
Royal Arms Manufactory at Torre Annunziata
ca. 1806–10
Sacrifice to Diana, Francesco Bartolozzi Italian, Etching and engraving
Sacrifice to Diana
Multiple artists/makers
1776
The Duke and Duchess of Marlborough and Lord Francis Spencer, their Son
Multiple artists/makers
1786
Ticket for the Benefit of Mr. Legard, Carlisle House, May 7, 1781
Multiple artists/makers
February 15, 1781
Pictoresque Amusements
Multiple artists/makers
1787
Sealing the Sepulchre
Multiple artists/makers
November 29, 1787