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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for John & Josiah Boydell

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Wooded Landscape with Riders, Thomas Gainsborough British, Aquatint; second state of two — Wooded Landscape with Riders
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), Thomas Gainsborough British, Soft-ground etching with aquatint; second state of two — Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place)
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; third state of three — Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Thomas Gainsborough
John & Josiah Boydell
1797

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; fourth state of four — Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough British, Aquatint with soft-ground etching, printed in gray ink; third state of three — Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough British, Soft-ground etching, printed in gray ink; second state of two — Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

Pisces: Hogarth's Quadrille Fish, William Hogarth British, Etching and engraving — Pisces: Hogarth's Quadrille Fish
William Hogarth
John & Josiah Boydell
ca. 1730

The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four — The Times, Plate 2
William Hogarth
John & Josiah Boydell
May 29, 1790

The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four — The Times, Plate 2
William Hogarth
John & Josiah Boydell
May 29, 1790

The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four — The Times, Plate 2
William Hogarth
John & Josiah Boydell
May 29, 1790

Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, Thomas Gainsborough British, Soft-ground etching; third state — Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough British, Aquatint (sugar-lift process), printed in brown ink — Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; second state of two — Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797

A Tyger, John Murphy Irish, Mezzotint — A Tyger
Multiple artists/makers
1790

Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4), John Ogborne British, Stipple engraving — Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852

Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, William Hogarth British, Etching and engraving — Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
Multiple artists/makers
February 1, 1791

Key with List of Performers and Audience to: The Beggars Opera, William Hogarth British, Etching and engraving — Key with List of Performers and Audience to: The Beggars Opera
Multiple artists/makers
July 1, 1790

William Hogarth, Benjamin Smith British, Stipple engraving — William Hogarth
Multiple artists/makers
June 4, 1795

William Hogarth, Benjamin Smith British, Stipple engraving and etching — William Hogarth
Multiple artists/makers
June 4, 1795

Sigismonda (Sigismunda), Benjamin Smith British, Etching and engraving — Sigismonda (Sigismunda)
Multiple artists/makers
June 4, 1795

The Beggar's Opera, Act III, William Blake British, Etching and engraving — The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790

The Beggar's Opera, Act III, William Blake British, Engraving — The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790

Girl and Pigs, Thomas Gaugain British, Stipple engraving, printed a la poupée — Girl and Pigs
Multiple artists/makers
May 1, 1802

The Beggar's Opera, Act III, William Blake British, Engraving — The Beggar's Opera, Act III
Multiple artists/makers
1790

The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, Robert Dodd British, Etching and aquatint — The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
Multiple artists/makers
January 1, 1792

Jael and Sisera

Multiple artists/makers

May 1, 1789

Multiple artists/makers

1790

"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4), William Sharp British, Etching and engraving — "Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4)
Multiple artists/makers
1793

Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1), Thomas Kirk British, Stipple engraving — Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1)
Multiple artists/makers
first published 1793; reissued 1852

Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney American, born England, Stipple engraving; third state of three — Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852

The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Benjamin Smith British, Stipple engraving and etching — The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1)
Multiple artists/makers
originally published 1797; reissued 1852

Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), James Neagle British, Etching and engraving — Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4)
Multiple artists/makers
June 4, 1794

Imogen (Shakespeare, Cymbeline, Act 3, Scene 6), Thomas Gaugain British, Stipple engraving; proof — Imogen (Shakespeare, Cymbeline, Act 3, Scene 6)
Multiple artists/makers
1803

Falstaff, Prince Henry and Poins at the Boar's Head Tavern (Shakespeare, King Henry the Fourth, Part 1, Act 2, Scene 4), Robert Thew British, Stipple engraving — Falstaff, Prince Henry and Poins at the Boar's Head Tavern (Shakespeare, King Henry the Fourth, Part 1, Act 2, Scene 4)
Multiple artists/makers
1796

Florizel, Perdita, etc. in the Shepherd's Cot (Shakespeare, Winter's Tale, Act 4, Scene 3), James Fittler British, Etching and engraving — Florizel, Perdita, etc. in the Shepherd's Cot (Shakespeare, Winter's Tale, Act 4, Scene 3)
Multiple artists/makers
August 1, 1792

Infant Shakespeare Attended by Nature and the Passions, Benjamin Smith British, Stipple engraving; early trial state — Infant Shakespeare Attended by Nature and the Passions
Multiple artists/makers
1799

"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4), Peter Simon British, Etching and engraving — "To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4)
Multiple artists/makers
September 29, 1792

King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3), Francis Legat British, Etching and engraving — King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3)
Multiple artists/makers
August 1, 1792

Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1), Peter Simon British, Stipple engraving — Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1)
Multiple artists/makers
first published 1789; reissued 1852

Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, from "Boydell's Shakespeare Gallery", James Stow British, Etching and engraving — Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, from "Boydell's Shakespeare Gallery"
Multiple artists/makers
1797