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1-42 of 50 results for Hermanus van Brussel
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Department
Landscape
Hermanus van Brussel
1802–10
Man Smoking a Pipe Leaning Over a Door
Hermanus van Brussel
ca. 1778–1815
A View of the Nieuwe Korenbeurs on the Damrak, Amsterdam, the Tower of the Oude Kerk Beyond, Hermanus Petrus Schouten Dutch, Black chalk, pen and black and gray ink, gray wash heightened with white
A View of the Nieuwe Korenbeurs on the Damrak, Amsterdam, the Tower of the Oude Kerk Beyond
Hermanus Petrus Schouten
ca. 1770
The Interior of the Correctional House for Women in Amsterdam (Het VROUWEN TUCHTUYS of SPINHUYS van BINNE, tot AMSTERDAM)
Hermanus Petrus Schouten
Publisher Pieter Fouquet
n.d.
Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), Gustave Courbet French, Oil on canvas
Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894)
Gustave Courbet
1858
The Annunciation, Hans Memling Netherlandish, Oil on wood
The Annunciation
Hans Memling
ca. 1465–70
Men Shoveling Chairs (Scupstoel), Vranke van der Stockt Netherlandish, Pen and brown ink over traces of black chalk.
Men Shoveling Chairs (Scupstoel)
Circle of Rogier van der Weyden, possibly Vranke van der Stockt
1444–50
Memorial of the Artists of Brussels to Henri Van Assche
Medalist: Laurent Joseph Hart
1842
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
Bloemenwerf, Henry van de Velde Belgian, Elm, leather, brass
Bloemenwerf
Designer Henry van de Velde
Manufacturer Societe Van de Velde & Company, Belgium
ca. 1898
Intimacy, Theo Van Rysselberghe Belgian, Conté crayon; framing lines in conté crayon (or graphite?), by the artist
Intimacy
Theo Van Rysselberghe
1890
Sommare beschrijvinghe van de triumphelijcke Incomst van...Aerts-Hertoge Matthias, binnen Brussele ... M.D.LXX.VIII [1578] den XVIII dach Januarij
Author Written by Jean Baptiste Houvvaert
Engraver Engraved by Anthony van Leest
Publisher Published by Christoph Plantin
1579
The Harvest, Urbanus Leyniers Flemish, Wool, silk (18-20 warps per inch, 8 per cm.), Flemish, Brussels
The Harvest
Weaver: Urbanus Leyniers
Weaver: Daniel Leyniers III
1712–28
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Adoration of the Kings
Designer Design attributed to Bernard van Orley
Elements of the central group are derived from Tommaso Vincidor (Tommaso di Andrea)
Possibly woven in the workshop directed by Pieter van Aelst the Younger
1525–1535
September from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
September from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man), Wool warp; wool and silk wefts, South Netherlandish
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
South Netherlandish
1500–1520
Vase, Philippe Wolfers Belgian, Silver, partly gilded, Belgian, Brussels
Vase
Designer Designed by Philippe Wolfers
Wolfers Freres
ca. 1896
The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77
Female figure from an obu (house of images), Igbo artist, Wood, pigment, Igbo
Female figure from an obu (house of images)
Igbo artist
Late 19th century
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”, Pieter Coecke van Aelst Netherlandish, Wool, silk (16-17 warps per inch, 6-7 per cm.), Netherlandish, Brussels
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”
Designer Design attributed to Pieter Coecke van Aelst
Woven under the direction of Willem de Kempeneer
1535–48
Elector Maximilian II Emanuel of Bavaria on Horseback, Roger Schabol Flemish, Bronze, with gilt-bronze base of about two decades later, Flemish, Brussels
Elector Maximilian II Emanuel of Bavaria on Horseback
Roger Schabol
Designer After a design by Martin Desjardins
cast 1707
Study for a Portrait of a Lady, Anthony van Dyck Flemish, Black chalk heightened with white chalk on brown paper
Study for a Portrait of a Lady
Anthony van Dyck
early 17th century
The Liberation of Oriane from a set of Amadis of Gaul, Karel van Mander I Netherlandish, Wool and silk (8-9 warps per cm), Dutch, Delft
The Liberation of Oriane from a set of Amadis of Gaul
Designer Designed by Karel van Mander I
Weaving workshop directed by Frans Spiering
ca. 1590–95
News of the Stag from the series known as the Hunters' Chase, Mortlake Tapestry Manufactory British, Wool (15-16 warps per inch, 6-7 per cm.), British, Mortlake
News of the Stag from the series known as the Hunters' Chase
Manufactory Mortlake Tapestry Manufactory
Related to designs probably by Bernard van Orley
designed before 1645, woven ca. 1645–75
Wooded Landscape with a River, Castle, and Town Beyond, Denijs van Alsloot Flemish, Pen and brown ink, brush and brown wash, and some yellow, pink, and blue watercolor, over traces of black chalk
Wooded Landscape with a River, Castle, and Town Beyond
Denijs van Alsloot
1611
Scenes from the Infancy of Christ, Silk, linen and metal thread, Flemish
Scenes from the Infancy of Christ
Flemish
16th century
The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper
The Adoration of the Magi
Circle of Bernard van Orley
early 16th–mid 16th century
Mountainous Landscape, Denijs van Alsloot Flemish, Pen and brown ink, brush and brown wash, with touches of blue, pink, and green watercolor, over black chalk; framing lines in pen and brown ink
Mountainous Landscape
Denijs van Alsloot
Former Attribution Formerly attributed to Tobias Verhaecht
Former Attribution Formerly attributed to Roelandt Savery
ca. 1608–11 (?)
Vincent Stochove
Wenceslaus Hollar
Sitter Vincent Stochove
Author Related author Vincent Stochove
1650
Gluttony from a set of The Seven Deadly Sins, Pieter Coecke van Aelst Netherlandish, Wool, silk, silver-gilt thread<br/>19-23 warps per inch, 8-10 per cm., Netherlandish, probably Brussels
Gluttony from a set of The Seven Deadly Sins
Designer Pieter Coecke van Aelst
Between ca. 1550 and 1560
Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667), Adam Frans van der Meulen Flemish, Black chalk, brush and gray wash; framing lines in pen and black ink
Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667)
Adam Frans van der Meulen
17th century
Madonna and Child with the Infant Saint John the Baptist, Three Women, and an Angel, Adriaan de Weerdt Netherlandish, Pen and brown ink, brush and gray wash; framing lines in pen and brown ink, by the artist
Madonna and Child with the Infant Saint John the Baptist, Three Women, and an Angel
Adriaan de Weerdt
Former Attribution Hendrick van den Broeck
mid 16th century
Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Minerva from the "Doria Grotesques"
Designer Probably designed in the workshop of Perino del Vaga (Pietro Buonaccorsi)
Perhaps woven in the workshop of Joost van Herzeele
Designed 1545, woven ca. 1550
Lucretia, Lucas van Leyden Netherlandish, Engraving
Lucretia
Lucas van Leyden
ca. 1515
Les plans et profils des principales villes...du Flandre
Multiple artists/makers
1667
Martyrdom of Saint Lawrence, Lucas Vorsterman I Flemish, Engraving; second state of two (Hollstein)
Martyrdom of Saint Lawrence
Lucas Vorsterman I
After Peter Paul Rubens
Dedicatee Lawrence Beyerlinck
1621
The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist
The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30
Esau Selling His Birthright to Jacob from The Story of Jacob series, Wool, silk (18 warps per inch, 6–7 per cm.), Netherlandish, Brussels
Esau Selling His Birthright to Jacob from The Story of Jacob series
Netherlandish, Brussels
1550–75
Landscape with Two Pilgrims Walking Along a Road, Pieter Baltens Netherlandish, Pen and brown ink
Landscape with Two Pilgrims Walking Along a Road
Attributed to Pieter Baltens
16th century
Procession of Sultan Süleyman through the Atmeidan from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks), Pieter Coecke van Aelst Netherlandish, Woodcut
Procession of Sultan Süleyman through the Atmeidan from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks)
After Pieter Coecke van Aelst
Publisher Mayken Verhulst
1553
Saint Francis Kneeling in a Grotto, holding a Book and a Skull, Nicolaas van der Horst Flemish, Pen and brown ink, brown washes; incised for transfer
Saint Francis Kneeling in a Grotto, holding a Book and a Skull
Nicolaas van der Horst
1627 or before