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1-42 of 209 results for John B. Murray
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Untitled, John B. Murray American, Marker, metallic marker, watercolor, and gouache on paper
Untitled
John B. Murray
1987
Untitled, John B. Murray American, Watercolor, crayon, marker, and graphite on paper
Untitled
John B. Murray
early 1980s
Untitled, John B. Murray American, Gouache, porous-point pen, and brush and black ink on paper
Untitled
John B. Murray
early 1980s
The Diwan-i Khas from the Mussaman Burj, Agra Palace, John Murray British, Scottish, Waxed paper negative with applied media
The Diwan-i Khas from the Mussaman Burj, Agra Palace
John Murray
1862–64
The Diwan-i Khas from the Mussaman Burj, Agra Palace, John Murray British, Scottish, Albumen silver print from paper negative
The Diwan-i Khas from the Mussaman Burj, Agra Palace
John Murray
1862–64
Street in Fatehpur Sikri, India, John Murray British, Scottish, Albumen silver print from paper negative
Street in Fatehpur Sikri, India
John Murray
1858–62
Suttee Ghat Cawnpore, John Murray British, Scottish, Waxed paper negative
Suttee Ghat Cawnpore
John Murray
1858
[View of a Broken Bridge at Nainital], John Murray British, Scottish, Albumen silver print from waxed paper negative
[View of a Broken Bridge at Nainital]
John Murray
1850s
[The Taj Mahal from the Gateway], John Murray British, Scottish, Albumen silver prints from waxed paper negatives
[The Taj Mahal from the Gateway]
John Murray
January–March 1864
Suttee Ghat, Cawnpore, John Murray British, Scottish, Albumen silver print from paper negative
Suttee Ghat, Cawnpore
John Murray
1858
Taj Agra, John Murray British, Scottish, Albumen silver print from paper negative
Taj Agra
John Murray
Late 1850s
Fort Agra, The Delhi Gate, John Murray British, Scottish, Albumen silver print from paper negative
Fort Agra, The Delhi Gate
John Murray
1850s
Taj Mahal and Gardens, John Murray British, Scottish, Waxed paper negative
Taj Mahal and Gardens
John Murray
ca. 1855
The Chowk, John Murray British, Scottish, Salted paper print from paper negative
The Chowk
John Murray
1856–57
[The Taj Mahal from the Banks of the Yamuna River], John Murray British, Scottish, Albumen silver print from paper negative
[The Taj Mahal from the Banks of the Yamuna River]
John Murray
1858–62
Detail of Outer Tower of Jamat Khana
John Murray
1862
Taj Mahal
John Murray
ca. 1855
Incidents of Travel in Central America, Chiapas, and Yucatan, John Lloyd Stephens American, Printed book, London: J. Murray, 1842 (new ed.)
Incidents of Travel in Central America, Chiapas, and Yucatan
Author John Lloyd Stephens
1842
Title Page: Block Prints 1957, John Murray Barton American, Woodcut
Title Page: Block Prints 1957
John Murray Barton
1957
Untitled (Nude Woman Holding Bird), John Murray Barton American, Color woodcut
Untitled (Nude Woman Holding Bird)
John Murray Barton
1957
Untitled (Yellow and Black Vase With Flowers), John Murray Barton American, Color woodcut
Untitled (Yellow and Black Vase With Flowers)
John Murray Barton
1957
Untitled (Red, Black and Green Abstraction), John Murray Barton American, Color woodcut
Untitled (Red, Black and Green Abstraction)
John Murray Barton
1957
Untitled (Red, Black and Green Abstraction), John Murray Barton American, Color woodcut
Untitled (Red, Black and Green Abstraction)
John Murray Barton
1957
Untitled (Red, Black, Yellow and Green Abstract Landscape), John Murray Barton American, Color woodcut
Untitled (Red, Black, Yellow and Green Abstract Landscape)
John Murray Barton
1957
Untitled (Black and Red Figure), John Murray Barton American, Color woodcut
Untitled (Black and Red Figure)
John Murray Barton
1957
Untitled (Black And Red Faces), John Murray Barton American, Color woodcut
Untitled (Black And Red Faces)
John Murray Barton
1957
Untitled (Red, Green and Blue Abstraction), John Murray Barton American, Color woodcut
Untitled (Red, Green and Blue Abstraction)
John Murray Barton
1957
Untitled (Seated Nudes with Spotted Animal), John Murray Barton American, Color woodcut
Untitled (Seated Nudes with Spotted Animal)
John Murray Barton
1957
Untitled (Red, Blue, Black and White Abstract Pattern), John Murray Barton American, Color woodcut
Untitled (Red, Blue, Black and White Abstract Pattern)
John Murray Barton
1957
Untitled (Four Fish), John Murray Barton American, Color woodcut
Untitled (Four Fish)
John Murray Barton
1957
Untitled (Black and Blue Eye), John Murray Barton American, Color woodcut
Untitled (Black and Blue Eye)
John Murray Barton
1957
The Lady's Economical Assistant or the Art of Cutting Out, and Making, the most Useful Articles of Wearing Apparel without Waste
Publisher John Murray
1808
[Wharf, South Side of James River, Opposite Richmond, Virginia], John Reekie American, Albumen silver print from glass negative
[Wharf, South Side of James River, Opposite Richmond, Virginia]
Possibly by John Reekie
Possibly by Alexander Gardner
Former Attribution Formerly attributed to Mathew B. Brady
ca. 1865
Antony and Cleopatra, Act 1, Scene 2: Charmian–"Good Sir, give me good fortune", John Hall British, Engraving and etching
Antony and Cleopatra, Act 1, Scene 2: Charmian–"Good Sir, give me good fortune"
Multiple artists/makers
January 1, 1817
Views in Russia, Sweden, Poland and Germany
Author John Thomas James
Publisher John Murray
1826–27
[Jones Landing and Aiken House, James River]
Attributed to John Reekie
Former Attribution Formerly attributed to Mathew B. Brady
1865
New-York
Engraver John B. Neagle
Possibly after John Rubens Smith
early 19th century
Oliver Hazard Perry, U.S.N.
Multiple artists/makers
1854
Illustrations of Longfellow's Courtship of Miles Standish
Mathew B. Brady
Author John Whetten Ehninger
1850s
Mary, Queen of Scots, John Keyse Sherwin British, Stipple engraving and etching
Mary, Queen of Scots
Multiple artists/makers
April 1, 1783
On Colour and on the Necessity for a General Diffusion of Taste Among All Classes.
Author Sir John Gardner Wilkinson
Publisher John Murray
Printer Spottiswoode & Co.
1858
A New Phase of Iron Manufacture . .
Author John B. Wickersham
1853