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Showing 4,610 results for François Langlois

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A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie figure", Stefano della Bella Italian, Etching; first state of four — A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie figure"
Stefano della Bella
François Langlois
ca. 1645

Head of a young man in profile, from "Various Portraits" (Recueil de Diverses Piéces Servant à l'Art de Portraiture)

Stefano della Bella

François Langlois

ca. 1647

Cartouche Framed by Children and a Goat, Stefano della Bella Italian, Etching; second state — Cartouche Framed by Children and a Goat
Stefano della Bella
François Langlois
1646

Cartouche Containing an Empty Shield Surmounted by a Lion and Framed by a Lion and a Child, Stefano della Bella Italian, Etching; second state — Cartouche Containing an Empty Shield Surmounted by a Lion and Framed by a Lion and a Child
Stefano della Bella
François Langlois
1646

A horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background, plate 10 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — A horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background, plate 10 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

A shepherd sleeping on the ground at right, three horses at left, other horses and various figures to right, the Baths of Diocletian in the background, plate 12 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — A shepherd sleeping on the ground at right, three horses at left, other horses and various figures to right, the Baths of Diocletian in the background, plate 12 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

Ruins of a temple in a Roman landscape, plate 13 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — Ruins of a temple in a Roman landscape, plate 13 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background, plate 2 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background, plate 2 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

A gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, plate 3 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — A gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, plate 3 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

A woman carrying a child on a horse at left, a camel following her, a herd of goats, sheep, and a shepherd in front of her at right, plate 5 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — A woman carrying a child on a horse at left, a camel following her, a herd of goats, sheep, and a shepherd in front of her at right, plate 5 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

Cows crossing a valley at left, a horseman and other cows in the background, plate 6 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — Cows crossing a valley at left, a horseman and other cows in the background, plate 6 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

A triple waterfall, a dead tree at right, a mountain and a herd of cows in the background at right, plate 7 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — A triple waterfall, a dead tree at right, a mountain and a herd of cows in the background at right, plate 7 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

The Colosseum, two herds being directed towards the amphitheater in the foreground, plate 8 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — The Colosseum, two herds being directed towards the amphitheater in the foreground, plate 8 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska) — The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646

The Martyrdom of St. Lawrence, Claude Vignon French, Etching, second state of three (Pacht Bassani) — The Martyrdom of St. Lawrence
Claude Vignon
François Langlois
ca. 1627

Frieze-like procession of draped women bearing offerings and horns, at right a man cuts a ram's throat before an altar, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Frieze-like procession of draped women bearing offerings and horns, at right a man cuts a ram's throat before an altar, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Procession of draped female dancers, women bearing baskets, and male musicians, at right a satyr lies bound on a pyre, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Procession of draped female dancers, women bearing baskets, and male musicians, at right a satyr lies bound on a pyre, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Procession of draped women leading captives and animals, at left Envy rides a lion, at right Silenus rides a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Procession of draped women leading captives and animals, at left Envy rides a lion, at right Silenus rides a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Composition of figures between a Pan herm and a sculpted bust: at left putti carry grapevines, at center a satyr supports Silenus upon a leopard skin, at right a satyr shoes a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Composition of figures between a Pan herm and a sculpted bust: at left putti carry grapevines, at center a satyr supports Silenus upon a leopard skin, at right a satyr shoes a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching — Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25

Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Une Ecrevisse Regardant Le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Une Ecrevisse Regardant Le Soleil (A Crayfish Looking at the Sun), plate 18 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Bergers Défendant leur Troupeau (The Shepherds Defending their Herd), plate 4 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Bergers Défendant leur Troupeau (The Shepherds Defending their Herd), plate 4 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1625–31

L'Oiseau Posé sur un Chardon en Fleurs (The Bird Standing on Thistle Flower), plate 13 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — L'Oiseau Posé sur un Chardon en Fleurs (The Bird Standing on Thistle Flower), plate 13 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1625–31

Le Rossignol Posé sur un Buisson (A Nightengale Standing on a Bush), plate 14 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Rossignol Posé sur un Buisson (A Nightengale Standing on a Bush), plate 14 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure) — Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35

Le Corbeau et ses Petits (The Raven and his Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure) — Le Corbeau et ses Petits (The Raven and his Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35