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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 822 results for James McArdell
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[Group of 148 Stereograph Views of Egypt, the Holy Lands, and the Middle East, Including Palestine and Jerusalem]
Unknown
1850s–1910s
[Group of 122 Stereograph Views of Egypt, the Holy Lands, and the Middle East, Including Palestine and Jerusalem]
Unknown
1850s–1910s
Semina Two
Wallace Berman
December 1957
[Navy Leather-Bound Appointment and Address Book for the Year 1972]
Walker Evans
1972
Henry Woodward
Bow Porcelain Factory
1750
The Yellow Room
James McNeill Whistler
ca. 1883–84
Edward Guthrie Kennedy
James McNeill Whistler
1893–95
Arrangement in Black: Girl Reading
James McNeill Whistler
ca. 1880–90
Cremorne Gardens, No. 2
James McNeill Whistler
ca. 1870–80
Arrangement in Flesh Colour and Black: Portrait of Theodore Duret
James McNeill Whistler
1883
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
Nocturne: Palaces
James McNeill Whistler
1879–80
Cremorne Gardens No. 2
James McNeill Whistler
A catalogue of blue and white Nankin porcelain : forming the collection of Sir Henry Thompson
Sir Henry Thompson, 1st Baronet
1878
Lord William Blakeney (1692–1761)
James McArdell
ca. 1756–61
Mug with depiction of Queen Charlotte
Worcester factory
ca. 1765
The Right Honorable Henry Fox, Esr.
James McArdell
1756
Market Place at Tetuán
James McBey
1912
[29 Glass Stereographs]
Various
1850s–00s
Asia! Thy trade, thy silks and spicy stores, But ill compensate for a Land of Slaves, Whilst Liberty disdains to bless thy Shores, And Luxury thy nerv'less sons depraves
James Moore
ca. 1760
Mr. Garrick in Hamlet, Act 1, Scene 4
James McArdell
November 1, 1754
David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1)
James McArdell
1761
Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1)
James McArdell
1761
Captain Cuttle (a Character from Charles Dickens's "Dombey and Son") (from Sketchbook)
James McNeill Whistler
ca. 1854–55
40 and 50 (Man and Woman Seated) (from Sketchbook)
James McNeill Whistler
1854–55
Christ and Two Disciples on the Road to Emmaus (from Sketchbook)
James McNeill Whistler
1854–55
Church Scene (from Sketchbook)
James McNeill Whistler
1854–55
After Dinner (Possibly Ross Winans) (from Sketchbook)
James McNeill Whistler
1854–55
Bust of Man (from Sketchbook)
James McNeill Whistler
1854–55
May 18th (55) (from Sketchbook)
James McNeill Whistler
1855
Man with Donkey and Reclining Boy (Recto); Two Areas Blocked in Blue: Head of Man, Female Head and Head (Verso) (from Sketchbook)
James McNeill Whistler
1854–55
Sir John Chester (from Dickens' Barnaby Rudge) (from Sketchbook)
James McNeill Whistler
1854–55
Sir Piercie Shafton Sings (from Sir Walter Scott's "The Monastery") (Recto); Sketch of Female Figure (Verso) (from Sketchbook)
James McNeill Whistler
1854–55
Man Standing (from Sketchbook)
James McNeill Whistler
1854–55
Figure in Bed (Sick or Drunk) (from Sketchbook)
James McNeill Whistler
1854–55
Old C'lo (from Sketchbook)
James McNeill Whistler
1854–55
Man Playing Guitar (from Sketchbook)
James McNeill Whistler
1854–55
Head of a Man (from Sketchbook)
James McNeill Whistler
1854–55
Monk Saying Grace, "Tibi Gracias" (Recto); Three Sketches of Lamp (Verso) (from Sketchbook)
James McNeill Whistler
1854–55
Man Smoking (from Sketchbook)
James McNeill Whistler
1854–55