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1-42 of 89 results for Heinz Veuhoff
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Collagious Material
Heinz Veuhoff
Helga Schikowsky
1965
Collagious Material
Heinz Veuhoff
Helga Schikowsky
1965
I Remember Rov
Heinz Veuhoff
1964
"Toward the Silent Chaos"
Heinz Veuhoff
Helga Schikowsky
1964
The A Book
Heinz Veuhoff
1965
Collagehaftes
Heinz Veuhoff
1962
Cabochonean City (:New York 1960:)
Multiple artists/makers
1964
Auto-magnetismus azza
Multiple artists/makers
1964
The Haunted Place
Multiple artists/makers
1963
Coat, Heinz Riva Swiss, calf skin, leather, Italian
Coat
Heinz Riva
ca. 1968
[Nude, Printed by Twice Exposing the Same Negative, Once Flipped], Heinz Hajek-Halke German, Gelatin silver print
[Nude, Printed by Twice Exposing the Same Negative, Once Flipped]
Heinz Hajek-Halke
1933
Shield, Heinz-Dieter Pietsch German, Dry pigments on handmade paper
Shield
Heinz-Dieter Pietsch
1984
Vadasa I, Karl-Heinz Droste German, Bronze
Vadasa I
Karl-Heinz Droste
1960
Doppelle Belichtung. E. Collein mit grammophon
Heinz Loew
1927–28
Chess Set, Josef Hartwig German, Linden wood, glass, paper
Chess Set
Josef Hartwig
Heinz Nösselt
ca. 1923
Shore: White Foam, Ochre, Blue
Heinz and Elizabeth Bertelsmann
ca. 1962
Sea: Turquoise, Yellow Green
Heinz and Elizabeth Bertelsmann
ca. 1962
White Rocks and Pebbles, Blue Sea
Heinz and Elizabeth Bertelsmann
ca. 1962
Shore: Red and Black Predominating
Heinz and Elizabeth Bertelsmann
ca. 1962
Elevation of a proposed building, New York City: Scheme A
Hans Heinz Lüttgen
1956
Erste George Grosz-Mappe, George Grosz American, born Germany, Portfolio of nine lithographs
Erste George Grosz-Mappe
George Grosz
Heinz Barger Verlag (previously Verlag Neue Jugend)
1917
Box, Otto L. Heintz American, Bronze, silver, stone, American
Box
Otto L. Heintz
ca. 1905
Mocking of Christ, Johann Heintz Austrian, Pen and brown ink, brush and brown wash, over graphite. Framing line in pen and brown ink.
Mocking of Christ
Johann Heintz
late 16th–early 17th century
The Transformation of Aeneas' Ships into Nymphs by Cybele, from "Les Metamorphoses d'Ovide..."
Multiple artists/makers
1806–22
New-York
Multiple artists/makers
1851
Johann Gottfried Schadow
Multiple artists/makers
1830
Initialen von Hans Holbein
Multiple artists/makers
1900
Tompkin's Barn
John Heins
WPA
1935–43
Rooftops
John Heins
WPA
1935–43
Sunrise
John Heins
WPA
1935–43
Still Life
John Heins
WPA
1935–43
Wehlan A/E
John Heins
WPA
1935–43
Railroad Crossing
John Heins
WPA
1935–43
Corsican Hillside
John Heins
WPA
1935–43
Aus den Memoiren des Herrn von Schnabelewopsky
Multiple artists/makers
1910
Primitive Holzschnitte
Paul Heitz
Heitz & Mündel
1913
Figures Adoring a Statue of the "Magna Mater", Joseph Heintz the Elder Swiss, Pen and brown ink, brush and gray-brown wash, heightened with white
Figures Adoring a Statue of the "Magna Mater"
Joseph Heintz the Elder
Polidoro da Caravaggio
1585
Madonna and Child Surrounded by Female Saints, Joseph Heintz the Younger German, Pen and dark gray ink and gray wash
Madonna and Child Surrounded by Female Saints
Joseph Heintz the Younger
1600–1678
Madonna and Child with Mary Magdalen, Joseph Heintz the Elder Swiss, Black and red chalk
Madonna and Child with Mary Magdalen
Joseph Heintz the Elder
late 16th–early 17th century
Jupiter and Ganymede, Joseph Heintz the Younger German, Pen and ink, red wash, heightened with white
Jupiter and Ganymede
Joseph Heintz the Younger
1626
Satyrs and Nymphs; verso: partial counterproof of Heintz's "Studies for the Flight into Egypt" in The Courtauld Gallery, London, Joseph Heintz the Elder Swiss, Brush and black ink, red chalk, gray and sanguine washes, heightened with white gouache, over black chalk and graphite underdrawing, incised, on off-white paper prepared with yellow wash, laid down to another sheet of laid paper; verso of secondary support: partial offset of a drawing in black and red chalk
Satyrs and Nymphs; verso: partial counterproof of Heintz's "Studies for the Flight into Egypt" in The Courtauld Gallery, London
Joseph Heintz the Elder
ca. 1599
The Sense of Hearing, Joseph Heintz the Elder Swiss, Pen and brown ink, brush and brown wash. Touches of gray wash. Framing lines in pen and brown.
The Sense of Hearing
Joseph Heintz the Elder
Hans von Aachen
16th century