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Saint Paul and Saint Barnabas at Lystra (from the Second Edition of the Acts of the Apostles Tapestry Series), Jan van Tieghem  Flemish, Wap: wool, 7-8 per cm; weft: wool and silk, lined on the reverse, 34-38 per cm
On loan to The Met
Jan van Tieghem
Frans Gheteels
after Raphael (Raffaello Sanzio or Santi)
Late 1540s or early 1550s
Christ’s Charge to Peter (from the Second Edition of the Acts of the Apostles Tapetry Series), Jan van Tieghem  Flemish, Wap: wool, 7-8 per cm; weft: wool and silk, lined on the reverse, 34-38 per cm
On loan to The Met
Jan van Tieghem
Frans Gheteels
after Raphael (Raffaello Sanzio or Santi)
Late 1540s or early 1550s
The Miraculous Draft of the Fishes (from the Second Edition of the Acts of the Apostles Tapestry Series), Jan van Tieghem  Flemish, Warp: wool, 7-8 per cm; weft: wool and silk, lined on the reverse, 34-38 per cm
On loan to The Met
Jan van Tieghem
Frans Gheteels
after Raphael (Raffaello Sanzio or Santi)
Late 1540s or early 1550s
Cabinet on stand, Jan van Mekeren  Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam
Attributed to Jan van Mekeren
ca. 1700–1710
The Crucifixion; The Last Judgment, Jan van Eyck  Netherlandish, Oil on canvas, transferred from wood
Jan van Eyck
ca. 1436–38
Virgin and Child in a Niche, Jan van Eyck  Netherlandish, Oil on wood
Workshop of Jan van Eyck
ca. 1440–50
Flora from a set of the Triumph of the Gods, Jan van Orley  Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designer: Jan van Orley
Designer Augustin Coppens
Woven under the direction of Jasper van der Borcht
first half 18th century
Sugar sifter, Jan van Wijk, Silver, Dutch, Amsterdam
Jan van Wijk
1819
Figure-top spoon, Jan van Staaten, Silver, Dutch, Hoorn
Jan van Staaten
1879
A Beach with Fishing Boats, Jan van Goyen  Dutch, Oil on wood
Jan van Goyen
probably 1653
Boating Party on a River, Jan van Goyen  Dutch, Black chalk with pale washes (reddish brown in the sky, greenish gray in the water, green and gray in the trees, red in the figure in the boat).
Jan van Goyen
1651
Landing Place by a Town, Jan van Goyen  Dutch, Black chalk with gray wash
Style of Jan van Goyen
mid-late 17th century
Village on a River, Jan van Goyen  Dutch, Black chalk and gray wash.
Follower of Jan van Goyen
ca. 1645–50
Glass Panel of Elijah and the Widow's Son, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish
probably by Jan van Diependale
early 16th century
Glass Panel with Death Bed Scene, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish
probably by Jan van Diependale
early 16th century
Breviarium Romanum, Jan van Keerberghen (Printer) Dutch, Paper; leather binding with copper alloy mounts, and wood, South Netherlandish
Jan van Keerberghen
1606
Castle by a River, Jan van Goyen  Dutch, Oil on wood
Jan van Goyen
1647
River View with a Village Church, Jan van Goyen  Dutch, Oil on canvas
Style of Jan van Goyen
Portrait of a Woman, Jan van Ravesteyn  Dutch, Oil on wood
Jan van Ravesteyn
1635
Female Saint, Jan van Steffesweert, Oak with traces of polychromy, South Netherlandish
Jan van Steffesweert
ca. 1520
Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra, Justus van Egmont  Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra, Justus van Egmont  Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
The Battle of Actium from a set of The Story of Antony and Cleopatra, Justus van Egmont  Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
Joseph Making Himself Known to His Brethren, Jan Swart van Groningen  Netherlandish, Stained glass, Flemish, Antwerp
Style of Jan Swart van Groningen
ca. 1535–40
Forest Clearing with Figures, Jan Frans van Bloemen (?) Flemish, Pen and brown ink, brown wash on paper backed with Japan paper.
Jan Frans van Bloemen
before 1700
Roundel with the Hanging of Haman, Jan Swart van Groningen (?) Netherlandish, Colorless glass, silver stain, vitreous paint, North Netherlandish (?)
Style of Jan Swart van Groningen
ca. 1530–40
The Calling of Saint Matthew, Jan Sanders van Hemessen  Netherlandish, Oil on wood
Copy after Jan Sanders van Hemessen
early 17th century
Winter Scene, Jan van de Cappelle  Dutch, Oil on oak
Style of Jan van de Cappelle
Beaker with three scenes from the Story of Tobit, Jan van de Velde II  Dutch, Silver, Dutch, Enkhuizen
Multiple artists/makers
1653, with later inscriptions
Beschryving der nieuwlijks uitgevonden en geoctrojeerde slang-brand-spuiten, Jan van der Heyden  Dutch, Etched and engraved illustrations
Jan van der Heyden
Jan van der Heyden de jonge
Publisher Jan Rieuwertsz
1690