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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 286 results for Gaudenzio Ferrari
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Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari Italian, Pen and ink in two shades of brown, over black chalk.
Madonna and Child with Saints Martin and Maurice (?)
Gaudenzio Ferrari
ca. 1530
Standing Virgin Holding the Christ Child, Gaudenzio Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, on blue paper; squared in red chalk
Standing Virgin Holding the Christ Child
Gaudenzio Ferrari
1475–1546
The Nativity, with Saint Joseph, the Virgin, and a male saint adoring Christ Child, who lies at center, supported by angels, Jean-Baptiste de Poilly French, Etching and engraving
The Nativity, with Saint Joseph, the Virgin, and a male saint adoring Christ Child, who lies at center, supported by angels
Jean-Baptiste de Poilly
Gaudenzio Ferrari
1729–40
The Pentecost, with the Apostles and the Virgin sitting in a circle, the Holy Spirit appearing above them, and a donor kneeling at left, Frédéric Horthemels French, Etching and engraving
The Pentecost, with the Apostles and the Virgin sitting in a circle, the Holy Spirit appearing above them, and a donor kneeling at left
Frédéric Horthemels
Gaudenzio Ferrari
1729–40
The Nativity
Jean-Baptiste de Poilly
Gaudenzio Ferrari
1690–1728
The Pentecost
Frédéric Horthemels
Gaudenzio Ferrari
1700–38
Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa
Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44
Saints John the Evangelist and Lawrence, Defendente Ferrari Italian, Oil on wood
Saints John the Evangelist and Lawrence
Defendente Ferrari
Design for a Decanter, Virginia Ferrari Italian, Watercolor, over graphite. Design pasted to brown mounting paper.
Design for a Decanter
Virginia Ferrari
19th century
Left Half of a Wall Decoration for a Chapel, Francesco Ferrari Italian, Pen, brown ink and wash with touches of blue and green wash, over black chalk
Left Half of a Wall Decoration for a Chapel
Francesco Ferrari
ca. 1690
Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper
Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646
Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726
Christ Driving the Money Changers from the Temple, Lorenzo de' Ferrari Italian, Black chalk and graphite, with partial reinforcements in pen and black ink
Christ Driving the Money Changers from the Temple
Lorenzo de' Ferrari
1700–44
Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso), Lorenzo de' Ferrari Italian, Brush and brown wash, over black chalk (recto); faint study of a lunette and spandrel, in black chalk (verso)
Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso)
Lorenzo de' Ferrari
1680–1744
Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, over black chalk (recto); black chalk (verso)
Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso)
Lorenzo de' Ferrari
1680–1744
Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, brush and brown wash, heightened with white, on blue-gray paper (recto); pen and brown ink, brush and brown wash, heightened with white, over black chalk (verso)
Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso)
Lorenzo de' Ferrari
1680–1744
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso)
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726
De Florum Cultura, Giovanni Battista Ferrari Italian, Engraving, woodcut
De Florum Cultura
Multiple artists/makers
1633
Achilles and the Daughters of Lycomedes, Gregorio de' Ferrari Italian, Pen and brown ink, highlighted with white, over black chalk, on brownish paper
Achilles and the Daughters of Lycomedes
Gregorio de' Ferrari
1647–1726
Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90
The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso)
The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744
Susanna and the Elders, Gregorio de' Ferrari Italian, Pen and brown ink, over traces of black chalk or graphite
Susanna and the Elders
Gregorio de' Ferrari
1647–1726
The Annunciation, Pietro Melchiorre Ferrari Italian, Pen and brown ink, brush and brown and gray-green wash, over traces of black chalk. Lightly squared in black chalk
The Annunciation
Pietro Melchiorre Ferrari
1735–87
The Ascension of the Virgin, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown and gray wash
The Ascension of the Virgin
Gregorio de' Ferrari
1667–1726
Members of a Monastic Order Carrying the Cross for Christ to Heaven, Giovanni Andrea de Ferrari Italian, Pen and brown ink, brown wash, over traces of red and black chalk
Members of a Monastic Order Carrying the Cross for Christ to Heaven
Giovanni Andrea de Ferrari
n.d.
La Libraria [sic] del Doni Fiorentino
Antonio Francesco Doni
Gabriele Giolito de Ferrari
1558
Il Petrarcha
Giovanni Andrea Gesualdo
Gabriele Giolito de Ferrari
1553
Devotissime Meditationi
Luis de Granada
Gabriele Giolito de Ferrari
1569
Il Decamerone
Giovanni Boccaccio
Gabriele Giolito de Ferrari
1546
Opera di Frate Vespasiano Amphiareo
Vespasiano Amphiareo
Gabriele Giolito de Ferrari
1554
Diana in Her Chariot (La Lune sur son char), Claude Mellan French, Engraving
Diana in Her Chariot (La Lune sur son char)
Multiple artists/makers
1633
Li Cinque Ordini Dell'Architettura Civile di Michel Sanmicheli...
Multiple artists/makers
1735
L'Ulisse di M. Lodovico Dolce da lui tratta dall'Odissea d'Homero
Multiple artists/makers
1573
L'Ulisse di M. Lodovico Dolce da lui tratta dall'Odissea d'Omero
Multiple artists/makers
1573
Le Trasformationi, Ovid Roman, Printed book with woodcut illustrations
Le Trasformationi
Multiple artists/makers
1558
Orlando Furioso
Multiple artists/makers
1543
L'Achille et L'Enea ... dove egli tessendo l'historia della Iliade d'Homero a quella dell'Eneide di Virgilio
Multiple artists/makers
1572
The nymphs Florilla and Melissa at left, with Melissa fainting in Florilla's arms, Apollo and the Muses at right, from "De Florum Cultura Libri IV"
Multiple artists/makers
ca. 1646
Flora and two nymphs pointing to Bacchus who dances with putti to the left, from "De Florum Cultura Libri IV"
Multiple artists/makers
ca. 1646