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1-42 of 1,108 results for Giulio Benso
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Jacob Wrestling with the Angel, Giulio Benso Italian, Pen and brown ink, brush and brown wash over traces of black chalk
Jacob Wrestling with the Angel
Giulio Benso
1601–68
Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini Italian, Oil on canvas
Madonna and Child with Saints Francis and Dominic and Angels
Giulio Cesare Procaccini
ca. 1612
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1692–1700
Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, Giulio Bonasone Italian, Etching and Engraving
Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree
Giulio Bonasone
Giulio Romano
ca. 1550–60
The adoration of the shepherds, various figures at night surround the Christ Child, Giulio Bonasone Italian, Engraving
The adoration of the shepherds, various figures at night surround the Christ Child
Giulio Bonasone
Giulio Romano
ca. 1550–60
The adoration of the shepherds, various figures surrounding the Christ Child in the centre, Giulio Bonasone Italian, Engraving
The adoration of the shepherds, various figures surrounding the Christ Child in the centre
Giulio Bonasone
Giulio Romano
1531–76
Virgin and Child seated beneath a tree, Giulio Bonasone Italian, Engraving
Virgin and Child seated beneath a tree
Giulio Bonasone
Giulio Romano
ca. 1560
The Holy Kinship, in thecentre the Christ Child takes a bird given to him by the infant John the Baptist, Giulio Bonasone Italian, Etching and engraving
The Holy Kinship, in thecentre the Christ Child takes a bird given to him by the infant John the Baptist
Giulio Bonasone
Giulio Romano
ca. 1560
Father Time at the right leaning on a scythe, three naked boys and eagle at the left, Giulio Bonasone Italian, Engraving
Father Time at the right leaning on a scythe, three naked boys and eagle at the left
Giulio Bonasone
Giulio Romano
1531–76
Jupiter suckled by the goat Amalthea, Giulio Bonasone Italian, Engraving
Jupiter suckled by the goat Amalthea
Giulio Bonasone
Giulio Romano
1531–76
Giovanni Caroto (1495?–1555), Veronese Painter, Giulio della Torre, Bronze, Italian
Giovanni Caroto (1495?–1555), Veronese Painter
Giulio della Torre
16th century
Francesco Niconizio, Giulio della Torre, Bronze, Italian
Francesco Niconizio
Giulio della Torre
late 15th–mid-16th century
Change of Position, Anton Giulio Bragaglia Italian, Gelatin silver print
Change of Position
Anton Giulio Bragaglia
1911
The Typist, Anton Giulio Bragaglia Italian, Gelatin silver print
The Typist
Anton Giulio Bragaglia
1911
The Smoker--The Match--The Cigarette, Anton Giulio Bragaglia Italian, Gelatin silver print
The Smoker--The Match--The Cigarette
Anton Giulio Bragaglia
1911
The Bow, Anton Giulio Bragaglia Italian, Gelatin silver print
The Bow
Anton Giulio Bragaglia
1911
Un Gesto del Capo, Anton Giulio Bragaglia Italian, Gelatin silver print
Un Gesto del Capo
Anton Giulio Bragaglia
1911
Constantine defeating the tyrant Maxentius, angels carrying swords fly above, Giulio Bonasone Italian, Engraving; second state of two
Constantine defeating the tyrant Maxentius, angels carrying swords fly above
Multiple artists/makers
1544
[Carte-de-Visite Album of Famous Personages]
Multiple artists/makers
1860s–70s
Giacomo Negroboni (da Valtrompia) of Brescia (d. 1527), Fra Giulio da Brescia, Wax on walnut (?), parchment, Italian, Venice
Giacomo Negroboni (da Valtrompia) of Brescia (d. 1527)
Fra Giulio da Brescia
probably 1527
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy, Giulio Bonasone Italian, Engraving
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
1531–76
Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left, Giulio Bonasone Italian, Engraving
Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left
Multiple artists/makers
1531–76
Jupiter and Astraea, Giulio Campi Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on paper tinted with a thin brown wash
Jupiter and Astraea
Giulio Campi
ca. 1545–50
Ganymede as a young boy riding a large eagle (Zeus) in flight above a landscape, Giulio Campagnola Italian, Engraving
Ganymede as a young boy riding a large eagle (Zeus) in flight above a landscape
Giulio Campagnola
Andrea Mantegna
ca. 1500–1505
Bacchanal, Giulio Sanuto Italian, Engraving
Bacchanal
Giulio Sanuto
Domenico Campagnola
ca. 1557
The old shepherd lying in a landscape, buildings behind, a goat and a sheep to the left, Giulio Campagnola Italian, Engraving
The old shepherd lying in a landscape, buildings behind, a goat and a sheep to the left
Giulio Campagnola
ca. 1500–1515
Design for a Sculptural Frame Decorated with Angel Heads, Volutes and Leaves (for a Ceiling ?); Design for a Base Decorated with Angel Heads, Volutes and Leaves, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of leadpoint
Design for a Sculptural Frame Decorated with Angel Heads, Volutes and Leaves (for a Ceiling ?); Design for a Base Decorated with Angel Heads, Volutes and Leaves
Giulio Romano
early 16th century
Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of black chalk; small corrections in white gouache
Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles
Giulio Romano
n.d.
Design for a Decorated Base of a Candlestick Holder, Giulio Romano Italian, Pen and brown ink, brush and brown wash. Design silhouetted
Design for a Decorated Base of a Candlestick Holder
Giulio Romano
early 16th century
Design for a Decorated Base of a Candlestick Holder, Giulio Romano Italian, Pen and brown ink, brush and brown wash. Design silhouetted
Design for a Decorated Base of a Candlestick Holder
Giulio Romano
early 16th century
Design for Two Candlesticks with decorated Bases, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of leadpoint
Design for Two Candlesticks with decorated Bases
Giulio Romano
early 16th century
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head, Giulio Campi Italian, Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
1535–45
The Rape of Europa, Giulio Bonasone Italian, engraving
The Rape of Europa
Giulio Bonasone
Raphael (Raffaello Sanzio or Santi)
1546
Venetia Edificata, Giulio Strozzi Italian
Venetia Edificata
Giulio Strozzi
1624
Two satyrs leading Silenus to King Midas, who stands at left with two male attendants, a mule trails behind the satyrs, Giulio Bonasone Italian, Engraving
Two satyrs leading Silenus to King Midas, who stands at left with two male attendants, a mule trails behind the satyrs
Giulio Bonasone
ca. 1550–80
Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements", Giulio Carpioni Italian, Etching
Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements"
Giulio Carpioni
1640–60
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements", Giulio Carpioni Italian, Etching
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
Giulio Carpioni
1640–60
Bacchanal with satyr playing a lute and surrounded by four figures, who look toward a succession of three putti and a satyr dancing with cups and vines, Giulio Carpioni Italian, Etching
Bacchanal with satyr playing a lute and surrounded by four figures, who look toward a succession of three putti and a satyr dancing with cups and vines
Giulio Carpioni
Matteo Cadorin
1640–60
Penitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from above, Giulio Carpioni Italian, Etching
Penitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from above
Giulio Carpioni
ca. 1640–55