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1-42 of 5,297 results for James Ryan
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Theoremetical System of Painting, or Modern Plans, Fully Explained, in Six Lessons; and Illustrated with Eight Engravings, by Which a Child of Tender Years Can Be Taught This Sublime Art in One Week; To Which are Added, The Theory and Preactice of the Old School, In the introduction of Landscape and Figure Painting; WIth Many Valuable Receipts on the Subject
Matthew D. Finn
James Ryan
1830
Presentation Smallsword with Scabbard, James Morisset British, Silver, enamel, steel, paste brilliants, wood, fish skin, British, London
Presentation Smallsword with Scabbard
James Morisset
hallmarked for 1797–98
Would You Like Some Candy Cabbie?
Ryan Weideman
1982
Self-Portrait with Hendrix Look-Alike in Drag
Ryan Weideman
1988
Punk Donna in Boots and Backseat
Ryan Weideman
1982
Number 57, Anne Ryan American, Cut and torn pasted colored and painted papers, fabrics, fabrics and silver metal foil on paper
Number 57
Anne Ryan
1953
Number 340, Anne Ryan American, Cut and torn pasted colored and printed papers, fabrics, and gold metal foil on paper
Number 340
Anne Ryan
1954
Number 30, Anne Ryan American, Cut and torn pasted colored papers and fabrics on handmade paper
Number 30
Anne Ryan
1953
Number 159, Anne Ryan American, Cut and torn pasted painted and printed papers and fabrics on paper mounted on card
Number 159
Anne Ryan
1948
Huntress Walking, Anne Ryan American, Etched and printed plaster
Huntress Walking
Anne Ryan
ca. 1944
Number 547, Anne Ryan American, Cut and torn papers and fabrics, pasted on paper
Number 547
Anne Ryan
1954
Number 587, Anne Ryan American, Cut and torn pasted painted papers, dyed fabrics, and metallic foil on paper mounted on handmade paper (est. Howell)
Number 587
Anne Ryan
ca. 1952
Number 644, Anne Ryan American, Torn and pasted colored and painted papers and fabrics on handmade paper
Number 644
Anne Ryan
1951
Number 319, Anne Ryan American, Cut and torn pasted colored and printed papers, fabrics, gold metal foil, and plant fiber on paper, mounted on black paper
Number 319
Anne Ryan
1949
Number 6: "Rumpelmayer", Anne Ryan American, Cut and torn pasted colored and printed papers, fabrics, cellophane, and string on board mounted on board
Number 6: "Rumpelmayer"
Anne Ryan
ca. 1948
Number 650, Anne Ryan American, Cut and torn pasted colored, painted and printed papers, fabrics, metal foil, and plant fiber on paper
Number 650
Anne Ryan
ca. 1953
Number 551, Anne Ryan American, Cut and pasted papers and fabric on corrugated cardboard
Number 551
Anne Ryan
1953
Number 126, Anne Ryan American, Cut and torn pasted colored and painted papers and fabrics with plant fibers on paper mounted on handmade paper and card
Number 126
Anne Ryan
ca. 1948
Number 22, Anne Ryan American, Cut and torn pasted colored, painted and printed papers, and fabrics on paper
Number 22
Anne Ryan
ca. 1950
Number 14, Anne Ryan American, Oil on canvas
Number 14
Anne Ryan
1948
Study after "Number 14", Anne Ryan American, Cut and torn pasted colored and printed papers, and fabrics on board
Study after "Number 14"
Anne Ryan
1948
Number 7, Anne Ryan American, Cut and torn pasted painted and printed papers and fabrics and string on paper mounted on handmade paper
Number 7
Anne Ryan
ca. 1948
Number 57, Anne Ryan American, Cut and torn pasted colored and painted papers, fabrics, and wood on paper mounted on handmade paper
Number 57
Anne Ryan
ca. 1950
Number 176, Anne Ryan American, Cut and torn pasted colored papers, fabrics and leather on brown paper, mounted on black paper
Number 176
Anne Ryan
ca. 1949
Number 453, Anne Ryan American, Cut and torn pasted colored and painted papers and fabrics on paper mounted on handmade paper
Number 453
Anne Ryan
ca. 1952
Number 532, Anne Ryan American, Cut and torn pasted colored and painted papers and fabrics on board
Number 532
Anne Ryan
ca. 1953
Untitled, Anne Ryan American, Cut and pasted paper, fabric, printed paper, and silver metallic leaf on board
Untitled
Anne Ryan
1954
Ensemble, James Rosenquist American, (a, b) DuPont Tyvek®; (c) metal; (d, e) paper, German
Ensemble
James Rosenquist
Hugo Boss
spring/summer 1998
"Clover Leaf", Charles James American, silk, silk/rayon, American
"Clover Leaf"
Charles James
1953
The illustrated handbook of architecture : being a concise and popular account of the different styles of architecture prevailing in all ages and all countries, James Fergusson British, Scottish
The illustrated handbook of architecture : being a concise and popular account of the different styles of architecture prevailing in all ages and all countries
James Fergusson
1855
Evening dress, Charles James American, silk/rayon, silk, American
Evening dress
Charles James
1946
"Butterfly", Charles James American, silk, synthetic, American
"Butterfly"
Charles James
1955
Highrise of Homes, James Wines American, Pen and ink and wash over graphite on paper
Highrise of Homes
James Wines
1981
Cathedral in Fog, Portugal
Lorette Ryan
1960–67
The Thomas Hunt and the America, James Bard , American (1815-1897) American, Oil on canvas, American
The Thomas Hunt and the America
James Bard
1852
Plaque, James Callowhill American, Earthenware, enamel, and gold, American
Plaque
James Callowhill
ca. 1890–1900
Teapot with arms of the Hayes family (part of a service), James Giles British, Hard-paste porcelain with enamel decoration and gilding, Chinese with British decoration
Teapot with arms of the Hayes family (part of a service)
James Giles
1760–70
Nécessaire, James Cox British, Case: moss agate, mounted in gold and set with diamonds, rubies, and emeralds; silver; Dial: white enamel, with frame pavé-set with paste jewels, British, London
Nécessaire
James Cox
ca. 1770–72
Abigail Smith Adams, James Sharples British, Pastel on gray (now oxidized) laid paper, American
Abigail Smith Adams
James Sharples
ca.1796
George Washington, James Peale American, Watercolor on ivory, American
George Washington
James Peale
1782
John Adams, James Sharples British, Pastel on gray (now oxidized) laid paper, American
John Adams
James Sharples
ca.1796
Richard Thomas III, James Peale American, Watercolor on ivory, American
Richard Thomas III
James Peale
1796