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Showing 6,313 results for Francisco Pacheco

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Head of a Bearded Man, Francisco Pacheco Spanish, Black chalk and traces of white chalk on blue paper — Head of a Bearded Man
Francisco Pacheco
1564–1644

The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas — The Young Virgin
Francisco de Zurbarán
ca. 1632–33

Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian — Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633

Grill, Francisco Gonzales, Gilded wrought iron, bronze, Spanish — Grill
Francisco Gonzales
17th century

Pair of Miquelet Pistols, Francisco Pintan Spanish or Mexican, Steel, wood (family leguminosae), silver, Colonial Spanish, probably Mexico — Pair of Miquelet Pistols
Francisco Pintan
dated 1757

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas — Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39

Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas — Saint Benedict
Francisco de Zurbarán
ca. 1640–45

Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University — Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994

A large chained dog howling while puppies try to climb onboard a sinking dog house, Miguel Pacheco Mexican, Wood engraving — A large chained dog howling while puppies try to climb onboard a sinking dog house
Miguel Pacheco
1856

The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah, Juan Francisco de Aguilera Mexican, Oil and gold on copper; Frame: ebony, tortoise shell, and silver, Mexican — The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah
Juan Francisco de Aguilera
ca. 1720

Virgin and Child with Young Saint John the Baptist, Francisco Beccerril Spanish, Silver, partially gilded, Spanish, Cuenca — Virgin and Child with Young Saint John the Baptist
Francisco Beccerril
16th century

Magus, Francisco Giralte, Wood, carved, painted and gilded, Spanish, Castilian — Magus
Francisco Giralte
mid-16th century

Zoologico, Francisco Toledo Mexican, Graphite on paper — Zoologico
Francisco Toledo
1959

Untitled (Lion and Hunter), Francisco Toledo Mexican, Graphite on paper — Untitled (Lion and Hunter)
Francisco Toledo
1959

Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Assassination of Álvaro Obregón led by the clerical opposition. July 18, 1928 (Asesinato del general Álvaro Obregón dirigido por la reacción clerical. 18 de julio de 1928), Plate 102 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Assassination of Álvaro Obregón led by the clerical opposition. July 18, 1928 (Asesinato del general Álvaro Obregón dirigido por la reacción clerical. 18 de julio de 1928), Plate 102 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The Cristeros against teaching in the countryside (Los cristeros contra la enseñanza en el campo), Plate 108 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The Cristeros against teaching in the countryside (Los cristeros contra la enseñanza en el campo), Plate 108 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The demands of the people and the threat of reactionaries (Las demandas del pueblo y la amenaza de la reacción), Plate 113 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The demands of the people and the threat of reactionaries (Las demandas del pueblo y la amenaza de la reacción), Plate 113 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Portrait of Josefa OrtÍz de Dominguez, José Francisco Rodríguez Mexican, Colored wax, paper, gold, Mexican — Portrait of Josefa OrtÍz de Dominguez
José Francisco Rodríguez
1795