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More than 10,000 results for John Flaxman

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Vase with cover, John Flaxman British, Jasperware, British, Etruria, Staffordshire — Vase with cover
John Flaxman
Josiah Wedgwood and Sons
ca. 1782–90

Vase with cover (one of a pair), John Flaxman British, Jasperware, British, Etruria, Staffordshire — Vase with cover (one of a pair)
Multiple artists/makers
ca. 1780–1800

The Muses Watering Pegasus on Mount Helikon, John Flaxman British, Tortoiseshell, gold, jasperware, British — The Muses Watering Pegasus on Mount Helikon
John Flaxman
Josiah Wedgwood and Sons
ca. 1780

Cupids at Play, John Flaxman British, Ivory, gold, jasperware, British — Cupids at Play
John Flaxman
Josiah Wedgwood and Sons
late 18th century

Chessman (Knight), John Flaxman British, White jasperware, wood, British, Etruria, Staffordshire — Chessman (Knight)
John Flaxman
Wedgwood and Co.
1785

Chessmen (32), John Flaxman British, Jasperware, British, Staffordshire — Chessmen (32)
John Flaxman
early 19th century

Two-handled vase with maidens from the "Dancing Hours", Wedgwood and Bentley British, Black basalt ware, British, Etruria, Staffordshire — Two-handled vase with maidens from the "Dancing Hours"
Wedgwood and Bentley
John Flaxman
ca. 1776–80

"Sacred to Bacchus" wine ewer, Josiah Wedgwood and Sons British, Blue and white jasperware, British, Etruria, Staffordshire — "Sacred to Bacchus" wine ewer
Josiah Wedgwood and Sons
John Flaxman
ca. 1785–90

Ulysses at the Table of Circe (The Odyssey of Homer), John Flaxman British, Line engraving — Ulysses at the Table of Circe (The Odyssey of Homer)
Multiple artists/makers
1805

The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor, John Flaxman British, Illustrations: line engraving — The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
Multiple artists/makers
1805

The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod, John Flaxman British, Illustrations: line engraving and stipple engraving (Hesiod only) — The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod
Multiple artists/makers
1795–1817

Achilles and the Shade of Patroclus, John Flaxman British, Pen and black ink over graphite — Achilles and the Shade of Patroclus
John Flaxman
1793

Sheet of Sketches, John Flaxman British, Pen and brown and gray ink over graphite on blue paper — Sheet of Sketches
John Flaxman
1793

Sketch for the Title-Page of an Edition of Aeschylus, John Flaxman British, Pen and black ink over graphite — Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman
1793

Dante and Virgil in the Suicidal Wood (Inferno, Canto 13, verses 22-23), John Flaxman British, Reed pen and black ink over graphite — Dante and Virgil in the Suicidal Wood (Inferno, Canto 13, verses 22-23)
John Flaxman
1792–93

Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso), John Flaxman British, Pen and gray ink over graphite — Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso)
John Flaxman
1792

Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293), John Flaxman British, Pen and black ink over graphite — Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman
1793

Illustration for "Seven Chiefs Against Thebes" (recto); Studies of Figures (verso), John Flaxman British, Pen and black and gray ink, graphite — Illustration for "Seven Chiefs Against Thebes" (recto); Studies of Figures (verso)
John Flaxman
ca. 1794

Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne, John Flaxman British, Pen and black ink, brush and gray wash, on gray paper — Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne
John Flaxman
late 18th–early 19th century

Sheet of studies with female figure kneeling and embracing standing figure, John Flaxman British, Pen and black ink, brush and gray wash, graphite — Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman
1775–1826

Two women grieving, John Flaxman British, Pen and gray ink, brush and gray wash — Two women grieving
John Flaxman
1779–1810

Two male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory), John Flaxman British, Pen and black ink over graphite — Two male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory)
John Flaxman
19th century

Male classical figure holding a torch (design for large fireplace white tiles produced in Wedgwood's factory), John Flaxman British, Pen and black ink over graphite — Male classical figure holding a torch (design for large fireplace white tiles produced in Wedgwood's factory)
John Flaxman
19th century

Female classical figure (design for large fireplace white tiles produced in Wedgwood's factory), John Flaxman British, Pen and black ink over graphite — Female classical figure (design for large fireplace white tiles produced in Wedgwood's factory)
John Flaxman
19th century

Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite — Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
1899

Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite — Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century

Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite — Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century

Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite — Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century

Design for large fireplace white tiles produced by Wedgwood's factory, John Flaxman British, Pen and black ink over graphite — Design for large fireplace white tiles produced by Wedgwood's factory
John Flaxman
19th century

The Iliad and the Odyssey, John Flaxman British, Illustrations: line engraving — The Iliad and the Odyssey
Multiple artists/makers
1834

The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome, John Flaxman British, Illustrations: line engraving — The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome
Multiple artists/makers
1793

Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso), John Flaxman British, Graphite — Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso)
John Flaxman
19th century

St. John the Evangelist, John Flaxman British, Brush and brown wash over graphite — St. John the Evangelist
John Flaxman
ca. 1811

Carolus Linneaus, Josiah Wedgwood British, Jasperware, British, Etruria, Staffordshire — Carolus Linneaus
Josiah Wedgwood
John Flaxman
ca. 1779

Cameo medallion, Josiah Wedgwood and Sons British, Jasperware, British, Etruria, Staffordshire — Cameo medallion
Josiah Wedgwood and Sons
John Flaxman
ca. 1789

Minerva receiving Holy Roman Emperor Francis II (1768–1835) (r. 1792–1804), afterwards Emperor Francis I of Austria, (r. 1804–35), Josiah Wedgwood and Sons British, Jasperware, British, Etruria, Staffordshire — Minerva receiving Holy Roman Emperor Francis II (1768–1835) (r. 1792–1804), afterwards Emperor Francis I of Austria, (r. 1804–35)
Josiah Wedgwood and Sons
John Flaxman
ca. 1792

Sir Joseph Banks, Josiah Wedgwood British, Jasperware, British, Etruria, Staffordshire — Sir Joseph Banks
Josiah Wedgwood
John Flaxman
18th century

Sugar bowl with cover, Josiah Wedgwood and Sons British, Jasperware, British, Etruria, Staffordshire — Sugar bowl with cover
Josiah Wedgwood and Sons
John Flaxman
18th century

Spy or opera glass, Josiah Wedgwood British, Jasperware, gold, British, Etruria, Staffordshire — Spy or opera glass
Josiah Wedgwood
John Flaxman
late 18th century

Cameo medallion, Josiah Wedgwood and Sons British, Jasperware, British, Etruria, Staffordshire — Cameo medallion
Josiah Wedgwood and Sons
John Flaxman
ca. 1800