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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 40 results for Hideoki

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Knife Handle (Kozuka), Hideoki Japanese, Copper-gold alloy (shakudō), gold, silver, Japanese — Knife Handle (Kozuka)
Hideoki
19th century

Aozameta dōteikyō : Shigashū, Hideo Saitō — Aozameta dōteikyō : Shigashū
Hideo Saitō
Tatsuo Okada
1926

Flowing Pattern, Honma Hideaki Japanese, Timber bamboo, men’yadake, dwarf bamboo, rattan, and lacquer, Japan — Flowing Pattern
Honma Hideaki
2014

Shisen (Eyes Meet), Hideo Yamakuchi Japanese, Jacquard brocade — Shisen (Eyes Meet)
Hideo Yamakuchi
1997

Bugaku Mask, Hinoki wood, Japan — Bugaku Mask
Japan
1535–1538

Hideous Larvae, Odilon Redon French, Lithograph — Hideous Larvae
Odilon Redon
1896

Story of the Western Chamber, HaHanging scroll; woodblock print; two shades of ink on paper with additional hand coloring, China — Story of the Western Chamber
China

Cryopreservation Unit, Cryonics Institute, Clinton Township, Michigan, Taryn Simon American, Chromogenic print — Cryopreservation Unit, Cryonics Institute, Clinton Township, Michigan
Taryn Simon
2004, printed 2007

Wagon (和琴), Mizutani Kakumu (professional name: Fujiwara Mitsukazu or Kowa) Japanese, Hinoki (Japanese cypress), silk, cotton, metal, Japanese — Wagon (和琴)
Mizutani Kakumu (professional name: Fujiwara Mitsukazu or Kowa)
1804

The Bodhisattva Jizō, Intan Japanese, Japanese cypress wood (hinoki) with polychrome pigments, gold paint (kindei), cut gold leaf (kirikane), and rock-crystal eyes, Japan — The Bodhisattva Jizō
Intan
1291

"Isfandiyar's Fourth Course: He Slays a Sorceress", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, gold, and silver on paper — "Isfandiyar's Fourth Course: He Slays a Sorceress", Folio from a Shahnama (Book of Kings) of Firdausi
Abu'l Qasim Firdausi
ca. 1330–40

The visitor and the artist, from 'Sketches from the Salon,' published in Le Charivari, May 30, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — The visitor and the artist, from 'Sketches from the Salon,' published in Le Charivari, May 30, 1864
Multiple artists/makers
May 30, 1864

Cemetery, Gabriel Orozco Mexican, Chromogenic print — Cemetery
Gabriel Orozco
2002

Untitled, Katsumi Watanabe Japanese, Gelatin silver print — Untitled
Katsumi Watanabe
1967, printed before 1985

Untitled, Katsumi Watanabe Japanese, Gelatin silver print — Untitled
Katsumi Watanabe
1969, printed before 1985

Untitled, Katsumi Watanabe Japanese, Gelatin silver print — Untitled
Katsumi Watanabe
1968, printed before 1985

Joe Rickson waiting for gunmen to return to hideout from Western Stars or Scenes Exhibit Cards series (W412), Commercial color photolithograph — Joe Rickson waiting for gunmen to return to hideout from Western Stars or Scenes Exhibit Cards series (W412)
ca. 1920–35

One of the “One Million Pagodas” (Hyakumanto) and Invocation

, Japanese cypress (hinoki), Cleyera ochnacea (sakaki), and ink on paper, Japan — One of the “One Million Pagodas” (Hyakumanto) and Invocation
Japan
ca. 764–70

One of the “One Million Pagodas” (Hyakumanto)

, Japanese cypress (hinoki), Cleyera ochnacea (sakaki), and ink on paper, Japan — One of the “One Million Pagodas” (Hyakumanto)
Japan
ca. 764–70

Autumn Landscape, Ike no Taiga Japanese, Hanging scroll; ink and color on paper, Japan — Autumn Landscape
Ike no Taiga
Yanagisawa Kien
1750–58

Cypresses

, Ikeda Koson Japanese, Two-panel folding screen; ink on paper, Japan — Cypresses
Ikeda Koson
mid-19th century

Pen Case and Ink Well, Bronze, Japan — Pen Case and Ink Well
Japan
19th century

Sword Guard (<i>Tsuba</i>) Depicting Spider Web on Dead Tree (枯木に蜘蛛の巣図鐔), Iron, gold, copper, Japanese — Sword Guard (Tsuba) Depicting Spider Web on Dead Tree (枯木に蜘蛛の巣図鐔)
Japanese
ca. 1615–1868

Plate 64 from "Los Caprichos": Bon voyage (Buen Viage), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 64 from "Los Caprichos": Bon voyage (Buen Viage)
Goya (Francisco de Goya y Lucientes)
1799

World Trade Center

Hiroshi Sugimoto

1997

Asahi Breweries

Hiroshi Sugimoto

1997

Katsumi Watanabe

1966, printed before 1985

Writing box and desk with scenes from The Tales of Ise (Ise monogatari), Lacquered wood with gold, silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on gold and nashiji ground, silver fittings, Japan — Writing box and desk with scenes from The Tales of Ise (Ise monogatari)
Japan
early 20th century

Genesis, Miyashita Zenji Japanese, Stoneware with gradated colored clay (saidei), Japan — Genesis
Miyashita Zenji
2009

Eleonor and Giles Robertson, Edinburgh, Thomas Struth German, Chromogenic print — Eleonor and Giles Robertson, Edinburgh
Thomas Struth
1987

Co Clare, Ireland, Paul Graham British, Inkjet prints — Co Clare, Ireland
Paul Graham
2014

Gold Town Jewellery, East Harlem, New York, Paul Graham British, Inkjet print — Gold Town Jewellery, East Harlem, New York
Paul Graham
2012

Senami, Christchurch, New Zealand, Paul Graham British, Chromogenic print — Senami, Christchurch, New Zealand
Paul Graham
2011

An anti-fascist, anti-Franco allegory realting to the bombardment of Madrid and death of women and children, hideous skeletal birds of prey dominate the scene

Pablo Esteban O'Higgins

ca 1937–38

Multiple artists/makers

1991

Multiple artists/makers

1992

Cupid and Psyche, Jan Muller Netherlandish, Engraving; New Holl.'s third state of four — Cupid and Psyche
Multiple artists/makers
ca. 1600

Loopy Doopy, White on Black, Sol LeWitt American, Oil-based woodcut on Japanese paper — Loopy Doopy, White on Black
Multiple artists/makers
1999

Multiple artists/makers

April 1933

Vault, Thomas Demand German, Chromogenic print — Vault
Thomas Demand
2012