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Showing 5,488 results for James Cole

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The World in Masquerade

James Cole

1715–74

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole American, Oil on canvas, American — View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow
Thomas Cole
1836

Westmonasterium. or the History and Antiquities of the Abbey Church of St. Peter's Westminster

John Dart

James Cole

1723–42

The Titan's Goblet, Thomas Cole American, Oil on canvas, American — The Titan's Goblet
Thomas Cole
1833

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole American, Oil and pencil on composition board, American — Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)
Thomas Cole
1836

Clouds, Thomas Cole American, Oil on paper laid down on canvas, American — Clouds
Thomas Cole
ca. 1838

A View near Tivoli (Morning), Thomas Cole American, Oil on canvas, American — A View near Tivoli (Morning)
Thomas Cole
1832

View on the Catskill—Early Autumn, Thomas Cole American, Oil on canvas, American — View on the Catskill—Early Autumn
Thomas Cole
1836–37

Shine, Willie Cole American, Shoes, steel wire, monofilament line, washers, and screws — Shine
Willie Cole
2007

Pitcher, Cole, Lustreware, British, London — Pitcher
Cole
19th century

Presentation Smallsword with Scabbard, James Morisset British, Silver, enamel, steel, paste brilliants, wood, fish skin, British, London — Presentation Smallsword with Scabbard
James Morisset
hallmarked for 1797–98

The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst, Thomas Cole American, Graphite and white gouache on green wove paper, American — The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst
Thomas Cole
1843

Landscape with Tower (from McGuire Scrapbook), Thomas Cole American, Graphite on off-white wove paper, American — Landscape with Tower (from McGuire Scrapbook)
Thomas Cole

The Mountain Ford, Thomas Cole American, Oil on canvas, American — The Mountain Ford
Thomas Cole
1846

Shipwreck, Thomas Cole American, Graphite on off-white wove paper, American — Shipwreck
Thomas Cole

Unitard, Willie Cole American, nylon, spandex, American — Unitard
Willie Cole
1995

Untitled, Willem Cole Belgian, Black ink and graphite on paper — Untitled
Willem Cole
1987

Untitled, Willem Cole Belgian, Pen and black ink and graphite on paper — Untitled
Willem Cole
1987

Untitled, Willem Cole Belgian, Black ink and graphite on paper — Untitled
Willem Cole
1988

Untitled, Willem Cole Belgian, Black ink and graphite on paper — Untitled
Willem Cole
1988

"Susquehanna Bend" Armchair, Jim Cole American, Patinated brass — "Susquehanna Bend" Armchair
Jim Cole
1991

Next Kent tji wara, Willie Cole American, Bicycle parts, spray paint, and brazing — Next Kent tji wara
Willie Cole
2007

Man Spirit Mask, Willie Cole American, Left panel: Photo-etching, embossing and hand coloring<br/>Middle panel: silkscreen with lemon juice and scorching<br/>Right panel: photo etching and woodcut — Man Spirit Mask
Multiple artists/makers
1999

[Riders on a Moving Train near Johannesburg, South Africa], Ernest Cole South African, Gelatin silver print — [Riders on a Moving Train near Johannesburg, South Africa]
Ernest Cole
1962–1966

Five Beauties Rising, Willie Cole American, Suite of five prints; intaglio and relief — Five Beauties Rising
Multiple artists/makers
2012

Bathing suit, Cole of California American, Cotton, American — Bathing suit
Cole of California
1967

Bathing suit, Cole of California American, Cotton, synthetic, American — Bathing suit
Cole of California
1943

Bathing suit, Cole of California American, nylon, cotton, rubber, American — Bathing suit
Cole of California
ca. 1964

Maillot, Cole of California American, synthetic fiber, American — Maillot
Cole of California
ca. 1965

Maillot, Cole of California American, synthetic fiber, American — Maillot
Cole of California
1964

Evening dress, Charles James American, silk/rayon, silk, American — Evening dress
Charles James
1946

"Butterfly", Charles James American, silk, synthetic, American — "Butterfly"
Charles James
1955

Ensemble, James Rosenquist American, (a, b) DuPont Tyvek®; (c) metal; (d, e) paper, German — Ensemble
James Rosenquist
Hugo Boss
spring/summer 1998

"Clover Leaf", Charles James American, silk, silk/rayon, American — "Clover Leaf"
Charles James
1953

Highrise of Homes, James Wines American, Pen and ink and wash over graphite on paper — Highrise of Homes
James Wines
1981

The illustrated handbook of architecture : being a concise and popular account of the different styles of architecture prevailing in all ages and all countries, James Fergusson British, Scottish — The illustrated handbook of architecture : being a concise and popular account of the different styles of architecture prevailing in all ages and all countries
James Fergusson
1855

Teapot with arms of the Hayes family (part of a service), James Giles British, Hard-paste porcelain with enamel decoration and gilding, Chinese with British decoration — Teapot with arms of the Hayes family (part of a service)
James Giles
1760–70

Nécessaire, James Cox British, Case: moss agate, mounted in gold and set with diamonds, rubies, and emeralds; silver; Dial: white enamel, with frame pavé-set with paste jewels, British, London — Nécessaire
James Cox
ca. 1770–72

Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock, James Cox British, Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels, British, London — Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock
James Cox
1766

Miniature secretary incorporating a watch, James Cox British, Case: agate, with gold mounts, gilded brass, pearls, and paste jewels set in silver; Dial: white enamel; Movement: wheel balance and cock set with paste jewels, British, London — Miniature secretary incorporating a watch
James Cox
ca. 1766–72