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1-42 of 278 results for Hélöise Leloir
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Two Women with a Mirror, No. 868, from "La Elegancia", Hélöise Leloir French, Steel engraving with hand coloring
Two Women with a Mirror, No. 868, from "La Elegancia"
Hélöise Leloir
19th century
Two Women Outdoors, No. 720, from "La Elegancia", Hélöise Leloir French, Hand-colored lithograph
Two Women Outdoors, No. 720, from "La Elegancia"
Hélöise Leloir
19th century
Number 473 from "La Elegancia", Hélöise Leloir French, Hand-colored lithograph
Number 473 from "La Elegancia"
Hélöise Leloir
19th century
Six Women Outdoors, No. 676, from "La Elegancia", Hélöise Leloir French, Etching
Six Women Outdoors, No. 676, from "La Elegancia"
Hélöise Leloir
Imprimerie Mariton
1865–66
Illustration for a French fashion magazine, Hélöise Leloir French, Watercolor
Illustration for a French fashion magazine
Hélöise Leloir
ca. 1862
Choosing the Dinner, Alexandre-Louis Leloir French, Oil on canvas
Choosing the Dinner
Alexandre-Louis Leloir
1872
"The Drink of Milk", Maurice Leloir French, Watercolor
"The Drink of Milk"
Maurice Leloir
1882
Opportunity Makes the Thief, Maurice Leloir French, Watercolor
Opportunity Makes the Thief
Maurice Leloir
1843–1940
Le Diable a Paris. . . Paris et Les Parisiens, Vol. II, Andrew Best Leloir French, Wood engraving
Le Diable a Paris. . . Paris et Les Parisiens, Vol. II
Multiple artists/makers
1846
Female Figure, Alexandre-Louis Leloir French, Watercolor
Female Figure
Alexandre-Louis Leloir
19th century
In His Cups, Alexandre-Louis Leloir French, Watercolor
In His Cups
Alexandre-Louis Leloir
1872
Wandering Minstrel; Old Nuremberg, Alexandre-Louis Leloir French, Watercolor
Wandering Minstrel; Old Nuremberg
Alexandre-Louis Leloir
1843–84
Hamlet and Horatio, from "Le Magasin Pittoresque", Andrew Best Leloir French, Wood engraving
Hamlet and Horatio, from "Le Magasin Pittoresque"
Multiple artists/makers
December 1837
A Swarm of Flies above a Spider's Web, Alexandre-Louis Leloir French, Pen and brown ink with graphite on chine collé
A Swarm of Flies above a Spider's Web
Alexandre-Louis Leloir
1860–84
Chapter illustrations, from "Le Charivari"
Multiple artists/makers
July 30, 1838
Chapter illustrations, from "Le Charivari"
Multiple artists/makers
July 30, 1838
L'Écureuil, MM. Best, Leloir, Hotelin et Régnier, Wood engraving
L'Écureuil
MM. Best, Leloir, Hotelin et Régnier
Narcisse-Virgile Diaz de la Peña
1830–1900
I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
What's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
What's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
I saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
The Proprietor, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The Proprietor, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
Instead of all this..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Instead of all this..., from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
After, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
After, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals"
Multiple artists/makers
ca. 1837–47
... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals" , J. J. Grandville French, Wood engraving

... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals"

Multiple artists/makers
ca. 1837–47
Goetz Aided by the Gypsies, from "Le Magasin Pittoresque", Eugène Delacroix French, Wood engraving (or possibly stereotype) on newsprint
Goetz Aided by the Gypsies, from "Le Magasin Pittoresque"
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845
Goetz and Friar Martin, Eugène Delacroix French, Wood engraving (or possibly stereotype)
Goetz and Friar Martin
Eugène Delacroix
Andrew, Best, Leloir, Hotelin et Régnier
after 1845