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1-42 of 780 results for Gregorio Pagani
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Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso), Gregorio Pagani Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on blue paper (recto); black chalk (verso); squared in black chalk
Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso)
Gregorio Pagani
1590–92
The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso), Gregorio Pagani Italian, Black chalk (recto); black chalk, pen and brown ink (verso)
The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso)
Gregorio Pagani
1592
Enthroned Virgin, Goro di Gregorio Italian, Terracotta, Italian
Enthroned Virgin
Goro di Gregorio
first half 14th century
God the Father, Gregorio Fernández Spanish, Wood, painted and gilt over gesso, Spanish
God the Father
Gregorio Fernández
16th–17th century
Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso), Paolo Pagani Italian, Pen and brown ink, brush and brown wash, over black chalk (the three struggling figures) (recto); pen and purple ink, brush and purple wash (the two figures at lower right) (recto); pen and brown ink, brush and brown wash, over black chalk (verso)
Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso)
Paolo Pagani
1700–1710
The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso), Paolo Pagani Italian, Pen and brown ink, brush and brown wash, on brownish paper
The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso)
Paolo Pagani
1690–1700
Mary, Queen of Scots (from "Teatro Belgico, overo ritratti historici, chronologici, politici, e geografici, délie sette provincie unité," volume I, page 412), Gregorio Leti Italian, Engraving
Mary, Queen of Scots (from "Teatro Belgico, overo ritratti historici, chronologici, politici, e geografici, délie sette provincie unité," volume I, page 412)
Gregorio Leti
Mary, Queen of Scots
1690
Draped Male Figure Standing in a Niche, Gregorio Lazzarini Italian, Pen and brown ink, brush with brown and gray wash, on light brown washed paper
Draped Male Figure Standing in a Niche
Gregorio Lazzarini
1655–1730
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso)
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726
Susanna and the Elders, Gregorio de' Ferrari Italian, Pen and brown ink, over traces of black chalk or graphite
Susanna and the Elders
Gregorio de' Ferrari
1647–1726
Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper
Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726
Achilles and the Daughters of Lycomedes, Gregorio de' Ferrari Italian, Pen and brown ink, highlighted with white, over black chalk, on brownish paper
Achilles and the Daughters of Lycomedes
Gregorio de' Ferrari
1647–1726
Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726
Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90
The Ascension of the Virgin, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown and gray wash
The Ascension of the Virgin
Gregorio de' Ferrari
1667–1726
Saturn and Rhea, Giuseppe Diamantini Italian, Etching; second state of two
Saturn and Rhea
Giuseppe Diamantini
Paolo Pagani
1680–1700
Venus and Mars embracing with a putto to either side, Giuseppe Diamantini Italian, Etching, squared in black chalk; second state of two
Venus and Mars embracing with a putto to either side
Giuseppe Diamantini
Paolo Pagani
ca. 1680
Il paradiso cantica per la solenne professione fra le monache scalze in Bologna di Suor Beatrice Teresa del Crocefisso...
Gregorio Malisardi
Eredi di Sarti
1698
Portrait of the venerable Franciscan Father Sebastian Sillero, Manuel Salvador Carmona Spanish, Engraving
Portrait of the venerable Franciscan Father Sebastian Sillero
Manuel Salvador Carmona
Gregorio Ferro
1782
On loan to The Met
Julius Caesar
Gregorio di Lorenzo
ca. 1500
On loan to The Met
Galba
Gregorio di Lorenzo
ca. 1500
The Girandola at the Castel Sant'Angelo, Rome, 1692, Giovanni Battista Falda Italian, Etching
The Girandola at the Castel Sant'Angelo, Rome, 1692
Giovanni Battista Falda
Matteo Gregorio Rossi
1692–1702
Canonization of Five Cardinals in Saint Peter's Basilica, Rome, Giuseppe Tiburtio Vergelli Italian, Etching
Canonization of Five Cardinals in Saint Peter's Basilica, Rome
Giuseppe Tiburtio Vergelli
Matteo Gregorio Rossi
1690
Portrait of Greogrio Lazarini in a decorative border, from "Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi"
Alessandro Longhi
Gregorio Lazzarini
1762
Section of the procession with a figure holding a banner with the Lamb of God, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section of the procession with a female figures holding banners, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section of the procession with Saint Christopher at center, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section of the procession with Christ riding on a triumphal chariot at left, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section with an angel holding a cross at upper right and with Adam and Eve leading the procession, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
St. Ursula
Parmigianino (Girolamo Francesco Maria Mazzola)
Matteo Gregorio Rossi
17th century
Jewelry Designs
Pietro Cerini
Matteo Gregorio Rossi
1696
Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from "The Story of Cupid and Psyche as told by Apuleius", Master of the Die Italian, Engraving
Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from "The Story of Cupid and Psyche as told by Apuleius"
Multiple artists/makers
1530–60
Raccolta delle Principale Fontane dell' Inclitta Città di Roma con la nova Aguinta disegnate da Girolamo Felice Romano et intaglate da Pietro Miotte Borg.ne, Domenico Parasacchi Italian, Etching
Raccolta delle Principale Fontane dell' Inclitta Città di Roma con la nova Aguinta disegnate da Girolamo Felice Romano et intaglate da Pietro Miotte Borg.ne
Multiple artists/makers
after 1651
Story of Cupid and Psyche as told by Apuleius, Master of the Die Italian, Engraving
Story of Cupid and Psyche as told by Apuleius
Multiple artists/makers
1530–60
The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha
Multiple artists/makers
1738–42
Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta, Matteo Pagano Italian
Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta
Multiple artists/makers
1879
Philomela, John Gregory American, born England, Bronze
Philomela
John Gregory
1919–21, cast 1922
In Search of Vanished Blood II, Nalini Malani Indian, Six-channel video installation, color, sound, 11 min. and five painted acrylic on Mylar cylinders
In Search of Vanished Blood II
Nalini Malani
2012/2017
Clock-watch, Jeremie Gregorie British, Silver, British, London
Clock-watch
Jeremie Gregorie
ca. 1670
Spinario, Antonello Gagini Italian, Bronze, Italian, possibly Messina
Spinario
Antonello Gagini
early 16th century
Angels supporting the arms of Christ, Giovanni Gagini, Black stone (pietra nera del Promontorio), Italian, Genoa
Angels supporting the arms of Christ
Giovanni Gagini
ca. 1500
Commemorating Entry of America into War, René Grégoire French, Bronze, struck, French
Commemorating Entry of America into War
René Grégoire
20th century