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1-42 of 360 results for Giulio Romano
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Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1692–1700
Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
Design for a Candlestick, Giulio Romano Italian, Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge
Design for a Candlestick
Giulio Romano
ca. 1530–46
Jupiter Hurling a Thunderbolt, Giulio Romano Italian, Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper
Jupiter Hurling a Thunderbolt
Giulio Romano
1530–37
Design for a Casket with the Gonzaga Eagle, Giulio Romano Italian, Pen and brown ink, brush and brown wash, highlighted with traces of white gouache, over black chalk
Design for a Casket with the Gonzaga Eagle
Giulio Romano
ca. 1527–46
Copy after the Fresco with the Battle of Constantine in the Vatican Palace, Giulio Romano Italian, Pen and brown ink, brush and brown wash
Copy after the Fresco with the Battle of Constantine in the Vatican Palace
After Giulio Romano
1499–1546
Design for a Flask with Chain Handles, Giulio Romano Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk
Design for a Flask with Chain Handles
Giulio Romano
1540–46
Apparition of Saint Andrew in Glory, Giulio Romano Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper; partially squared in black chalk
Apparition of Saint Andrew in Glory
Giulio Romano
1499–1546
Neptune Holding a Trident and Standing on a Dolphin, Giulio Romano Italian, Pen and brown ink, brush and brown wash, over black chalk
Neptune Holding a Trident and Standing on a Dolphin
Giulio Romano
1499–1546
Drawing of a Ewer in Antique Style, Giulio Romano , Manner of. Italian, Pen and brown ink, with brush and brown wash
Drawing of a Ewer in Antique Style
Giulio Romano
early 16th century
Battle Scene with Soldiers Mounted on an Elephant., Giulio Romano Italian, Pen and brown ink, brush and gray wash, over black chalk
Battle Scene with Soldiers Mounted on an Elephant.
After Giulio Romano
1550–1650
Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of black chalk; small corrections in white gouache
Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles
Giulio Romano
n.d.
Design for a Decorated Base of a Candlestick Holder, Giulio Romano Italian, Pen and brown ink, brush and brown wash. Design silhouetted
Design for a Decorated Base of a Candlestick Holder
? Made by Giulio Romano
early 16th century
Design for a Decorated Base of a Candlestick Holder, Giulio Romano Italian, Pen and brown ink, brush and brown wash. Design silhouetted
Design for a Decorated Base of a Candlestick Holder
? Made by Giulio Romano
early 16th century
Design for Two Candlesticks with decorated Bases, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of leadpoint
Design for Two Candlesticks with decorated Bases
? Made by Giulio Romano
early 16th century
Design for a Sculptural Frame Decorated with Angel Heads, Volutes and Leaves (for a Ceiling ?); Design for a Base Decorated with Angel Heads, Volutes and Leaves, Giulio Romano Italian, Pen and brown ink, brush and brown wash over traces of leadpoint
Design for a Sculptural Frame Decorated with Angel Heads, Volutes and Leaves (for a Ceiling ?); Design for a Base Decorated with Angel Heads, Volutes and Leaves
? Made by Giulio Romano
early 16th century
A Lion in Profile Facing to the Left ("Leo"), Giulio Romano Italian, Pen and brown ink, brush and brown wash, over black chalk
A Lion in Profile Facing to the Left ("Leo")
Giulio Romano
n.d.
Winged Infant Riding a Crouching Horse, Giulio Romano Italian, Pen and brown ink
Winged Infant Riding a Crouching Horse
Giulio Romano
n.d.
A Tabernacle Containing a Papal Escutcheon Supported by Angels, Giulio Romano Italian, Pen and brown ink, over leadpoint or soft black chalk and stylus-ruling
A Tabernacle Containing a Papal Escutcheon Supported by Angels
Giulio Romano
ca. 1538–40
Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background, Giulio Romano Italian, Engraving
Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background
After Giulio Romano
Antonio Salamanca
ca. 1505–62
Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Shield
Attributed to Girolamo da Treviso
ca. 1535
Friezes after Giulio Romano, in Palazzo del Te, Antoinette Bouzonnet Stella french, Etching
Friezes after Giulio Romano, in Palazzo del Te
Multiple artists/makers
1675
Friezes after Giulio Romano, in Palazzo del Te, Antoinette Bouzonnet Stella french, Etching
Friezes after Giulio Romano, in Palazzo del Te
Etcher Antoinette Bouzonnet Stella
After Giulio Romano
Publisher Claudine Bouzonnet Stella
1675
Death of Niobe's Children
After Giulio Romano
Philips Galle
Entellus and Dares boxing, ruins of an amphitheater in the background
After Giulio Romano
Publisher Antonio Salamanca
Publisher Carlo Losi
1773
Another Bacchanale, volume 2, plate 100 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Studies for Apostles in the Transfiguration, Giulio Romano Italian, Red chalk over traces of black-chalk underdrawing on paper
On loan to The Met
Studies for Apostles in the Transfiguration
Giulio Romano
Raphael (Raffaello Sanzio or Santi)
ca. 1518-19
Dëesis (Christ in Glory with the Virgin Mary and Saints John the Baptist, Catherine, and Paul), Giulio Romano Italian, Tempera grassa and oil on wood
On loan to The Met
Dëesis (Christ in Glory with the Virgin Mary and Saints John the Baptist, Catherine, and Paul)
Giulio Romano
ca. 1520
A Giant Crushed beneath A Rock (Study for the Fall of the Giants in the Sala dei Giganti, Palazzo Te, Mantua), Giulio Romano Italian, Black chalk, pen and brown ink, brown wash, heightened with white gouache, original support made up toward the left of the design
On loan to The Met
A Giant Crushed beneath A Rock (Study for the Fall of the Giants in the Sala dei Giganti, Palazzo Te, Mantua)
Giulio Romano
ca. 1532–34
Head of a Soldier (Cartoon Fragment for the Resurrection, Scuola Nuova Tapestry Series), Giulio Romano Italian, Brush and color gouache on paper, mounted on canvas
On loan to The Met
Head of a Soldier (Cartoon Fragment for the Resurrection, Scuola Nuova Tapestry Series)
Giulio Romano
ca. 1521-23
Portrait of Pope Leo X de’ Medici (Cartoon Fragment for the Figure of Pope Clement I in the Sala di Costantino), Giulio Romano Italian, Black chalk, with stumping, highlighted extensively in white chalk, outlines stylus-incised for transfer of the design; the irregular shape of the original paper support partly conformed to the silhouetting necessary for a giornata in the fresco; glued onto secondary paper support making up the losses. Original drawing surface abraded, and partial redrawing of the design by early restorers on the secondary support.
On loan to The Met
Portrait of Pope Leo X de’ Medici (Cartoon Fragment for the Figure of Pope Clement I in the Sala di Costantino)
Giulio Romano
ca. 1520
Pope Sylvester I in a Sedia Gestatoria and Saint Helen (Modello Drawing for the Donation of Constantine, Sala di Costantino), Giulio Romano Italian, Pen and two hues of brown ink, brush and brown wash, highlighted with white gouache, over leadpoint and grayish blaack-chalk underdrawing; pinpricks for measurements, ruling in pen and ink, and stylus construction; some pounce marks (spolvero underdrawing) in some architectural motifs; on two sheets of paper glued with overlapping seams (original paper support)
On loan to The Met
Pope Sylvester I in a Sedia Gestatoria and Saint Helen (Modello Drawing for the Donation of Constantine, Sala di Costantino)
Giulio Romano
ca. 1520-24
A Roman emperor sitting in a niche holding a globe and sceptre and looking to his left, Marcantonio Raimondi Italian, Engraving
A Roman emperor sitting in a niche holding a globe and sceptre and looking to his left
Marcantonio Raimondi
After Giulio Romano
ca. 1510–30
Friezes after Giulio Romano, in Palazzo del Te
Etcher Antoinette Bouzonnet Stella
After Giulio Romano
Publisher Claudine Bouzonnet Stella
1675
Friezes after Giulio Romano, in Palazzo del Te
Etcher Antoinette Bouzonnet Stella
After Giulio Romano
Publisher Claudine Bouzonnet Stella
1675
Jupiter suckled by the goat Amalthea, Giulio Bonasone Italian, Engraving
Jupiter suckled by the goat Amalthea
Giulio Bonasone
After Giulio Romano
1531–76
Father Time at the right leaning on a scythe, three naked boys and eagle at the left, Giulio Bonasone Italian, Engraving
Father Time at the right leaning on a scythe, three naked boys and eagle at the left
Giulio Bonasone
after Giulio Romano
1531–76
The adoration of the shepherds, various figures surrounding the Christ Child in the centre, Giulio Bonasone Italian, Engraving
The adoration of the shepherds, various figures surrounding the Christ Child in the centre
Giulio Bonasone
After Giulio Romano
1531–76
Virgin and Child seated beneath a tree, Giulio Bonasone Italian, Engraving
Virgin and Child seated beneath a tree
Giulio Bonasone
After Giulio Romano
ca. 1560
Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, Giulio Bonasone Italian, Etching and Engraving
Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree
Giulio Bonasone
After Giulio Romano
ca. 1550–60