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Showing 465 results for Jakusai 寂済

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Portrait of En no Gyōja, Jakusai 寂済 Japanese, Hanging scroll; ink and color on silk, Japan — Portrait of En no Gyōja
Jakusai 寂済
late 14th–15th century

Case (Inrō) with Design of God of Longevity (Jurōjin) and a Small Boy with a Tortoise (obverse); Pine Tree by Stream (reverse), Kakōsai Japanese, Gold and nashiji ('pear skin') lacquer with metal inlay and gold, silver, and brown hiramakie sprinkled and polished lacquer; Interior: nashiji and fundame; Ojime: coral bead, Japan — Case (Inrō) with Design of God of Longevity (Jurōjin) and a Small Boy with a Tortoise (obverse); Pine Tree by Stream (reverse)
Kakōsai
19th century

Case (Inrō) with Design of Three Horses Standing (obverse); Saddle Ends and Riding Whip (reverse), Kakōsai Japanese, Lacquer, kinji, gold and silver hiramakie, various metal inlay; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Three Horses Standing (obverse); Saddle Ends and Riding Whip (reverse)
Kakōsai
19th century

Inrō with Cockatoo and Magnolia, Yamada Jōkasai Japanese, Red lacquer ground with gold maki-e, carved red lacquer, and mother-of-pearl inlay<br/>Netsuke: poppy; ivory<br/>Ojime: roundels; red and green lacquer in wood, Japan — Inrō with Cockatoo and Magnolia
Yamada Jōkasai
19th century

Case (Inrō) with Design of Cranes Standing Beneath a Gnarled Pine Tree and Netsuke Depicting Yoshitsune and Benkei, Hogen Kosen, Lacquer, roiro, gold, silver, black, brown and red hiramakie; Interior: gyobu and fundame, Japan — Case (Inrō) with Design of Cranes Standing Beneath a Gnarled Pine Tree and Netsuke Depicting Yoshitsune and Benkei
Hogen Kosen
Hakusai
18th century

Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi), Yamada Jōkasai (1681–1704) Japanese, Gold-speckled aventurine (nashiji) lacquer with sprinkled and polished design (hiramakie), Japan — Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi)
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse), Yamada Jōkasai (1681–1704) Japanese, Lacquer decorated with sprinkled hiramakie lacquer, sprinkled and polished takamakie lacquer relief, and nashiji (pear skin) lacquer; Ojime: ivory and gold lacquer bead; Netsuke: carved wood bird (signed Shuko), Japan — Case (Inrō) with Design of a Teahouse (obverse) Three Travelers En Route (reverse)
Yamada Jōkasai (1681–1704)
19th century

Round Box with Design of Bugaku Dance Hat and Musical Instrument

, Yamada Jōkasai (1681–1704) Japanese, Lacquer on wood with gold, mother-of-pearl inlay, and colored lacquer, Japan — Round Box with Design of Bugaku Dance Hat and Musical Instrument
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket, Yamada Jōkasai (1681–1704) Japanese, Sprinkled gold lacquer with mother-of-pearl, stone, and metal<br/>Ojime: ovoid gold bead decorated with grasses<br/>Netuske: black wood carved as a piece of firewood, Japan — Case (Inrō) with Design of Dewdrops and Insects on Autumn Grasses in Basket
Yamada Jōkasai (1681–1704)
19th century

Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse), Yamada Jōkasai (1681–1704) Japanese, Gold and colored lacquer with inlaid mother-of-pearl on ro-iro black lacquer; ojime: metal bead inlaid with silver; netsuke: carved ebony inlaid with ivory design of Daruma, Japan — Case (Inrō) with Design of a Suit of Armor (obverse); Flasks for Boys Festival (reverse)
Yamada Jōkasai (1681–1704)
second half of the 19th century

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Drawing of a Bison, and Heads of a Bison and Horse, Unidentified artist, Matted drawing; ink on paper, Japan — Drawing of a Bison, and Heads of a Bison and Horse
Unidentified artist
Katsushika Hokusai
19th century

Male Figure, Jusai, Wood, paint, Asmat people — Male Figure
Jusai
ca. 1961

Male Figure, Jusai, Wood, paint, Asmat people — Male Figure
Jusai
mid-20th century

Cranes on Branch of Snow-covered Pine, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Cranes on Branch of Snow-covered Pine
Katsushika Hokusai
late 1820s

Grasshopper and Iris, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Grasshopper and Iris
Katsushika Hokusai
late 1820s

Seaside Village in Winter, from Hokusai’s Album of Realistic Pictures (Hokusai shashin gafu), Katsushika Hokusai Japanese, Detached plate from a woodblock printed book; ink and color on paper, Japan — Seaside Village in Winter, from Hokusai’s Album of Realistic Pictures (Hokusai shashin gafu)
Katsushika Hokusai
1814

Drunken Asaina, Katsushika Hokusai Japanese, Fan mounted as hanging scroll; ink and color on paper, Japan — Drunken Asaina
Katsushika Hokusai
ca. 1810

Mariko, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Mariko
Katsushika Hokusai
ca. 1805

Reeds and Geese, Tesshū Tokusai Japanese, One of a pair of hanging scrolls; ink on silk, Japan — Reeds and Geese
Tesshū Tokusai
1343

Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka)
Katsushika Hokusai
ca. 1833

Ancient View of Yatsuhashi in Mikawa Province (Mikawa no Yatsuhashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Ancient View of Yatsuhashi in Mikawa Province (Mikawa no Yatsuhashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
ca. 1834

The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)
Katsushika Hokusai
ca. 1832

Bird-and-Flower Paintings, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Bird-and-Flower Paintings
Katsushika Hokusai
Kumagai Naozane
ca. 1816–20

View of Saruhashi (Monkey Bridge), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — View of Saruhashi (Monkey Bridge)
Katsushika Hokusai
Senseki
ca. 1816–20

The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1831–32

Squeaking a Ground Cherry, from the series Seven Fashionable Useless Habits (Furyu nakute nana kuse), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Squeaking a Ground Cherry, from the series Seven Fashionable Useless Habits (Furyu nakute nana kuse)
Katsushika Hokusai
ca. 1798

Poem by Jitō Tenno (Empress Jitō), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Jitō Tenno (Empress Jitō), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1839

Poem by Kakinomoto Hitomaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Kakinomoto Hitomaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1839

Poem by Kanke (Sugawara Michizane), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Kanke (Sugawara Michizane), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
ca. 1839

Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1839

Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
1827–30

Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32