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Two Nymphs Carrying a Third, Francesco Primaticcio Italian, Pen and brown ink, brown wash, traces of white corrections. Black chalk shading probably added by a later hand.
Two Nymphs Carrying a Third
Francesco Primaticcio
ca. 1547
Classical Female Figure (Diana or Venus) with Two Infants, Francesco Primaticcio Italian, Pen and brown ink, highlighted with white gouache, over traces of black chalk, stylus and compass construction; traces of squaring in black chalk
Classical Female Figure (Diana or Venus) with Two Infants
Francesco Primaticcio
ca. 1539–42
Three Standing Figures, Francesco Primaticcio Italian, Pen and ink and white gouache, over traces of black chalk, on paper washed gray
Three Standing Figures
After Francesco Primaticcio
16th century
Apple of Discord Thrown by Eris at the Marriage of Peleus and Thetis: Study for Fresco in the Hall of Henri II at Fountainebleau, Francesco Primaticcio Italian, Red chalk, highlighted with white gouache, on beige paper
Apple of Discord Thrown by Eris at the Marriage of Peleus and Thetis: Study for Fresco in the Hall of Henri II at Fountainebleau
Francesco Primaticcio
1504–70
Vulcan Forging the Darts of Cupid, Francesco Primaticcio Italian, Red chalk, highlighted with white gouache, on brownish paper
Vulcan Forging the Darts of Cupid
Francesco Primaticcio
1552–56
Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a Destroyed Fresco in the Galerie d'Ulysee, Chateau de Fontainebleau, Francesco Primaticcio Italian, Red chalk highlighted with white gouache, on red-washed paper
Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a Destroyed Fresco in the Galerie d'Ulysee, Chateau de Fontainebleau
Francesco Primaticcio
1555–60
Francesco Primaticcio
Multiple artists/makers
1682–95
Muses at the Foot of Mount Parnassus, Antonio Fantuzzi Italian, Etching
Muses at the Foot of Mount Parnassus
Antonio Fantuzzi
After Francesco Primaticcio
1540–45
The Trojans pulling the wooden horse into the city, Giulio Bonasone Italian, Engraving
The Trojans pulling the wooden horse into the city
Giulio Bonasone
After Francesco Primaticcio
1545
Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau , Giorgio Ghisi Italian, Engraving

Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau

Giorgio Ghisi
After Francesco Primaticcio
1560s
Hercules, Bacchus, Pan, and Saturn(?), from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Hercules, Bacchus, Pan, and Saturn(?), from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
1560s
Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau , Giorgio Ghisi Italian, Engraving

Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi
After Francesco Primaticcio
1560s
Pluto, Neptune, Minerva, and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau , Giorgio Ghisi Italian, Engraving

Pluto, Neptune, Minerva, and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau

Giorgio Ghisi
After Francesco Primaticcio
1560s
Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau , Giorgio Ghisi Italian, Engraving

Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi
After Francesco Primaticcio
1560s
Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau , Giorgio Ghisi Italian, Engraving

Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi
After Francesco Primaticcio
1560s
Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
1560s
Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau , Giorgio Ghisi Italian, Engraving

Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi
After Francesco Primaticcio
1560s
Venus and Cupid, two other goddesses and a putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Venus and Cupid, two other goddesses and a putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
1560s
Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
1560s
Ceres Seated on Clouds with Two Goddesses and Two Putti, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau , Giorgio Ghisi Italian, Engraving

Ceres Seated on Clouds with Two Goddesses and Two Putti, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi
After Francesco Primaticcio
1560s
Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
1560s
Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738–39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738–39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
1560s
Apollo, Pan, and a Putto Blowing a Horn, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Apollo, Pan, and a Putto Blowing a Horn, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
1560s
Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
ca. 1560–69
Apollo, Neptune, Pluto, and Athena seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Apollo, Neptune, Pluto, and Athena seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
ca. 1560–69
Hercules, Bacchus, Pan, and another god seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Hercules, Bacchus, Pan, and another god seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
ca. 1560–69
Three Muses seated below a flying putto who grasps a lyre with both hands, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Three Muses seated below a flying putto who grasps a lyre with both hands, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
ca. 1560–69
Juno and two goddesses reclining on clouds with two child figures and fruits at right, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Juno and two goddesses reclining on clouds with two child figures and fruits at right, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
ca. 1560–69
Venus and Cupid and two other goddesses seated on a cloud under an arch and accompanied by a putto, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi Italian, Engraving
Venus and Cupid and two other goddesses seated on a cloud under an arch and accompanied by a putto, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
After Francesco Primaticcio
ca. 1560–69
Minerva Beautifies Ulysses, Anonymous, Italian, 19th century Italian, Red chalk
Minerva Beautifies Ulysses
Anonymous, Italian, 19th century
After Francesco Primaticcio
19th century
Jupiter and Callisto, Pierre Milan French, Engraving
Jupiter and Callisto
Pierre Milan
After Francesco Primaticcio
1537–40
Mars Seated Amid Trophies, Léon Davent French, Etching
Mars Seated Amid Trophies
Léon Davent
After Francesco Primaticcio
1540–56
Sibyl seated before an open book upon which she rests her left hand, she twists her face away from the book and holds a vessel in her right hand, Antonio Fantuzzi Italian, Etching
Sibyl seated before an open book upon which she rests her left hand, she twists her face away from the book and holds a vessel in her right hand
Antonio Fantuzzi
After Francesco Primaticcio
Romulus and Remus Building the Walls of Rome, from "Speculum Romanae Magnificentiae", Anonymous, French, School of Fontainebleau, 16th century French, Etching
Romulus and Remus Building the Walls of Rome, from "Speculum Romanae Magnificentiae"
Anonymous, French, School of Fontainebleau, 16th century
After (?) Francesco Primaticcio
16th century
Three Muses and a Putto with a Lyre, Giorgio Ghisi Italian, Engraving
Three Muses and a Putto with a Lyre
After Giorgio Ghisi
After Francesco Primaticcio
1560s
Three Muses and a Gesturing Putto, Giorgio Ghisi Italian, Engraving
Three Muses and a Gesturing Putto
Giorgio Ghisi
After Francesco Primaticcio
1560s
Concourse of the Gods on Mount Olympus, Cornelis Cort Netherlandish, Engraving; second state
Concourse of the Gods on Mount Olympus
Engraved by Cornelis Cort
After Francesco Primaticcio
ca. 1565
The Mystic Marriage of St. Catherine, Giorgio Ghisi Italian, Engraving
The Mystic Marriage of St. Catherine
Giorgio Ghisi
After Francesco Primaticcio
ca. 1555–56
Jupiter and Antiope, Master FG Italian, Engraving
Jupiter and Antiope
Attributed to Master FG
After Francesco Primaticcio
Women spinning, weaving and sewing, Master FG Italian, Engraving
Women spinning, weaving and sewing
Master FG
After Francesco Primaticcio
1540–50
Vulcan's Forge, Master FG Italian, Engraving
Vulcan's Forge
Master FG
After Francesco Primaticcio
The Banquet of Alexander, Domenico del Barbiere Italian, Engraving
The Banquet of Alexander
Domenico del Barbiere
After Francesco Primaticcio
1540–50