The Temple of Dendur will be closed Sunday, April 26, through Friday, May 8. The Met Fifth Avenue will be closed on Monday, May 4.

Plan your visit
Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 4,619 results for François Langlois
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
The Martyrdom of St. Lawrence, Claude Vignon French, Etching, second state of three (Pacht Bassani)
The Martyrdom of St. Lawrence
Claude Vignon
François Langlois
ca. 1627
Composition of figures between a Pan herm and a sculpted bust: at left putti carry grapevines, at center a satyr supports Silenus upon a leopard skin, at right a satyr shoes a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Composition of figures between a Pan herm and a sculpted bust: at left putti carry grapevines, at center a satyr supports Silenus upon a leopard skin, at right a satyr shoes a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25
Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25
Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25
Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
François Langlois
ca. 1617–25
March of an army on a plain, the commander in chief in front, his aides behind him, a trumpeter on horseback at right, a plain with various figures and horses in the background, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four
March of an army on a plain, the commander in chief in front, his aides behind him, a trumpeter on horseback at right, a plain with various figures and horses in the background, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645
A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four
A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645
A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four
A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645
Plate 11: the pyramid of Caius Cestius, a horse grazing, a foal suckling a mare, a seated shepherd and another standing, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 11: the pyramid of Caius Cestius, a horse grazing, a foal suckling a mare, a seated shepherd and another standing, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 12: a shepherd sleeping on the ground, the Baths of Diocletian in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 12: a shepherd sleeping on the ground, the Baths of Diocletian in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 9: the Arch of Constantine to left, part of the Colosseum to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 9: the Arch of Constantine to left, part of the Colosseum to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 10: a horse lying down, a cow and two goats, two seated shepherds, a waterfall and a mountain in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 10: a horse lying down, a cow and two goats, two seated shepherds, a waterfall and a mountain in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 7: a triple waterfall, a dead tree to right, a mountain and a herd of cows to right in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 7: a triple waterfall, a dead tree to right, a mountain and a herd of cows to right in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreground, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreground, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 1: various fragments of ancient monuments, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 1: various fragments of ancient monuments, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone, various animals and people in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching
Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone, various animals and people in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1643–48
A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie figure", Stefano della Bella Italian, Etching; first state of four
A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie figure"
Stefano della Bella
François Langlois
ca. 1645
Head of a young man in profile, from "Various Portraits" (Recueil de Diverses Piéces Servant à l'Art de Portraiture), Stefano della Bella Italian, Etching
Head of a young man in profile, from "Various Portraits" (Recueil de Diverses Piéces Servant à l'Art de Portraiture)
Stefano della Bella
François Langlois
ca. 1647
Cartouche Framed by Children and a Goat, Stefano della Bella Italian, Etching; second state
Cartouche Framed by Children and a Goat
Stefano della Bella
François Langlois
1646
Cartouche Containing an Empty Shield Surmounted by a Lion and Framed by a Lion and a Child, Stefano della Bella Italian, Etching; second state
Cartouche Containing an Empty Shield Surmounted by a Lion and Framed by a Lion and a Child
Stefano della Bella
François Langlois
1646
A horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background, plate 10 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
A horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background, plate 10 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646
The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
François Langlois
ca. 1646
Plate 18: A cartouche containing an empty crest, two lionesses, one to left and one in center, an infant to right, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti), Stefano della Bella Italian, Etching
Plate 18: A cartouche containing an empty crest, two lionesses, one to left and one in center, an infant to right, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti)
Stefano della Bella
François Langlois
1646
Plate 17: A cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti), Stefano della Bella Italian, Etching
Plate 17: A cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from "Collection of various caprices and new inventions of cards and ornaments" (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti)
Stefano della Bella
François Langlois
1646
Plate 2: A cannon to the left, a town in the background, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching
Plate 2: A cannon to the left, a town in the background, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641
Plate 5: A Pikeman standing at right next to a canon, other military figures in the background, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching
Plate 5: A Pikeman standing at right next to a canon, other military figures in the background, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641
Plate 6: A battery of cannons firing on a town, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching
Plate 6: A battery of cannons firing on a town, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641
Plate 3: An officer giving orders to a soldier in centre foreground, cannon at left, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching
Plate 3: An officer giving orders to a soldier in centre foreground, cannon at left, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641
Plate 4: A military encampment with a soldier standing on a parapet to the right beating a drum, from "Various Military Caprices" (Varii capricci militari), Stefano della Bella Italian, Etching
Plate 4: A military encampment with a soldier standing on a parapet to the right beating a drum, from "Various Military Caprices" (Varii capricci militari)
Stefano della Bella
François Langlois
ca. 1641
Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page from "Varie Figure", Stefano della Bella Italian, Etching; first state of four
Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the background, French coat of arms displayed in center of bridge, title page from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645
The Castel Sant'Angelo and the Pont Sant'Angelo in Rome, various boats unloading to right, two pilgrims with children seated to left, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four
The Castel Sant'Angelo and the Pont Sant'Angelo in Rome, various boats unloading to right, two pilgrims with children seated to left, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645
A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four
A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645
A ship disembarking to left, two galley slaves stand and one sits next to a barrel to right, various other figures on the shore, a mountain to right in the background, from "Varie Figure", Stefano della Bella Italian, Etching; first state of four
A ship disembarking to left, two galley slaves stand and one sits next to a barrel to right, various other figures on the shore, a mountain to right in the background, from "Varie Figure"
Stefano della Bella
François Langlois
ca. 1645
Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure)
Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35
Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure)
Les Roseaux et Le Vent (The Reed and The Wind), plate 27 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35
Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure)
Frontispiece, from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35
L'Oeil Vigilant (The Watchful Eye), plate 2 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure)
L'Oeil Vigilant (The Watchful Eye), plate 2 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35
Le Chandelier (The Candlabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure)
Le Chandelier (The Candlabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35
Le Corbeau et ses Petits (The Raven and his Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure)
Le Corbeau et ses Petits (The Raven and his Young), plate 5 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35
Les Tulipes et le Soleil (The Tulips and the Sun), plate 6 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching; second state of two (Lieure)
Les Tulipes et le Soleil (The Tulips and the Sun), plate 6 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
François Langlois
1621–35