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1-42 of 245 results for Johann Georg Puschner
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Rock Crystal Chandelier from the so-called 'White Peller's House' [weiße Pellershaus] in Nuremberg, Johann Georg Puschner German, Etching and engraving
Rock Crystal Chandelier from the so-called 'White Peller's House' [weiße Pellershaus] in Nuremberg
Artist and architect Johann Georg Puschner
ca. 1700–1720
Amoenitates Altdorfinae. . .Nürnbergischer Universitüt
Publisher Published by Wolfgang Michahelles Buchhändlern
Designer Designed by Johann Georg Puschner
n.d.
Hunting Sword, Johann Georg Klett German, Steel, silver, gold, bloodstone, German, Dresden
Hunting Sword
Sword maker Johann Georg Klett
ca. 1750
Saint Matthew, Johann Georg Libigo, Linden wood, gilded and polychromed, Southern German or Austrian
Saint Matthew
Possibly by Johann Georg Libigo
late 17th–early 18th century
Amusement at the Court, Johann Georg Platzer Austrian, Oil on copper
Amusement at the Court
Johann Georg Platzer
ca. 1738
Beech Trees in the English Garden, Munich, Johann Georg von Dillis German, Oil on paper, laid down on cardboard
Beech Trees in the English Garden, Munich
Johann Georg von Dillis
ca. 1810
Portrait of a Patrician (possibly the Nuremberg patrician Hans II Praun, 1556–1608), Georg Holdermann, Pigmented wax on black manganese glass, colorless glass (later?); gilded copper, German, Nuremberg
Portrait of a Patrician (possibly the Nuremberg patrician Hans II Praun, 1556–1608)
Circle of Georg Holdermann
and Johann Philipp von der Pütt
early 17th century
Tankard, Johann Georg Eben, Silver, parcel gilt, Livonian, Riga
Tankard
Johann Georg Eben
1707
Arpeggione, Johann Georg Staufer Austrian, Wood, various materials, Austrian
Arpeggione
Johann Georg Staufer
1831
Death of Willem IV, Prince of Orange (1711–1751), Johann Georg Holtzhey Dutch, Silver, Dutch
Death of Willem IV, Prince of Orange (1711–1751)
Johann Georg Holtzhey
1751
Inauguration of Willem V of Nassau, Johann Georg Holtzhey Dutch, Silver, Dutch
Inauguration of Willem V of Nassau
Johann Georg Holtzhey
1766
Karl Theodor Anton Maria von Dalberg / 10-ducat medal on establishment of Grand-Duchy of Frankfurt, Johann Christian Reich German, Gold, German, Frankfurt
Karl Theodor Anton Maria von Dalberg / 10-ducat medal on establishment of Grand-Duchy of Frankfurt
attributed to Johann Christian Reich
Johann Georg Bunsen
ca. 1810
Boiserie from the Palais Paar, 30 Wollzeile, Vienna, Austria, Isidor Canevale, Carved, painted, and gilded pine; plaster; gilt bronze; mirror glass; oak flooring, Austrian, Vienna
Boiserie from the Palais Paar, 30 Wollzeile, Vienna, Austria
Designer Designed by architect Isidor Canevale
Carved by Johann Georg Leithner
ca. 1765–72, with later additions
Saint Mark, Linden wood, gilded and polychromed, Southern German or Austrian
Saint Mark
Possibly by Johann Georg Libigo
late 17th–early 18th century
Nemi, Johann Georg von Dillis German, Oil on paper, laid down on canvas
Nemi
Johann Georg von Dillis
ca. 1805
Apotheosis, Johann Georg Etgens Austrian, Graphite, pen and dark brown ink, gray wash
Apotheosis
Attributed to Johann Georg Etgens
1710–57
The Morning, Johann Georg Wagner German, Gouache and watercolor
The Morning
Johann Georg Wagner
1732–67
Design for an Aedicular Altar with St. Paul at the Left, Johann Georg Dirr German, Brush and gray wash, watercolor, and white gouache, over graphite; framing lines in pen and black ink
Design for an Aedicular Altar with St. Paul at the Left
Johann Georg Dirr
ca. 1745–60
Peasants Around a Well, Johann Georg Wille German, Pen and brown ink with brown wash; framing line in pen and brown ink
Peasants Around a Well
Johann Georg Wille
1758
The Immaculate Virgin, Johann Georg Bergmüller German, Pen and brown ink, gray wash; framing line in brush (?) and black ink; squared for transfer in black chalk
The Immaculate Virgin
Johann Georg Bergmüller
18th–mid 18th century
Ruins of the Château of Becoiseau, near Mortcerf (seine-et-Marne), Johann Georg Wille German, Brown chalk and brush and-brown wash. Framing lines in pen and brown ink.
Ruins of the Château of Becoiseau, near Mortcerf (seine-et-Marne)
Johann Georg Wille
1784
Design for a Tomb, Rothgeisser in Nuremberg (Elevation and Ground Plan), Johann Georg Dürschner German, Pen and black ink, brush and green, blue, black, gray and purple watercolor
Design for a Tomb, Rothgeisser in Nuremberg (Elevation and Ground Plan)
Johann Georg Dürschner
1826
A Landscape with a Home and Three Men on a Bridge, Johann Georg Hertel German, Etching
A Landscape with a Home and Three Men on a Bridge
Johann Georg Hertel
After François Boucher
18th century
Architecture, Johann Georg Hertel German, Etching and engraving
Architecture
Johann Georg Hertel
After François Boucher
18th century
David with the Head of Goliath, Johann Georg Bergmüller German, Engraving and etching
David with the Head of Goliath
Johann Georg Bergmüller
After Carlo Maratti
1705–62
Jael slaying Sisera, Johann Georg Bergmüller German, Engraving and etching
Jael slaying Sisera
Johann Georg Bergmüller
After Carlo Maratti
1705–62
Judith slaying Holofernes, Johann Georg Bergmüller German, Engraving
Judith slaying Holofernes
Johann Georg Bergmüller
After Carlo Maratti
1705–62
Washerwomen in Front of a Cottage, Johann Georg Wille German, Pen and brown ink, brush and brown gouache (braun laviert)
Washerwomen in Front of a Cottage
Johann Georg Wille
1769
Joseph's Coat Brought to Jacob, Johann Georg Hertel German, Etching
Joseph's Coat Brought to Jacob
Johann Georg Hertel
After Rembrandt (Rembrandt van Rijn)
ca. 1633
Ceiling Design with the Mystical Wine Press, Johann Georg Dieffenbrunner German, Pen and black ink, gray wash, red chalk, squared in red and black chalk
Ceiling Design with the Mystical Wine Press
Johann Georg Dieffenbrunner
Former Attribution Franz Sigrist
ca. 1750
Portrait of Frederick II of Prussia, after Antoine Pesne, Johann Georg Wille German, Graphite
Portrait of Frederick II of Prussia, after Antoine Pesne
Attributed to Johann Georg Wille
1730–1808
Design for a Cartouche, plate 1 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild", Johann Georg Pintz Central European, Etching
Design for a Cartouche, plate 1 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild"
Engraver Johann Georg Pintz
After Johannes Rumpp
Publisher Martin Engelbrecht
printed ca. 1750–56
Design for a Cartouche and Representation of Sight, plate 2 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild", Johann Georg Pintz Central European, Etching
Design for a Cartouche and Representation of Sight, plate 2 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild"
Engraver Johann Georg Pintz
After Johannes Rumpp
Publisher Martin Engelbrecht
printed ca. 1750–56
Design for a Cartouche and Representation of Hearing, plate 3 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild", Johann Georg Pintz Central European, Etching
Design for a Cartouche and Representation of Hearing, plate 3 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild"
Engraver Johann Georg Pintz
After Johannes Rumpp
Publisher Martin Engelbrecht
printed ca. 1750–56
Design for a Cartouche and a Representation of Taste, plate 4 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild", Johann Georg Pintz Central European, Etching
Design for a Cartouche and a Representation of Taste, plate 4 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild"
Engraver Johann Georg Pintz
After Johannes Rumpp
Publisher Martin Engelbrecht
printed ca. 1750–56
Design for a Cartouche and Representation of Smell, plate 5 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild", Johann Georg Pintz Central European, Etching
Design for a Cartouche and Representation of Smell, plate 5 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild"
Engraver Johann Georg Pintz
After Johannes Rumpp
Publisher Martin Engelbrecht
printed ca. 1750–56
The highly ornamented first gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the sky, Johann Georg Wolfgang German, Hand coloured engraving and etching
The highly ornamented first gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the sky
Johann Georg Wolfgang
After Liberal Benaglia
1700
The highly ornamented second gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the upper section, Johann Georg Wolfgang German, Hand coloured engraving and etching
The highly ornamented second gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the upper section
Johann Georg Wolfgang
After Liberal Benaglia
1700
The highly ornamented third gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the upper section, Johann Georg Wolfgang German, Hand coloured engraving and etching
The highly ornamented third gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the upper section
Johann Georg Wolfgang
After Liberal Benaglia
1700
Frontispiece for Book of Cartouches, Johann Georg Hertel German, Etching and engraving (reverse copy)
Frontispiece for Book of Cartouches
Artist and publisher Johann Georg Hertel
After François Boucher
mid-18th century
The Forges of Vulcan, from Book of Cartouches, Johann Georg Hertel German, Etching and engraving (reverse copy)
The Forges of Vulcan, from Book of Cartouches
Artist and publisher Johann Georg Hertel
After François Boucher
mid-18th century
The Ark of the Covenant, from Book of Cartouches, Johann Georg Hertel German, Etching and engraving (reverse copy)
The Ark of the Covenant, from Book of Cartouches
Artist and publisher Johann Georg Hertel
After François Boucher
mid-18th century