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More than 10,000 results for George Snyder

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A Plan of the Battery, New York

George Snyder

Daniel Ewen

ca. 1848

Architectural woodwork and paneling, George A. Schastey & Co. American, Satinwood, purpleheart, mother-of-pearl, silver-plated brass, mirrored glass, marble, and reproduction upholstery, American — Architectural woodwork and paneling
George A. Schastey & Co.
George A. Schastey
1881–82

Heart On, Joan Snyder American, Oil, acrylic, paper, fabric, cheesecloth, papier maché, mattress batting, and thread on canvas — Heart On
Joan Snyder
1975

Smashed Strokes Hope, Joan Snyder American, Oil on canvas — Smashed Strokes Hope
Joan Snyder
1971

Fur Traders Descending the Missouri, George Caleb Bingham American, Oil on canvas, American — Fur Traders Descending the Missouri
George Caleb Bingham
1845

Teapot, George E. Ohr American, Earthenware, American — Teapot
George E. Ohr
ca. 1897–1900

Cann, George Hanners Sr. American, Silver, American — Cann
George Hanners Sr.
George Hanners Jr.
ca. 1735

Winter Landscape, George Seeley American, Gum bichromate and platinum print — Winter Landscape
George Seeley
1909

24 drawings from concentration camps in Germany : in rotogravure, George Zielezinski Polish — 24 drawings from concentration camps in Germany : in rotogravure
George Zielezinski
1946

Dressing table, George A. Schastey American, born Germany, Satinwood, purpleheart, mother-of-pearl, brass, silver-plated brass, and original upholstery, American — Dressing table
George A. Schastey
George A. Schastey & Co.
1881–82

Angry Woman, from "Femfolio", Joan Snyder American, Digital print with color lithography and hand coloring — Angry Woman, from "Femfolio"
Multiple artists/makers
2007

Imagine, Joan Snyder American, Soft-ground etching and sugar lift aquatint on Arches paper — Imagine
Joan Snyder
Paul Levitt
1975

Cow, Joan Snyder American, Soft-ground etching, spit bite, sugar lift aquatint, open bite, and etching on Arches paper — Cow
Joan Snyder
Aeropress
1978

Resurrection Etching, Joan Snyder American, Photo etching, soft-ground etching, color sugar lift aquatint (from two plates), open bite, and line etching on Arches paper — Resurrection Etching
Joan Snyder
Aeropress
1978–81

Mommy Why?, Joan Snyder American, Woodcut hand-inked with oil paint by the artist on Yamato mulberry paper — Mommy Why?
Joan Snyder
Chip Elwell
1983–84

Resurrection Etching (WP1), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, and open bite (with some sections, at left, collaged) on Arches paper — Resurrection Etching (WP1)
Joan Snyder
1978–81

Resurrection Etching (WP5), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, open bite, aquatint, and line etching on Arches paper — Resurrection Etching (WP5)
Joan Snyder
1978–81

Resurrection Etching (WP6), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, open bite, aquatint, line etching with collage, graphite, and watercolor on Arches paper — Resurrection Etching (WP6)
Joan Snyder
1978–81

Resurrection Etching (WP7), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, open bite, color aquatint (from one plate), and line etching on Arches paper — Resurrection Etching (WP7)
Joan Snyder
1978–81

Resurrection Etching (WP9), Joan Snyder American, Sugar lift aquatint on Arches paper — Resurrection Etching (WP9)
Joan Snyder
1978–81

Things Have Tears and We Know Suffering, Joan Snyder American, Woodcut — Things Have Tears and We Know Suffering
Joan Snyder
1984

Mommy Why?, Joan Snyder American, Woodcut — Mommy Why?
Joan Snyder
1983–84

Dancing in the Dark, Joan Snyder American, Woodcut — Dancing in the Dark
Joan Snyder
1982–84

For The Children, Joan Snyder American, Woodcut and stencil — For The Children
Joan Snyder
1988

Table, George Nakashima American, American walnut, Japan — Table
George Nakashima
1986–87

The Quadroon, George Fuller American, Oil on canvas, American — The Quadroon
George Fuller
1880

Boy with Baseball, George Luks American, Oil on canvas, American — Boy with Baseball
George Luks
ca. 1925

Houqua, George Chinnery British, Oil on canvas, American — Houqua
George Chinnery
Ester Speakman
ca. 1843

Evening at Medfield, Massachusetts, George Inness American, Oil on canvas, American — Evening at Medfield, Massachusetts
George Inness
1875

Landscape, George Inness American, Oil on canvas, American — Landscape
George Inness
1884 or 1889

Peace and Plenty, George Inness American, Oil on canvas, American — Peace and Plenty
George Inness
1865

Pine Grove of the Barberini Villa, George Inness American, Oil on canvas, American — Pine Grove of the Barberini Villa
George Inness
1876

Spring Blossoms, Montclair, New Jersey, George Inness American, Oil and crayon or charcoal on canvas, American — Spring Blossoms, Montclair, New Jersey
George Inness
ca. 1891

The Old Duchess, George Luks American, Oil on canvas, American — The Old Duchess
George Luks
1905

Boy with Violin, George Luks American, Oil on canvas, American — Boy with Violin
George Luks
ca. 1922

Fishermen, George Luks American, Oil on wood, American — Fishermen
George Luks
ca. 1920

Watch case, George Harrison British, Partly enameled gold, outer case set with diamonds, French, for Turkish market — Watch case
George Harrison
Gyles Hooper
probably ca. 1770

Basin, George Lightner American, Pewter, American — Basin
George Lightner
ca. 1806–15

Mug, George Fielding American, Silver, American — Mug
George Fielding
ca. 1740

Autumn Meadows, George Inness American, Oil on canvas, American — Autumn Meadows
George Inness
1869