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More than 10,000 results for Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
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Saint Christopher Bearing the Christ Child, Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper, squared vertically and horizontally in red chalk, diagonally in charcoal
Saint Christopher Bearing the Christ Child
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1484–1539
Design for the Decoration of a Pilaster (recto); Putti with Trophies and Seated Figure with Child (verso), Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis) Italian, Red chalk (recto); red chalk studies (verso)
Design for the Decoration of a Pilaster (recto); Putti with Trophies and Seated Figure with Child (verso)
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
ca. 1529
Standing Figure of Christ with Arms Upraised, Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis) Italian, Point of brush and brown wash in two shades, faintly squared in charcoal, on beige paper
Standing Figure of Christ with Arms Upraised
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1484–1539
Seated Pan holding a pipe in his left hand, Odoardo Fialetti Italian, Etching
Seated Pan holding a pipe in his left hand
Odoardo Fialetti
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1600–30
Mars, seated on a wall and holding a flame in his right hand, with armor below, Odoardo Fialetti Italian, Etching
Mars, seated on a wall and holding a flame in his right hand, with armor below
Odoardo Fialetti
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1600–30
Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond, Giacomo Piccini Italian, Engraving
Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond
Giacomo Piccini
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
ca. 1656
Leaping Horseman (Marcus Curtius), Nicolò Boldrini Italian, Chiaroscuro woodcut from two blocks in brown
Leaping Horseman (Marcus Curtius)
Nicolò Boldrini
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
ca. 1560–70
Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects, Oliviero Gatti Italian, Engraving
Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects
Oliviero Gatti
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1606
The raising of Lazarus, who is carried by three men at left, while his sister and Christ look on at right; from 'Theatrum Pictorium', after Pordenone, Jan van Troyen Flemish, Etching and engraving
The raising of Lazarus, who is carried by three men at left, while his sister and Christ look on at right; from 'Theatrum Pictorium', after Pordenone
Multiple artists/makers
ca. 1656–60
The raising of Lazarus, who is carried by three men at left, while his sister and Christ look on at right; from "Theatrum Pictorium", Jan van Troyen Flemish, Etching and engraving
The raising of Lazarus, who is carried by three men at left, while his sister and Christ look on at right; from "Theatrum Pictorium"
Multiple artists/makers
ca. 1656–60
Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Milo of Croton
Nicolò Boldrini
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1530–70
Diana reclining with her dog
Odoardo Fialetti
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1590–1627
Pan holding his pipes
Odoardo Fialetti
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1590–1627
Mars holding a torch with his armor at left
Odoardo Fialetti
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
1590–1627
Plate 1: the Conversion of Saint Paul, a nude man reclining at lower right, figures gathered at left, livestock in the background
Multiple artists/makers
ca. 1685–1719
Plate 3: the Conversion of Saint Paul, a group of figures with a dog at right, a man and a woman at left pointing to the left
Multiple artists/makers
ca. 1685–1719
Saturn leaning on his left hand, holding a balance in his right, a youth before him
Multiple artists/makers
1604
Saturn leaning on his left hand in and holding a balance in a right with a youth before him
Multiple artists/makers
1604
Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60
Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome
Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Gould" Violin
Antonio Stradivari
1693
"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Antonius" Violin
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
"Francesca" Violin
Antonio Stradivari
1694
Warwick Castle: The East Front, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash
Warwick Castle: The East Front
Canaletto (Giovanni Antonio Canal)
1752
Saint Christopher, volume 2, plate 124 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
The Grand Canal, Venice, Looking South toward the Rialto Bridge
Canaletto (Giovanni Antonio Canal)
1730s
Campo Santa Maria Zobenigo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Campo Santa Maria Zobenigo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right
Canaletto (Giovanni Antonio Canal)
1730s
Campo Sant'Angelo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
A Lock, a Column, and a Church beside a Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
A Lock, a Column, and a Church beside a Lagoon
Canaletto (Giovanni Antonio Canal)
Warwick Castle, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Warwick Castle
Canaletto (Giovanni Antonio Canal)
1748
Knife (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, gold, Italian, Rome
Knife (one of a set)
Antonio Gentili (Antonio da Faenza)
late 16th century
Spoon (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, Italian, Rome
Spoon (one of a set)
Antonio Gentili (Antonio da Faenza)
late 16th century
Hercules I (d'Este), Second Duke of Ferrara (1431–1505), Giovanni Antonio da Foligno Italian, Bronze, Italian
Hercules I (d'Este), Second Duke of Ferrara (1431–1505)
Giovanni Antonio da Foligno
late 15th century
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions
Madonna and Child, Giovanni Bellini Italian, Oil on wood
Madonna and Child
Giovanni Bellini
late 1480s
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570