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Showing 3,441 results for Jacopo Nizolla da Trezzo

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Joanna of Austria, Daughter of Charles V (1535–1573), Jacopo Nizolla da Trezzo Italian, Bronze, cast, Italian — Joanna of Austria, Daughter of Charles V (1535–1573)
Jacopo Nizolla da Trezzo
1554

Mary Tudor, Queen of England (1516-1558, r. 1553, m. 1554), Commemorating her Marriage to Philip of Spain (1527-1598, r. 1556-98), Jacopo Nizolla da Trezzo Italian, Bronze, brown patina, cast, Italian — Mary Tudor, Queen of England (1516-1558, r. 1553, m. 1554), Commemorating her Marriage to Philip of Spain (1527-1598, r. 1556-98)
Jacopo Nizolla da Trezzo
ca. 1555

Mary Tudor, Queen of England, Jacopo Nizolla da Trezzo Italian, Lead, cast, Italian — Mary Tudor, Queen of England
Jacopo Nizolla da Trezzo
ca. 1555

Philip II, King of Spain (1527–1598), Jacopo Nizolla da Trezzo Italian, Gold, Italian — Philip II, King of Spain (1527–1598)
Jacopo Nizolla da Trezzo
third quarter 16th century

Ippolita Gonzaga (1535–1563), at the age of 17, Jacopo Nizolla da Trezzo Italian, Bronze, Italian — Ippolita Gonzaga (1535–1563), at the age of 17
Jacopo Nizolla da Trezzo
1552–53

Gianello della Torre, Italian Engineer and Architect in Spain (1501–1585), Jacopo Nizolla da Trezzo Italian, Bronze, brown patina, cast, Italian — Gianello della Torre, Italian Engineer and Architect in Spain (1501–1585)
Jacopo Nizolla da Trezzo
1550–75

Portrait medal of Philip II (obverse); Mary Tudor Queen of England (reverse), Jacopo Nizolla da Trezzo Italian, Silver/copper alloy with traces of lead. — Portrait medal of Philip II (obverse); Mary Tudor Queen of England (reverse)
Jacopo Nizolla da Trezzo
1555

Portrait medal of Isabella di Capua, Jacopo Nizolla da Trezzo Italian, Bronze (Copper alloy with honey-colored<br/>patina under a worn layer of black lacquer or wax) — Portrait medal of Isabella di Capua
Jacopo Nizolla da Trezzo
1546–55

Portrait medal of Christine of Denmark, Jacopo Nizolla da Trezzo Italian, Bronze (Copper alloy with honey-colored<br/>patina) — Portrait medal of Christine of Denmark
Jacopo Nizolla da Trezzo
ca. 1533 (contemporary cast)

Portrait medal of Mary Tudor Queen of England (obverse); Allegory of Mary Tudor's Reign (reverse), Jacopo Nizolla da Trezzo Italian, Bronze (Copper alloy with honey-colored<br/>patina). — Portrait medal of Mary Tudor Queen of England (obverse); Allegory of Mary Tudor's Reign (reverse)
Jacopo Nizolla da Trezzo
model 1554 (contemporary cast)

Ippolita Gonzaga 1535-63, wife of Antonio Caraffa, Jacopo Nizolla da Trezzo Italian, Bronze, Italian, Milan — Ippolita Gonzaga 1535-63, wife of Antonio Caraffa
Jacopo Nizolla da Trezzo
1552

Cardinal Giacomo Savelli (1523–1587), Jacopo Nizolla da Trezzo , or his school Italian, Copper alloy, Italian, Milan — Cardinal Giacomo Savelli (1523–1587)
Jacopo Nizolla da Trezzo
1576

Portrait of Ippolita Gonzaga

Nicolas Beatrizet

Jacopo Nizolla da Trezzo

after 1552

The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas — The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

The Finding of Moses, Jacopo [Giacomo] Barozzi da Vignola Italian, Wood, Italian — The Finding of Moses
Jacopo [Giacomo] Barozzi da Vignola
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
16th century

Barbute, Jacopo da Cannobio, called Bichignola Italian, Brescia, Steel, Italian, Brescia — Barbute
Jacopo da Cannobio, called Bichignola
ca. 1460

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Armorer's vise, Jacopo da Ferrara Italian, Iron, Northern Italian — Armorer's vise
Jacopo da Ferrara
1588

Wide-rimmed bowl, Jacopo da Pesaro , Venice Italian, Maiolica (tin-glazed earthenware), Italian, probably Venice or environs — Wide-rimmed bowl
Jacopo da Pesaro
ca. 1530–50

Dish with a Landscape, Jacopo da Pesaro Italian, Tin-glazed earthenware painted with dark blue and white highlights on light blue berettino ground, Italian, Venice — Dish with a Landscape
Jacopo da Pesaro
ca. 1545–50

Two Studies of a Seated Male Nude, Jacopo da Pontormo (Jacopo Carucci) Italian, Black chalk — Two Studies of a Seated Male Nude
Jacopo da Pontormo (Jacopo Carucci)
mid-16th century

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

The Finding of Moses, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Finding of Moses
Jacopo Tintoretto (Jacopo Robusti)
1560s?

Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577

The Miracle of the Loaves and Fishes, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Miracle of the Loaves and Fishes
Jacopo Tintoretto (Jacopo Robusti)
ca. 1545–50

Portrait of a Man, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Portrait of a Man
Jacopo Tintoretto (Jacopo Robusti)
1550s

The Last Supper, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) and his workshop Italian, Intarsia, Italian, Bologna — The Last Supper
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
Jacopo [Giacomo] Barozzi da Vignola
1548

Paris, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua — Paris
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524

Flora and Zephyr, Jacopo Amigoni Italian, Oil on canvas — Flora and Zephyr
Jacopo Amigoni
1730s

Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence — Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470

Chapel from Le Château de la Bastie d'Urfé, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) and his workshop Italian, Walnut and intarsia of various woods, Italian, Bologna — Chapel from Le Château de la Bastie d'Urfé
Multiple artists/makers
ca. 1547–48

Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina. — Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

Bona Sforza (1493–1557), Queen of Poland, Giovanni Jacopo Caraglio Italian, Sardonyx, with inlaid gold and silver details; mounted in 19th century frame as a pendant in gold, with enamel, pearl and ruby, Polish, Krakow cameo with French frame — Bona Sforza (1493–1557), Queen of Poland
Giovanni Jacopo Caraglio
cameo ca. 1530–40, frame 19th century

Six Angels, Jacopo di Cione Italian, Tempera on wood, gold ground — Six Angels
Jacopo di Cione
ca. 1365

Scenes from the Story of the Argonauts, Jacopo di Arcangelo (called Jacopo del Sellaio) Italian, Tempera on wood, gilt ornaments — Scenes from the Story of the Argonauts
Jacopo di Arcangelo (called Jacopo del Sellaio)
ca. 1465

The Virgin Adoring the Child with the Infant Saint John the Baptist, Jacopo di Arcangelo (called Jacopo del Sellaio) Italian, Tempera and gold on wood — The Virgin Adoring the Child with the Infant Saint John the Baptist
Jacopo di Arcangelo (called Jacopo del Sellaio)
late 1480s

Wainscoting from the Château de la Bâstie d'Urfé

Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)

Jacopo [Giacomo] Barozzi da Vignola

ca. 1547–48

Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware) — Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25