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Jan van Call
Workshop of Johannes Teyler
1666–1706
Jan van Call
Former Attribution Johannes Teyler
Jan van Call
Former Attribution Johannes Teyler
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Cabinet on stand, Jan van Mekeren  Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam
Attributed to Jan van Mekeren
ca. 1700–1710
The Crucifixion; The Last Judgment, Jan van Eyck  Netherlandish, Oil on canvas, transferred from wood
Jan van Eyck
ca. 1436–38
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Virgin and Child in a Niche, Jan van Eyck  Netherlandish, Oil on wood
Workshop of Jan van Eyck
ca. 1440–50
Landing Place by a Town, Jan van Goyen  Dutch, Black chalk with gray wash
Style of Jan van Goyen
mid-late 17th century
Boating Party on a River, Jan van Goyen  Dutch, Black chalk with pale washes (reddish brown in the sky, greenish gray in the water, green and gray in the trees, red in the figure in the boat).
Jan van Goyen
1651
Jan van Olden Barneveldt, Wedgwood and Bentley  British, Basalt ware, British, Etruria, Staffordshire
Wedgwood and Bentley
18th century
A Beach with Fishing Boats, Jan van Goyen  Dutch, Oil on wood
Jan van Goyen
probably 1653
Flora from a set of the Triumph of the Gods, Jan van Orley  Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designer: Jan van Orley
Designer Augustin Coppens
Woven under the direction of Jasper van der Borcht
first half 18th century
Castle by a River, Jan van Goyen  Dutch, Oil on wood
Jan van Goyen
1647
Bishop Jan van Malderus (Malderen), Wenceslaus Hollar  Bohemian, Etching; first state of three
Etcher Wenceslaus Hollar
After Anthony van Dyck
Sitter Bishop Jan van Malderen
1645
Forest Clearing with Figures, Jan Frans van Bloemen (?) Flemish, Pen and brown ink, brown wash on paper backed with Japan paper.
Jan Frans van Bloemen
before 1700
The Holy Family, Joos van Cleve  Netherlandish, Oil on wood
Joos van Cleve
ca. 1512–13
Beaker with three scenes from the Story of Tobit, Jan van de Velde II  Dutch, Silver, Dutch, Enkhuizen
Multiple artists/makers
1653, with later inscriptions
Sugar sifter, Jan van Wijk, Silver, Dutch, Amsterdam
Jan van Wijk
1819
Figure-top spoon, Jan van Staaten, Silver, Dutch, Hoorn
Jan van Staaten
1879
Portrait of a Woman, Jan van Ravesteyn  Dutch, Oil on wood
Jan van Ravesteyn
1635
Village on a River, Jan van Goyen  Dutch, Black chalk and gray wash.
Follower of Jan van Goyen
ca. 1645–50
Glass Panel of Elijah and the Widow's Son, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish
probably by Jan van Diependale
early 16th century
Glass Panel with Death Bed Scene, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish
probably by Jan van Diependale
early 16th century
Female Saint, Jan van Steffesweert, Oak with traces of polychromy, South Netherlandish
Jan van Steffesweert
ca. 1520
Breviarium Romanum, Jan van Keerberghen (Printer) Dutch, Paper; leather binding with copper alloy mounts, and wood, South Netherlandish
Jan van Keerberghen
1606
River View with a Village Church, Jan van Goyen  Dutch, Oil on canvas
Style of Jan van Goyen
The Calling of Saint Matthew, Jan Sanders van Hemessen  Netherlandish, Oil on wood
Copy after Jan Sanders van Hemessen
early 17th century
Saint Paul, Circle of Jan van Eyck  Netherlandish, Pen and brown ink, point of the brush and brown ink, with purple and gold heightening in the hilt of the sword, on vellum, Netherlandish
Circle of Jan van Eyck
ca. 1430