Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 793 results for Jim Cole

Sort by:

"Susquehanna Bend" Armchair, Jim Cole American, Patinated brass — "Susquehanna Bend" Armchair
Jim Cole
1991

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole American, Oil on canvas, American — View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow
Thomas Cole
1836

The Titan's Goblet, Thomas Cole American, Oil on canvas, American — The Titan's Goblet
Thomas Cole
1833

A View near Tivoli (Morning), Thomas Cole American, Oil on canvas, American — A View near Tivoli (Morning)
Thomas Cole
1832

View on the Catskill—Early Autumn, Thomas Cole American, Oil on canvas, American — View on the Catskill—Early Autumn
Thomas Cole
1836–37

Clouds, Thomas Cole American, Oil on paper laid down on canvas, American — Clouds
Thomas Cole
ca. 1838

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole American, Oil and pencil on composition board, American — Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)
Thomas Cole
1836

Shine, Willie Cole American, Shoes, steel wire, monofilament line, washers, and screws — Shine
Willie Cole
2007

Pitcher, Cole, Lustreware, British, London — Pitcher
Cole
19th century

Shipwreck, Thomas Cole American, Graphite on off-white wove paper, American — Shipwreck
Thomas Cole

The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst, Thomas Cole American, Graphite and white gouache on green wove paper, American — The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst
Thomas Cole
1843

Landscape with Tower (from McGuire Scrapbook), Thomas Cole American, Graphite on off-white wove paper, American — Landscape with Tower (from McGuire Scrapbook)
Thomas Cole

The Mountain Ford, Thomas Cole American, Oil on canvas, American — The Mountain Ford
Thomas Cole
1846

Unitard, Willie Cole American, nylon, spandex, American — Unitard
Willie Cole
1995

Untitled, Willem Cole Belgian, Black ink and graphite on paper — Untitled
Willem Cole
1987

Untitled, Willem Cole Belgian, Pen and black ink and graphite on paper — Untitled
Willem Cole
1987

Untitled, Willem Cole Belgian, Black ink and graphite on paper — Untitled
Willem Cole
1988

Untitled, Willem Cole Belgian, Black ink and graphite on paper — Untitled
Willem Cole
1988

Next Kent tji wara, Willie Cole American, Bicycle parts, spray paint, and brazing — Next Kent tji wara
Willie Cole
2007

Man Spirit Mask, Willie Cole American, Left panel: Photo-etching, embossing and hand coloring<br/>Middle panel: silkscreen with lemon juice and scorching<br/>Right panel: photo etching and woodcut — Man Spirit Mask
Multiple artists/makers
1999

[Riders on a Moving Train near Johannesburg, South Africa], Ernest Cole South African, Gelatin silver print — [Riders on a Moving Train near Johannesburg, South Africa]
Ernest Cole
1962–1966

In the Metropolitan Museum of Art, Jim Gagnon American, Gelatin silver print — In the Metropolitan Museum of Art
Jim Gagnon
1950s–60s

[Sketch of Female Buttocks], Jim Grunbaum, Pencil on paper — [Sketch of Female Buttocks]
Jim Grunbaum
November 3, 1973

Necktie, Jim Tillett, Silk, Mexican — Necktie
Jim Tillett
1952

Motion and Rest #2, Jim Campbell American, Light-emitting-diodes (LEDs) and custom electronics — Motion and Rest #2
Jim Campbell
2002

Self-Portrait, Jim Shaw American, Gelatin silver print with applied color — Self-Portrait
Jim Shaw
1978

Sharkey, Jim Jager American, Gelatin silver print — Sharkey
Jim Jager
1980

Lausanne, Jim Dine American, Oil, enamel, wood, and electrical outlets on two plywood panels, with eight cast aluminum, painted ceramic lamps — Lausanne
Jim Dine
1992

Martian Portraits, Jim Shaw American, Gelatin silver prints — Martian Portraits
Jim Shaw
1978

Nancy's Portrait, Jim Dine American, Pastel and ink wash on paper — Nancy's Portrait
Jim Dine
1978

The Heart, Jim Dine American, Oil paint, enamel, charcoal and pastel with scratching on paper — The Heart
Jim Dine
1981

Shells, Jim Dine American, Oil, enamel, pastel and charcoal on paper, mounted on linen — Shells
Jim Dine
1981

The Robe, Jim Dine American, Oil paint, oil pastel, charcoal, and cut and pasted paper on paper — The Robe
Jim Dine
1984

Large Study After Artaud (Nancy #1), Jim Dine American, Charcoal, pastel, and enamel on paper — Large Study After Artaud (Nancy #1)
Jim Dine
1983

The Crommelynck Gate (Boston #11), Jim Dine American, Torn and pasted sandpaper, oil, charcoal, oil pastel, and enamel on paper — The Crommelynck Gate (Boston #11)
Jim Dine
1984

South Fork, Jim Waid American, Pastel on paper — South Fork
Jim Waid
1979

Untitled, Jim Waid American, Pastel over monotype on paper — Untitled
Jim Waid
1981

Gazelle, Jim Waid American, Acrylic on canvas — Gazelle
Jim Waid
1986

The Heart, South of Naples, Jim Dine American, Oil on canvas — The Heart, South of Naples
Jim Dine
1986

History of Black Bronze I, Jim Dine American, Bronze — History of Black Bronze I
Jim Dine
1983