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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for John Lane
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Prose fancies : second series, Frank Hazenplug American
Prose fancies : second series
Multiple artists/makers
1896
Blast, No. 2, Wyndham Lewis British, born Canada, Woodcut and photographic illustrations
Blast, No. 2
Multiple artists/makers
1915
Beauty and the Beast, Walter Crane British, Illustrations: color wood engraving
Beauty and the Beast
Multiple artists/makers
ca. 1901
Emma from "Madame Bovary", John Archibald Austen British, Pen and black ink, brush and wash, over graphite
Emma from "Madame Bovary"
Multiple artists/makers
ca. 1928
"A Spirited Epiphonema -- raised a third and sometimes a full fifth above the key of the discourse" (for "Tristram Shandy"), John Archibald Austen British, Pen and black ink, brush and wash, over graphite
"A Spirited Epiphonema -- raised a third and sometimes a full fifth above the key of the discourse" (for "Tristram Shandy")
Multiple artists/makers
ca. 1927
The art of the Saracens in Egypt, Stanley Lane-Poole
The art of the Saracens in Egypt
Stanley Lane-Poole
Chapman & Hall
1886
Skull Crowned with Snakes and Flowers (for "The Duchess of Malfi"), Henry Weston Keen British, Pen and black ink, brush and wash
Skull Crowned with Snakes and Flowers (for "The Duchess of Malfi")
Multiple artists/makers
ca. 1930
Spider, Web, Snake and Flowers (for "The Duchess of Malfi and The White Devil"), Henry Weston Keen British, Pen and black ink
Spider, Web, Snake and Flowers (for "The Duchess of Malfi and The White Devil")
Multiple artists/makers
ca. 1930
The Ghost of Isabella (for "The White Devil," Act III, scene iii), Henry Weston Keen British, Pen and black ink and graphite
The Ghost of Isabella (for "The White Devil," Act III, scene iii)
Multiple artists/makers
ca. 1930
Floral Tailpiece Designs for "The Duchess of Malfi" and "The White Devil", Henry Weston Keen British, Pen and black ink
Floral Tailpiece Designs for "The Duchess of Malfi" and "The White Devil"
Multiple artists/makers
ca. 1930
Unused Tailpiece Design for "The Duchess of Malfi", Henry Weston Keen British, Pen and black ink
Unused Tailpiece Design for "The Duchess of Malfi"
Multiple artists/makers
ca. 1930
"While he was talking of every-day matters, her mind was in a reverie far away" (for "The Red Lily"), Donia Nachshen British, Pen and black ink, brush and black wash with touches of white gouache (bodycolor)
"While he was talking of every-day matters, her mind was in a reverie far away" (for "The Red Lily")
Multiple artists/makers
ca. 1930
"She has taken great pains in honor of her husband's memory, who was said to have loved Italian art" (for "The Red Lily"), Donia Nachshen British, Pen and black ink, brush and black wash with touches of white gouache (bodycolor)
"She has taken great pains in honor of her husband's memory, who was said to have loved Italian art" (for "The Red Lily")
Multiple artists/makers
ca. 1930
How Summer Came to Canada (for "Canadian Wonder Tales"), George Sheringham British, Watercolor and gouache (bodycolor) on colored paper
How Summer Came to Canada (for "Canadian Wonder Tales")
Multiple artists/makers
ca. 1918
Jack and His Wondeful Hen (for "Canadian Wonder Tales"), George Sheringham British, Watercolor and gouache (bodycolor) over graphite
Jack and His Wondeful Hen (for "Canadian Wonder Tales")
Multiple artists/makers
ca. 1918
Glooskap and the Fairy (for "Canadian Wonder Tales"), George Sheringham British, Pen and ink, brush and wash, gouache (bodycolor), on colored paper
Glooskap and the Fairy (for "Canadian Wonder Tales")
Multiple artists/makers
ca. 1918
Aladdin, and the Wonderful Lamp
Multiple artists/makers
[ca. 1901]
A History of New York from the Beginning of the World to the End of the Dutch Dynasty...by Diedrich Knickerbocker
Multiple artists/makers
1900
Stage Fort across Gloucester Harbor, Fitz Henry Lane (formerly Fitz Hugh Lane) American, Oil on canvas, American
Stage Fort across Gloucester Harbor
Fitz Henry Lane (formerly Fitz Hugh Lane)
1862
Haidée and Juan (for "Don Juan"), John Archibald Austen British, Pen and black ink, brush and wash, over graphite
Haidée and Juan (for "Don Juan")
Multiple artists/makers
ca. 1926
Illustration for "The Six Dead Secrets" from "Topsy-Turvy Tales", William Heath Robinson British, Watercolor and gouache (bodycolor)
Illustration for "The Six Dead Secrets" from "Topsy-Turvy Tales"
Multiple artists/makers
ca. 1923
"He looked a fine figure of a frog" (for "Peeriwinki the Puddock" in "Topsy-Turvy Tales"), William Heath Robinson British, Watercolor and gouache (bodycolor)
"He looked a fine figure of a frog" (for "Peeriwinki the Puddock" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"Some Busybody Will Come Along" (for "The Kelpie of Snooziepool" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"Some Busybody Will Come Along" (for "The Kelpie of Snooziepool" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"And in it She Floated Home Safely" (for "Skinnemelink" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"And in it She Floated Home Safely" (for "Skinnemelink" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"Who Got it from the Fruit-woman" (for "Perriwinkie, The Puddock" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"Who Got it from the Fruit-woman" (for "Perriwinkie, The Puddock" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"They Heard Six Voices Calling Them Back" (for "Two Wee Pogeys" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"They Heard Six Voices Calling Them Back" (for "Two Wee Pogeys" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"Over Farms and Fields and Rivers and Ponds" (for "Cosy Hokie" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"Over Farms and Fields and Rivers and Ponds" (for "Cosy Hokie" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"He Made for the Door" (for "The Chocolate Ghost" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"He Made for the Door" (for "The Chocolate Ghost" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"Hitherto I Have Performed it Myself" (for "Six Dead Secrets" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"Hitherto I Have Performed it Myself" (for "Six Dead Secrets" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"And It Glared at the Dear Old Woman" (for "Hanky Panky" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash
"And It Glared at the Dear Old Woman" (for "Hanky Panky" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923
"The End," tailpiece for "Topsy-Turvy Tales", William Heath Robinson British, Pen and black ink
"The End," tailpiece for "Topsy-Turvy Tales"
Multiple artists/makers
ca. 1923
Etching and other Graphic Arts, An Illustrated Treatise
George Taylor Plowman
John Lane Company, New York
1914
Eighty Drawings including the Weaker Sex: The Story of a Susceptible Bachelor
Multiple artists/makers
1903
The Passing Show
Multiple artists/makers
1900
Your Home and its Decoration
Sherwin-Williams Company
John Lane Company, New York
1912
Cover: "The International Studio, An Illustrated Monthly Magazine of Fine and Applied Art," Vol. II, No. 7
William Henry Bradley
John Lane Company, New York
September 1897
The Quest of the Golden Girl
Multiple artists/makers
1896
Sketches in Poetry, Prose, Paint and Pencil
Multiple artists/makers
1916
Pictures of People
Multiple artists/makers
1896
Sketches and Cartoons
Multiple artists/makers
1898