Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Jacques Prevost de Gray

Sort by:

Corinthian capital, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Corinthian capital, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1535

Corinthian entablature from Santa Bibiana, Rome, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Corinthian entablature from Santa Bibiana, Rome, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Corinthian base, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Corinthian base, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Corinthian capital, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Corinthian capital, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Corinthian entablature, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Corinthian entablature, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Corinthian entablature, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Corinthian entablature, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Cornice, from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Cornice, from "Speculum Romanae Magnificentiae"
Anonymous
Jacques Prevost de Gray
16th century

Cornice, from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Cornice, from "Speculum Romanae Magnificentiae"
Anonymous
Jacques Prevost de Gray
16th century

Entablatures from Santa Pudenziana and the Arch of Camigliano, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Entablatures from Santa Pudenziana and the Arch of Camigliano, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Entablature from the Temple of Castor and Pollux, Rome, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Entablature from the Temple of Castor and Pollux, Rome, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Entablature from the Forum of Trajan, Rome, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Entablature from the Forum of Trajan, Rome, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

Entablature from the Temple of Vespasian, Rome, from "Speculum Romanae Magnificentiae", Master PS Italian or French, Engraving — Entablature from the Temple of Vespasian, Rome, from "Speculum Romanae Magnificentiae"
Master PS
Jacques Prevost de Gray
1537

La dedvction de l'innocence de messire Philippe Baron de Montmorency, Conte de Hornes, franc seigneur de Vveert, admiral & capitaine general de la Mer du pais bas ... contre la malicievse apprehension, indeüe detention, injuste procedure, fausse accusation, iniques sentences et tyrannicque exécution en sa personne à grand tort, par voye de faict perpetrees, Jacques de Wesenbeke — La dedvction de l'innocence de messire Philippe Baron de Montmorency, Conte de Hornes, franc seigneur de Vveert, admiral & capitaine general de la Mer du pais bas ... contre la malicievse apprehension, indeüe detention, injuste procedure, fausse accusation, iniques sentences et tyrannicque exécution en sa personne à grand tort, par voye de faict perpetrees
Jacques de Wesenbeke
1568

[The Great Wave, Sète], Gustave Le Gray French, Albumen silver print from glass negative — [The Great Wave, Sète]
Gustave Le Gray
1857

[Oak Tree and Rocks, Forest of Fontainebleau], Gustave Le Gray French, Salted paper print from paper negative — [Oak Tree and Rocks, Forest of Fontainebleau]
Gustave Le Gray
1849–52

The Wages of War, Henry Peters Gray American, Oil on canvas, American — The Wages of War
Henry Peters Gray
1848

Patch box (?), Nicolas Prévost, Gold, enamel, French, Paris — Patch box (?)
Nicolas Prévost
1775–76

Eileen Gray

ca. 1922–25

Watch, Jacques Goullons French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel — Watch
Jacques Goullons
ca. 1645–48

[Rocky Hillside], Victor Prevost French, Salted paper print from paper negative — [Rocky Hillside]
Victor Prevost
1850s

Vanitas Still Life, Jacques de Gheyn II Netherlandish, Oil on wood — Vanitas Still Life
Jacques de Gheyn II
1603

Windswept Tree and Rocks, Percy Gray American, Watercolor and gouache on white wove paper, American — Windswept Tree and Rocks
Percy Gray
1920

Rising Road with Mount Tamalpais, Percy Gray American, Watercolor on white wove paper, American — Rising Road with Mount Tamalpais
Percy Gray
ca. 1910

"Lanterne Japonaise" Lamp, Eileen Gray Irish, Painted steel, poly(methyl methacrylate) (PMMA), mirrored glass, and urea-formaldehyde resin (UF) — "Lanterne Japonaise" Lamp
Eileen Gray
ca. 1925–30

Which Was, and Is, and Is to Come, Cleve Gray American, Oil on canvas — Which Was, and Is, and Is to Come
Cleve Gray
1953

Armchair, Eileen Gray Irish, Chrome-plated tubular steel with white cotton fabric — Armchair
Eileen Gray
ca. 1930

Drawing, Eileen Gray Irish, Cut and pasted fabric and cardboard on black painted paper — Drawing
Eileen Gray
ca. 1927

Drawing, Eileen Gray Irish, Opaque watercolor on paper — Drawing
Eileen Gray
ca. 1925

"Lanterne Japonaise" Lamp, Eileen Gray Irish, Painted steel, poly(methyl methacrylate) (PMMA), mirrored glass, and urea-formaldehyde resin (UF) — "Lanterne Japonaise" Lamp
Eileen Gray
ca. 1935

After Threnody, Cleve Gray American, Black matte opaque paint (est. acrylic) on board — After Threnody
Cleve Gray
1974

Untitled, Cleve Gray American, Acrylic on paper — Untitled
Cleve Gray
1974

Roman Walls #70, Cleve Gray American, Acrylic paint with marble dust on paper, mounted on canvas — Roman Walls #70
Cleve Gray
1980

Untitled, Cleve Gray American, Acrylic and marble dust on paper, mounted on canvas — Untitled
Cleve Gray
1980

Interplay #319B, Cleve Gray American, Watercolor on paper — Interplay #319B
Cleve Gray
2003

Mantel clock (pendule de cheminée), Benjamin Gray British, Case: soft-paste porcelain and gilded bronze; Dial: painted enamel; Movement: brass and steel, British, London with French, Chantilly case — Mantel clock (pendule de cheminée)
Multiple artists/makers
ca. 1745

Evening dress, Jacques Fath French, cellulose acetate, French — Evening dress
Jacques Fath
House of Jacques Fath
spring/summer 1947

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David French, Oil on canvas — Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)
Jacques Louis David
1788

Plate (assiette à palmes) (1 of 102) (part of a service), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres — Plate (assiette à palmes) (1 of 102) (part of a service)
Multiple artists/makers
1786

Panel, Jacques de Lajoüe, Marquetry of tulipwood, walnut, padouk, satin-wood, maple, and other woods, partly stained blue, green, and red, Southern German, Palatinate — Panel
Jacques de Lajoüe
ca. 1750–60

Table snuffbox, Jacques de Lajoüe , published in Paris 1736 French, Green Turban snail shell; gilded, matted, punched, and engraved silver; niello, Russian, probably Velikiy Ustyug — Table snuffbox
Jacques de Lajoüe
ca. 1745–50