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More than 10,000 results for John Murray

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The Diwan-i Khas from the Mussaman Burj, Agra Palace, John Murray British, Scottish, Waxed paper negative with applied media — The Diwan-i Khas from the Mussaman Burj, Agra Palace
John Murray
1862–64

The Diwan-i Khas from the Mussaman Burj, Agra Palace, John Murray British, Scottish, Albumen silver print from paper negative — The Diwan-i Khas from the Mussaman Burj, Agra Palace
John Murray
1862–64

Taj Mahal and Gardens, John Murray British, Scottish, Waxed paper negative — Taj Mahal and Gardens
John Murray
ca. 1855

The Chowk, John Murray British, Scottish, Salted paper print from paper negative — The Chowk
John Murray
1856–57

[The Taj Mahal from the Banks of the Yamuna River], John Murray British, Scottish, Albumen silver print from paper negative — [The Taj Mahal from the Banks of the Yamuna River]
John Murray
1858–62

Suttee Ghat Cawnpore, John Murray British, Scottish, Waxed paper negative — Suttee Ghat Cawnpore
John Murray
1858

Street in Fatehpur Sikri, India, John Murray British, Scottish, Albumen silver print from paper negative — Street in Fatehpur Sikri, India
John Murray
1858–62

Fort Agra, The Delhi Gate, John Murray British, Scottish, Albumen silver print from paper negative — Fort Agra, The Delhi Gate
John Murray
1850s

[View of a Broken Bridge at Nainital], John Murray British, Scottish, Albumen silver print from waxed paper negative — [View of a Broken Bridge at Nainital]
John Murray
1850s

[The Taj Mahal from the Gateway], John Murray British, Scottish, Albumen silver prints from waxed paper negatives — [The Taj Mahal from the Gateway]
John Murray
January–March 1864

Suttee Ghat, Cawnpore, John Murray British, Scottish, Albumen silver print from paper negative — Suttee Ghat, Cawnpore
John Murray
1858

Taj Agra, John Murray British, Scottish, Albumen silver print from paper negative — Taj Agra
John Murray
Late 1850s

Detail of Outer Tower of Jamat Khana

John Murray

1862

John Murray

ca. 1855

Title Page: Block Prints 1957, John Murray Barton American, Woodcut — Title Page: Block Prints 1957
John Murray Barton
1957

Untitled (Nude Woman Holding Bird), John Murray Barton American, Color woodcut — Untitled (Nude Woman Holding Bird)
John Murray Barton
1957

Untitled (Black And Red Faces), John Murray Barton American, Color woodcut — Untitled (Black And Red Faces)
John Murray Barton
1957

Untitled (Red, Green and Blue Abstraction), John Murray Barton American, Color woodcut — Untitled (Red, Green and Blue Abstraction)
John Murray Barton
1957

Untitled (Seated Nudes with Spotted Animal), John Murray Barton American, Color woodcut — Untitled (Seated Nudes with Spotted Animal)
John Murray Barton
1957

Untitled (Yellow and Black Vase With Flowers), John Murray Barton American, Color woodcut — Untitled (Yellow and Black Vase With Flowers)
John Murray Barton
1957

Untitled (Red, Black and Green Abstraction), John Murray Barton American, Color woodcut — Untitled (Red, Black and Green Abstraction)
John Murray Barton
1957

Untitled (Red, Black and Green Abstraction), John Murray Barton American, Color woodcut — Untitled (Red, Black and Green Abstraction)
John Murray Barton
1957

Untitled (Red, Black, Yellow and Green Abstract Landscape), John Murray Barton American, Color woodcut — Untitled (Red, Black, Yellow and Green Abstract Landscape)
John Murray Barton
1957

Untitled (Red, Blue, Black and White Abstract Pattern), John Murray Barton American, Color woodcut — Untitled (Red, Blue, Black and White Abstract Pattern)
John Murray Barton
1957

Untitled (Black and Red Figure), John Murray Barton American, Color woodcut — Untitled (Black and Red Figure)
John Murray Barton
1957

Untitled (Four Fish), John Murray Barton American, Color woodcut — Untitled (Four Fish)
John Murray Barton
1957

Untitled (Black and Blue Eye), John Murray Barton American, Color woodcut — Untitled (Black and Blue Eye)
John Murray Barton
1957

The Lady's Economical Assistant or the Art of Cutting Out, and Making, the most Useful Articles of Wearing Apparel without Waste

John Murray

1808

Views in Russia, Sweden, Poland and Germany

John Thomas James

John Murray

1826–27

Church Needlework With Practical Remarks on Its Arrangement and Preparation

Miss A. Lambert

John Murray

1844

Antony and Cleopatra, Act 1, Scene 2: Charmian–"Good Sir, give me good fortune", John Hall British, Engraving and etching — Antony and Cleopatra, Act 1, Scene 2: Charmian–"Good Sir, give me good fortune"
Multiple artists/makers
January 1, 1817

On Colour and on the Necessity for a General Diffusion of Taste Among All Classes.

Multiple artists/makers

1858

Untitled, John B. Murray American, Marker, metallic marker, watercolor, and opaque watercolor on paper — Untitled
John B. Murray
1987

Untitled, John B. Murray American, Matte opaque paint, porous-point pen, and brush and black ink on paper — Untitled
John B. Murray
early 1980s

Untitled, John B. Murray American, Watercolor, crayon, marker, and graphite on paper — Untitled
John B. Murray
early 1980s

Thomas Eakins, Samuel Aloysius Murray American, Bronze, American — Thomas Eakins
Samuel Aloysius Murray
Roman Bronze Works
1907; cast 1923

The Gentleman's House; or, How to Plan English Residences, from the Parsonage to the Palace; with Tables of Accomodation and Cost, and a Series of Selected Plans

Multiple artists/makers

1865

The Gentleman's House; or, How to Plan English Residences, from the Parsonage to the Palace; with Tables of Accomodation and Cost, and a Series of Selected Plans

Multiple artists/makers

1864

Mary, Queen of Scots, Edward Scriven British, Stipple engraving, etching and engraving. — Mary, Queen of Scots
Multiple artists/makers
November 2, 1818

Mary, Queen of Scots, John Keyse Sherwin British, Stipple engraving and etching — Mary, Queen of Scots
Multiple artists/makers
April 1, 1783