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1-42 of 532 results for Giovanni Antonio Fumiani
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Moses defending the daughters of Jethro, Pietro Monaco Italian, Etching and engraving
Moses defending the daughters of Jethro
Pietro Monaco
Giovanni Antonio Fumiani
1732–50
Daniel argues with the elders while Susanna stands at left, Pietro Monaco Italian, Etching and engraving
Daniel argues with the elders while Susanna stands at left
Pietro Monaco
Giovanni Antonio Fumiani
1732–50
Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Warwick Castle: The East Front, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash
Warwick Castle: The East Front
Canaletto (Giovanni Antonio Canal)
1752
Campo Santa Maria Zobenigo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Campo Santa Maria Zobenigo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right
Canaletto (Giovanni Antonio Canal)
1730s
Campo Sant'Angelo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
The Grand Canal, Venice, Looking South toward the Rialto Bridge
Canaletto (Giovanni Antonio Canal)
1730s
A Lock, a Column, and a Church beside a Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
A Lock, a Column, and a Church beside a Lagoon
Canaletto (Giovanni Antonio Canal)
Warwick Castle, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Warwick Castle
Canaletto (Giovanni Antonio Canal)
1748
Felix Baciocchi, Prince of Lucca and Piombino, Giovanni Antonio Santarelli Italian, Pink wax on glass painted dark blue; frame: moulded gilt plaster, Italian, Florence
Felix Baciocchi, Prince of Lucca and Piombino
Giovanni Antonio Santarelli
ca. 1809
Elisa Baciocchi, Princess of Lucca and Piombino, Grand Duchess of Tuscany, Giovanni Antonio Santarelli Italian, Pink wax on glass painted dark blue; frame: moulded gilt plaster, Italian, Florence
Elisa Baciocchi, Princess of Lucca and Piombino, Grand Duchess of Tuscany
Giovanni Antonio Santarelli
ca. 1809
Marie Louise (1791–1847), Empress of the French, Second Wife of Napoleon Bonaparte, Giovanni Antonio Santarelli Italian, Pink wax on glass backed by dark blue wax; frame: moulded gilt plaster, Italian, Florence
Marie Louise (1791–1847), Empress of the French, Second Wife of Napoleon Bonaparte
Giovanni Antonio Santarelli
early 19th century
Napoleon I (1769–1821), Emperor of the French, Giovanni Antonio Santarelli Italian, Pink wax on glass backed by dark blue wax; frame: moulded gilt plaster, Italian, Florence
Napoleon I (1769–1821), Emperor of the French
Giovanni Antonio Santarelli
early 19th century
Amorino with a Garland, Giovanni Antonio Girardet, Onyx and gold, Italian, Rome
Amorino with a Garland
Giovanni Antonio Girardet
ca. 1860–70
Dancing Amorini with Bacchic symbols, Giovanni Antonio Santarelli Italian, Onyx and gold, Italian, Florence
Dancing Amorini with Bacchic symbols
Giovanni Antonio Santarelli
late 18th–early 19th century
Judith, Giovanni Antonio Amadeo Italian, Marble, Italian, Lombardy
Judith
Giovanni Antonio Amadeo
late 15th–early 16th century
Bacchus and Ariadne, Giovanni Antonio Pellegrini Italian, Oil on canvas
Bacchus and Ariadne
Giovanni Antonio Pellegrini
1720s
The Last Supper, Giovanni Antonio Pellegrini Italian, Pen and brown ink, wash
The Last Supper
Giovanni Antonio Pellegrini
ca. 1705
Medal: Pope Marcellus II, Giovanni Antonio Rossi, Bronze (Copper alloy with brown patina).
Medal: Pope Marcellus II
Giovanni Antonio Rossi
model 1555 (possibly cast 17th or 18th century)
Dulcimer, Giovanni Antonio Berera Italian, Wood and various materials, Italian
Dulcimer
Giovanni Antonio Berera
1749
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741
Hercules I (d'Este), Second Duke of Ferrara (1431–1505), Giovanni Antonio da Foligno Italian, Bronze, Italian
Hercules I (d'Este), Second Duke of Ferrara (1431–1505)
Giovanni Antonio da Foligno
late 15th century
Henry II of France (b. 1519, r. 1547–59), Commemorating the Capture of Calais, 1558, Giovanni Antonio de' Rossi Italian, Bronze, brown patina, cast, Italian
Henry II of France (b. 1519, r. 1547–59), Commemorating the Capture of Calais, 1558
Giovanni Antonio de' Rossi
ca. 1558
Christ Presented to the People (Ecce Homo), Sodoma (Giovanni Antonio Bazzi) Italian, Oil on canvas
Christ Presented to the People (Ecce Homo)
Sodoma (Giovanni Antonio Bazzi)
ca. 1540–49
A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, over traces of graphite
A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso)
Canaletto (Giovanni Antonio Canal)
ca. 1727–29
Padua: The River Bacchiglione and the Porta Portello, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash
Padua: The River Bacchiglione and the Porta Portello
Canaletto (Giovanni Antonio Canal)
ca. 1750–60
Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brown and gray wash
Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right
Canaletto (Giovanni Antonio Canal)
ca. 1724–80
Saint Sebastian (recto); sketches of a male head and a standing figure in a short cape; a copy of the figure on the recto (verso), Sodoma (Giovanni Antonio Bazzi) Italian, Pen and brown ink, brown wash, over black chalk (recto); pen and brown ink, black chalk (verso)
Saint Sebastian (recto); sketches of a male head and a standing figure in a short cape; a copy of the figure on the recto (verso)
Sodoma (Giovanni Antonio Bazzi)
early–mid-16th century
Interior of the Basilica of San Marco, Showing the Crossing and the Choir, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink over black chalk
Interior of the Basilica of San Marco, Showing the Crossing and the Choir
Canaletto (Giovanni Antonio Canal)
ca. 1763–68
A Venetian Interior, with a Young Man Seated by the Fire, Canaletto (Giovanni Antonio Canal) Italian, Pen and black ink, gray wash
A Venetian Interior, with a Young Man Seated by the Fire
Canaletto (Giovanni Antonio Canal)
after 1717
Imaginary View with a Tomb by the Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Imaginary View with a Tomb by the Lagoon
Canaletto (Giovanni Antonio Canal)
early 1740s
Essempio di recammi, title page (recto), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, title page (recto)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, title page (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, title page (verso)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 2 (recto), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 2 (recto)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 2 (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 2 (verso)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 3 (recto), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 3 (recto)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 3 (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 3 (verso)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 4 (recto), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 4 (recto)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 4 (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 4 (verso)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 5 (recto), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 5 (recto)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530
Essempio di recammi, page 5 (verso), Giovanni Antonio Tagliente Italian, Woodcut
Essempio di recammi, page 5 (verso)
Giovanni Antonio Tagliente
Giovanni Antonio di Nicolini da Sabio e i fratelli
1530