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1-42 of 15,900 results for John P. Hill
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Asher Benjamin
John P. Hill
1847
A Study of Trap Rock (Buttermilk Falls), John Henry Hill  American, Oil on canvas, American
John Henry Hill
1863
Hat, John P. John  American, Silk, American
John P. John
Mr. John, Inc.
ca. 1952
Hat, John P. John  American, Wool, silk, American
John P. John
Mr. John, Inc.
1950
Hat, John P. John  American, Wool, hair, American
John P. John
Mr. John, Inc.
ca. 1958
Hat, John P. John  American, Wool, silk, American
John P. John
Mr. John, Inc.
1955
Hat, John P. John  American, Wool, metal, American
John P. John
Mr. John, Inc.
ca. 1965
Cap, John P. John  American, Wool, American
John P. John
Mr. John, Inc.
ca. 1965
Hat, John P. John  American, Silk, American
John P. John
Mr. John, Inc.
ca. 1950
Hat, John P. John  American, Wool, American
John P. John
Mr. John, Inc.
ca. 1952
Hat, John P. John  American, Silk, American
John P. John
Mr. John, Inc.
ca. 1955
[Newhaven Fishwives], Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
City Hall, John Hill  American, born England, Fragment of a black and white watercolor aquatint on off-white wove paper, American
John Hill
1826
View from My Work Room Window in Hammond Street, New York City, John Hill  American, born England, Watercolor, pen and black ink, and graphite on off-white wove paper, American
John Hill
ca. 1826–30
Hat, John P. John  American, Synthetic, American
Multiple artists/makers
ca. 1955
McCulloch's Tomb, Greyfriars Churchyard, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
Sir William Allen, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
The Nasmyth Tomb, Greyfriars Churchyard, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
Edinburgh Monument, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
Three Unknown Boys and James Linton, Newhaven, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
1843–47
Study for the Disruption Picture: Signing of the Deed of Demission, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
October 18, 1843
Wine cup, John Hull  American, Silver, American
John Hull
Robert Sanderson Sr.
ca. 1660
The Palisades, John William Hill  American, born England, Watercolor and gouache on white wove paper, American
John William Hill
ca. 1870
Circular Mill, King Street, New York, John William Hill  American, born England, Watercolor on off-white laid paper, American
John William Hill
1830
Chancel of Trinity Chapel, New York, John William Hill  American, born England, Watercolor, gouache, black ink, graphite, and gum arabic on off-white wove paper, American
John William Hill
1856
Landscape: View on Catskill Creek, John William Hill  American, born England, Watercolor, gouache, and graphite on off-white wove paper, American
John William Hill
1867
Peabody at the Glen, New Hampshire, John William Hill  American, born England, Watercolor on off-white wove paper, American
John William Hill
ca. 1857
Peach Blossoms, John William Hill  American, born England, Watercolor and graphite on off-white wove paper, American
John William Hill
1874
Plums, John William Hill  American, born England, Watercolor, graphite, and gouache on off-white Bristol board, American
John William Hill
1870
Still Life with Fruit, John William Hill  American, born England, Watercolor and gouache on off-white laminated paper board (possibly Bristol board), American
John William Hill
1876
Three Views, No. 1: Mount Washington from Shelburn, New Hampshire, John William Hill  American, born England, Watercolor and graphite on off-white wove paper, American
John William Hill
Three Views, No. 2: View near Oswego, New York, John William Hill  American, born England, Watercolor and gum arabic on off-white wove paper, American
John William Hill
Three Views, No. 3: Mount Carmel, near New Haven, Connecticut, John William Hill  American, born England, Watercolor on off-white wove paper, American
John William Hill
The Straw Field, John Henry Hill  American, Watercolor on off-white wove paper, American
John Henry Hill
View of a Ruined English Abbey, John Henry Hill  American, Watercolor, graphite, and gouache on off-white wove paper, American
John Henry Hill
1880
Wooded Country Lane with Figure in Distance (from Cropsey Album), John Henry Hill  American, Watercolor, black chalk, and reserve on white, heavy weight, finely textured, wove paper (oval cut), American
John Henry Hill
Harper’s Ferry, from Railroad-Contraband Camp in Foreground, John P. Soule  American, Albumen silver print from glass negative
John P. Soule
1865
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee  American, Steel, gold, silver, American, New York
John Targee
ca. 1815–17
Vase, John Bennett  American, Painted and glazed earthenware, American
John Bennett
1882
Plate, John Monday  American, Earthenware; Redware with sgraffito decoration, American
John Monday
1830
Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American
John Bartlam
ca. 1765–69
Gray and Brass, John Sloan  American, Oil on canvas, American
John Sloan
1907