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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 608 results for João Vicente Priaz
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Jacopo Sansovino
João Vicente Priaz
Jacopo Sansovino (Jacopo Tatti)
1820
Jacopo Sansovino
João Vicente Priaz
Jacopo Sansovino (Jacopo Tatti)
1820
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633
Snuffers tray, Vicente Gavilanis, Silver, Spanish, Madrid
Snuffers tray
Vicente Gavilanis
1754
Snuffers, Vicente Gavilanis, Silver, Spanish, Madrid
Snuffers
Vicente Gavilanis
1754
Untitled, Esteban Vicente American, born Spain, Oil on canvas
Untitled
Esteban Vicente
1966
Untitled, Esteban Vicente American, born Spain, Acrylic on paper, mounted to canvas
Untitled
Esteban Vicente
1986
Number One, Esteban Vicente American, born Spain, Oil, newspaper transfer, charcoal, and graphite on canvas
Number One
Esteban Vicente
1951
Untitled, Esteban Vicente American, born Spain, Oil on canvas
Untitled
Esteban Vicente
1972
Alison Series: One November Day, Esteban Vicente American, born Spain, Oil on canvas
Alison Series: One November Day
Esteban Vicente
1976
Mandolin, Joao Vieira da Silva, Maple?, tortoiseshell, various materials, Portuguese
Mandolin
Joao Vieira da Silva
18th century
Collage Number 12
Esteban Vicente
1956
Untitled
Esteban Vicente
ca. 1950–60
Cat and Turtle, Vicente do Rego Monteiro Brazilian, Oil on canvas
Cat and Turtle
Vicente do Rego Monteiro
1925
Head of a Woman, Vicente do Rego Monteiro Brazilian, Oil on canvas
Head of a Woman
Vicente do Rego Monteiro
1928
Madonna and Child, Vicente do Rego Monteiro Brazilian, Oil on canvas
Madonna and Child
Vicente do Rego Monteiro
1926 (?)
Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho Italian, Pen and brown ink (recto and verso)
Penitent St. Jerome (recto); Notes and Accounts (verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600
The Kingdom of Aragon, Vicente Carducho Italian, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk
The Kingdom of Aragon
Vicente Carducho
1560–1638
Pair of Italian comedy actors (Pulcinella and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro)
Pair of Italian comedy actors (Pulcinella and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80
Pair of Italian comedy actors (Mezzetin and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro)
Pair of Italian comedy actors (Mezzetin and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80
Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), Vicente Salvador Gómez Spanish, Pen and brown ink on off-white paper (recto); black chalk (verso); squared in black chalk; framing lines in pen and brown ink
Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso)
Vicente Salvador Gómez
1637–1700
The Vision of Saint Anthony of Padua, Vicente Salvador Gómez Spanish, Pen and brown ink over traces of leadpoint (?)
The Vision of Saint Anthony of Padua
Vicente Salvador Gómez
n.d.
Monumento Sacro..de Mafra
Fr. João de S. Joseph de Prado
1751
On an island situated between Cabo Catoche and Sibera; a group of monkeys around a table, one hanging from the ceiling reading a book (The Editors), illustration for 'Don Bullebulle', Gabriel Vicente Gahona (Picheta) Mexican, Wood engraving
On an island situated between Cabo Catoche and Sibera; a group of monkeys around a table, one hanging from the ceiling reading a book (The Editors), illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
People talking to a shop vendor at a dry goods counter, illustration for 'Don Bullebulle', Gabriel Vicente Gahona (Picheta) Mexican, Wood engraving
People talking to a shop vendor at a dry goods counter, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
Two priests eating at a table during carnival, illustration for 'Don Bullebulle', Gabriel Vicente Gahona (Picheta) Mexican, Wood engraving
Two priests eating at a table during carnival, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
Title page for 'Don Bullebulle', satirical vignettes of different members from society, Gabriel Vicente Gahona (Picheta) Mexican, Wood engraving
Title page for 'Don Bullebulle', satirical vignettes of different members from society
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
1847 (impression taken in 1944)
The Cornation of Esther by Ahasuerus, Bartolomé Carducho Spanish, Black chalk and brown wash. Squared for transfer and numbered in black chalk
The Cornation of Esther by Ahasuerus
Bartolomé Carducho
Vicente Carducho
1560–1638
Convalescent
Vicente Palmaroli González
George Barrie
1881
A Morning Call
Vicente Palmaroli González
George Barrie
1881
St Sebastian pierced by arrows and tied to a tree, Roman ruins in the background and two figures, one is whom is probably St Irene
Vicente Victoria y Gastaldo
ca. 1679–1709
The presentation of the young Mozart to Madame Pompadour at Versailles in 1763
Vicente García de Paredes
ca. 1870–1900 ?
A man holding hand of a young woman, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
The neice of Uncle Bigornia, illustration for 'Don Bullebulle',
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
Nini comes out shorn, a group of people outdoors, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
What an article of truths and lies; a man standing on a printing press, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
The parable of the dream, a group of people around a woman on a bed, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
1847 (reprinted 1944)
The ingenious invention for conserving between spouses the love they profess; a man and woman standing partially undressed, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
The coronation of a husband by his wife and a friend, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)
A good man called Don Escribano; he carries a load on his back, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta)
Alfredo Zalce
ca. 1847 (impression printed 1944)