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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,283 results for Flemish, Malines

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Hat Badge: Woman Choosing Between Youth and Old Age, Gold, gold filigree and enamel, probably Flemish (Malines) — Hat Badge: Woman Choosing Between Youth and Old Age
probably Flemish (Malines)
ca. 1520

Two joined lappets, Mechlin, Linen, bobbin lace, Flemish, Malines — Two joined lappets
Mechlin
mid-18th century

Edging, Linen, bobbin lace, Flemish, Malines — Edging
Flemish, Malines
18th century

Saint Joseph and the Christ Child, Nicolaas van der Veken Flemish, Boxwood, Flemish, Malines (Mechelen) — Saint Joseph and the Christ Child
Nicolaas van der Veken
second half 17th century

Saint John the Baptist with Five Kneeling Women, Stained glass, Flemish, Malines (Mechelen) — Saint John the Baptist with Five Kneeling Women
Flemish, Malines (Mechelen)
ca. 1520

Adoration of the Magi, Flemish , first quarter of the sixteenth century, Pen and light brown and grayish brown ink over traces of black chalk; original borderline all around., Flemish, Antwerp — Adoration of the Magi
Flemish
first quarter 16th century

Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels — Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510

Double Virginal, Lodewijck Grouwels Flemish, active The Netherlands, Pine, spruce, paint, gilding, ivory, Flemish — Double Virginal
Lodewijck Grouwels
1600

Man with a Mixing Bowl, Joseph Willems Flemish, Terracotta, Flemish — Man with a Mixing Bowl
Joseph Willems
1736

Tankard, Pewter, Flemish — Tankard
Flemish
18th century

Rosary bead, Boxwood, gilded silver, Flemish — Rosary bead
Flemish
ca. 1525–50

Allegory of Rout and Pillage, Dirck Vellert Netherlandish, Colorless glass, vitreous paint and silver stain, Flemish — Allegory of Rout and Pillage
Dirck Vellert
ca. 1520

Wild Man, Brass, Flemish — Wild Man
Flemish
16th century

Head of a Man, Flemish , mid-seventeenth century, Black and red chalk with traces of white heightening — Head of a Man
Flemish
mid-17th century

Portrait of a Woman, Flemish Painter Flemish, Oil on copper — Portrait of a Woman
Flemish Painter

Harbor Scene, Flemish Painter Flemish, Vellum — Harbor Scene
Flemish Painter

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Part of a tabernacle frame, Poplar. Yellow bole, red and blue color., Flemish, Antwerp (?) — Part of a tabernacle frame
Flemish, Antwerp (?)
late 16th century

Portrait of a Woman, Netherlandish or French Netherlandish or French, Oil on oak panel, Franco-Flemish — Portrait of a Woman
Netherlandish or French
ca. 1470–80

Decorative ewer, Carved alder wood, probably Flemish — Decorative ewer
probably Flemish
first half 18th century

Martyrdom of the Seven Maccabee Brothers and Their Mother, Dirck Vellert Netherlandish, Stained glass, Flemish, Antwerp — Martyrdom of the Seven Maccabee Brothers and Their Mother
Dirck Vellert
ca. 1530–35

Charity, Claudius Floris Flemish, Alabaster, traces of gilding, Flemish, Antwerp (?) — Charity
Claudius Floris
Jacques du Broeucq
1536–1547/48

The Mocking of Christ, Jan Rombouts South Netherlandish (Duchy of Brabant), Stained glass, Flemish, Leuven — The Mocking of Christ
Jan Rombouts
1529

Coffeepot, Master with the Mark of a Crowned D, Silver, wood, Flemish, Mons — Coffeepot
Master with the Mark of a Crowned D
1771

The Parable of the Vineyard (one of a set of 12 scenes from The Life of Christ), Jan Rombouts South Netherlandish (Duchy of Brabant), Stained glass, Flemish, Leuven — The Parable of the Vineyard (one of a set of 12 scenes from The Life of Christ)
Jan Rombouts
ca. 1525–30

Christ and the Woman Taken in Adultery (one of a set of 12 scenes from The Life of Christ), Jan Rombouts South Netherlandish (Duchy of Brabant), Stained glass, Flemish, Leuven — Christ and the Woman Taken in Adultery (one of a set of 12 scenes from The Life of Christ)
Jan Rombouts
ca. 1525–30

Healing of the Paralyzed Man at Capernaum (one of a set of 12 scenes from The Life of Christ), Jan Rombouts South Netherlandish (Duchy of Brabant), Stained glass, Flemish, Leuven — Healing of the Paralyzed Man at Capernaum (one of a set of 12 scenes from The Life of Christ)
Jan Rombouts
ca. 1525–30

Vitellius tazza, Gilded silver, Flemish, Antwerp (?) — Vitellius tazza
Flemish, Antwerp (?)
ca. 1587–99, foot added after mid-19th century

Claudius Tazza, Unknown , Flemish, Antwerp ?, late 16th c., Gilded silver, Flemish, Antwerp (?) — Claudius Tazza
Unknown
ca. 1587–99

Elector Maximilian II Emanuel of Bavaria on Horseback, Roger Schabol Flemish, Bronze, with gilt-bronze base of about two decades later, Flemish, Brussels — Elector Maximilian II Emanuel of Bavaria on Horseback
Roger Schabol
Martin Desjardins
cast 1707

Saint Martin Announcing to His Parents That He Will Become a Christian, Linen plain weave underlaid with linen plain weave and embroidered with silk and gilt-metal-strip-wrapped silk in split and stem stitches, laid work, and couching, including or nué, Flemish — Saint Martin Announcing to His Parents That He Will Become a Christian
Flemish
1430–35

Louis XIV-style frame, Pine, Flemish — Louis XIV-style frame
Flemish
1700–1720

Saint Martin Brings a Dead Man to Life, Linen plain weave underlaid with linen plain weave and embroidered with silk and gilt-metal-strip-wrapped silk in split and stem stitches, laid work, and couching, including or nué, Flemish — Saint Martin Brings a Dead Man to Life
Flemish
1430–35

Border, Wool and linen, with highlights in silk, in tapestry weave, Flemish — Border
Flemish
last third 16th century

Saint Martin Offering the Wine Cup to the Priest, Linen plain weave underlaid with linen plain weave and embroidered silk and gilt-metal-strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching, including or nué, Flemish — Saint Martin Offering the Wine Cup to the Priest
Flemish
1430–35

Saint Martin and Saint Hilary, Linen plain weave underlaid with linen plain weave (two layers) and embroidered with silk and gilt-metal-strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching, including or nué, Flemish — Saint Martin and Saint Hilary
Flemish
1430–35

Saint Catherine Listening to the Crowds on Their Way to the Temple to Worship Idols, Linen; embroidered with silk; silver; and silver-gilt threads, Flemish — Saint Catherine Listening to the Crowds on Their Way to the Temple to Worship Idols
Flemish
1440–45

Saint Catherine in the Temple Arguing Against the Worship of Idols, Silk plain weave underlaid with linen plain weave embroidered with silk and gilt- and silvered-metal strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching (including "or nué" and undersided couching), Flemish — Saint Catherine in the Temple Arguing Against the Worship of Idols
Flemish
1440–45

Studies of Saint John the Baptist, Copy after Rogier van der Weyden Flemish, Metalpoint on gray prepared paper, Flemish — Studies of Saint John the Baptist
Copy after Rogier van der Weyden
after 1455

Bear Hunt, Flanders (Brussels?), Pen and brown ink, Flemish — Bear Hunt
Flanders (Brussels?)
ca. 1470–90