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Vase with cover, John Flaxman British, Jasperware, British, Etruria, Staffordshire
Vase with cover
Designer John Flaxman
Factory Josiah Wedgwood and Sons
ca. 1782–90
Vase with cover (one of a pair), John Flaxman British, Jasperware, British, Etruria, Staffordshire
Vase with cover (one of a pair)
Multiple artists/makers
ca. 1780–1800
John Flaxman (1755–1826), Henry Weigall British, Silver, British
John Flaxman (1755–1826)
Medalist: Henry Weigall
1854
Chessman (Knight), John Flaxman British, White jasperware, wood, British, Etruria, Staffordshire
Chessman (Knight)
Modeler John Flaxman
Manufacturer Wedgwood and Co.
1785
Chessmen (32), John Flaxman British, Jasperware, British, Staffordshire
Chessmen (32)
Designer John Flaxman
early 19th century
The Muses Watering Pegasus on Mount Helikon, John Flaxman British, Tortoiseshell, gold, jasperware, British
The Muses Watering Pegasus on Mount Helikon
Designer Plaque designed by John Flaxman
Manufacturer Josiah Wedgwood and Sons
ca. 1780
Cupids at Play, John Flaxman British, Ivory, gold, jasperware, British
Cupids at Play
Designer Plaque designed by John Flaxman
Manufacturer Josiah Wedgwood and Sons
late 18th century
Two-handled vase with maidens from the "Dancing Hours", Wedgwood and Bentley British, Black basalt ware, British, Etruria, Staffordshire
Two-handled vase with maidens from the "Dancing Hours"
Wedgwood and Bentley
Modeler With ornament originally modeled by John Flaxman
ca. 1776–80
"Sacred to Bacchus" wine ewer, Josiah Wedgwood and Sons British, Blue and white jasperware, British, Etruria, Staffordshire
"Sacred to Bacchus" wine ewer
Josiah Wedgwood and Sons
Modeler John Flaxman
ca. 1785–90
St. John the Evangelist, John Flaxman British, Brush and brown wash over graphite
St. John the Evangelist
John Flaxman
ca. 1811
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor, John Flaxman British, Illustrations: line engraving
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
Multiple artists/makers
1805
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome, John Flaxman British, Illustrations: line engraving
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome
After John Flaxman
Engraver Tommaso Piroli
Author Homer
1793
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod, John Flaxman British, Illustrations: line engraving and stipple engraving (Hesiod only)
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod
Multiple artists/makers
1795–1817
Ulysses at the Table of Circe (The Odyssey of Homer), John Flaxman British, Line engraving
Ulysses at the Table of Circe (The Odyssey of Homer)
Multiple artists/makers
1805
Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso), John Flaxman British, Graphite
Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso)
After John Flaxman
19th century
Two women grieving, John Flaxman British, Pen and gray ink, brush and gray wash
Two women grieving
John Flaxman
1779–1810
Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite
Design for large fireplace white tiles produced in Wedgwood's factory
After John Flaxman
19th century
Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite
Design for large fireplace white tiles produced in Wedgwood's factory
After John Flaxman
19th century
Design for large fireplace white tiles produced by Wedgwood's factory, John Flaxman British, Pen and black ink over graphite
Design for large fireplace white tiles produced by Wedgwood's factory
After John Flaxman
19th century
Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso), John Flaxman British, Pen and gray ink over graphite
Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso)
John Flaxman
1792
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293), John Flaxman British, Pen and black ink over graphite
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman
1793
Illustration for "Seven Chiefs Against Thebes" (recto); Studies of Figures (verso), John Flaxman British, Pen and black and gray ink, graphite
Illustration for "Seven Chiefs Against Thebes" (recto); Studies of Figures (verso)
John Flaxman
ca. 1794
Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne, John Flaxman British, Pen and black ink, brush and gray wash, on gray paper
Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne
John Flaxman
late 18th–early 19th century
Sheet of studies with female figure kneeling and embracing standing figure, John Flaxman British, Pen and black ink, brush and gray wash, graphite
Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman
1775–1826
Achilles and the Shade of Patroclus, John Flaxman British, Pen and black ink over graphite
Achilles and the Shade of Patroclus
John Flaxman
1793
Sheet of Sketches, John Flaxman British, Pen and brown and gray ink over graphite on blue paper
Sheet of Sketches
John Flaxman
1793
Sketch for the Title-Page of an Edition of Aeschylus, John Flaxman British, Pen and black ink over graphite
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman
1793
Dante and Virgil in the Suicidal Wood (Inferno, Canto 13, verses 22-23), John Flaxman British, Reed pen and black ink over graphite
Dante and Virgil in the Suicidal Wood (Inferno, Canto 13, verses 22-23)
John Flaxman
1792–93
The Iliad and the Odyssey, John Flaxman British, Illustrations: line engraving
The Iliad and the Odyssey
Multiple artists/makers
1834
Two male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory), John Flaxman British, Pen and black ink over graphite
Two male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory)
After John Flaxman
19th century
Male classical figure holding a torch (design for large fireplace white tiles produced in Wedgwood's factory), John Flaxman British, Pen and black ink over graphite
Male classical figure holding a torch (design for large fireplace white tiles produced in Wedgwood's factory)
After John Flaxman
19th century
Female classical figure (design for large fireplace white tiles produced in Wedgwood's factory), John Flaxman British, Pen and black ink over graphite
Female classical figure (design for large fireplace white tiles produced in Wedgwood's factory)
After John Flaxman
19th century
Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite
Design for large fireplace white tiles produced in Wedgwood's factory
After John Flaxman
1899
Design for large fireplace white tiles produced in Wedgwood's factory, John Flaxman British, Pen and black ink over graphite
Design for large fireplace white tiles produced in Wedgwood's factory
After John Flaxman
19th century
Spy or opera glass, Josiah Wedgwood British, Jasperware, gold, British, Etruria, Staffordshire
Spy or opera glass
Josiah Wedgwood
Decorator Decoration after a design by John Flaxman
late 18th century
Vase with cover (one of a pair), Josiah Wedgwood British, Jasperware, British, Etruria, Staffordshire
Vase with cover (one of a pair)
Factory Josiah Wedgwood
Decoration after designs by John Flaxman
and Lady Templetown
ca. 1780–1800
Saint Michael Overcoming Satan, Edward William Wyon British, Bronze, British, London
Saint Michael Overcoming Satan
Cast by Edward William Wyon
Based on a composition by John Flaxman
1842
Sir Joseph Banks, Josiah Wedgwood British, Jasperware, British, Etruria, Staffordshire
Sir Joseph Banks
Factory Josiah Wedgwood
Designer John Flaxman
18th century
Chessmen (32), Wedgwood and Co., Blue and white jasper, British, Etruria, Staffordshire
Chessmen (32)
Manufacturer Wedgwood and Co.
Designer John Flaxman
early 19th century
William Pitt, Earl of Chatham, Josiah Wedgwood British, Black basalt ware, British, Etruria, Staffordshire
William Pitt, Earl of Chatham
Josiah Wedgwood
Modeler Probably modeled by John Flaxman
late 18th century
Prince of Wales, later George IV (1762–1830), Josiah Wedgwood and Sons British, Jasperware, British, Etruria, Staffordshire
Prince of Wales, later George IV (1762–1830)
Manufacturer Josiah Wedgwood and Sons
Modeler John Flaxman
late 18th century
Ewer, Josiah Wedgwood British, Black basalt ware, British, Etruria, Staffordshire
Ewer
Josiah Wedgwood
Modeler John Flaxman
19th century