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Showing 895 results for José Guadalupe Posada

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In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada Mexican, Type-metal engraving and letterpress on blue paper — In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Multiple artists/makers
ca. 1890–1896

A revolutionary holding a rifle and kneeling to protect a fallen revolutionary, José Guadalupe Posada Mexican, Zincograph — A revolutionary holding a rifle and kneeling to protect a fallen revolutionary
José Guadalupe Posada
José Sanchez
ca. 1880–1910

A holy procession with figures in black cloaks holding candles, José Guadalupe Posada Mexican, Type-metal engraving — A holy procession with figures in black cloaks holding candles
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Emiliano Zapata, José Guadalupe Posada Mexican, Zincograph — Emiliano Zapata
José Guadalupe Posada
José Sanchez
ca. 1910–1913 (a later impression)

A man in a hat kidnapping a child from a broadside entitled 'Los roba-chicos en acción', José Guadalupe Posada Mexican, Zincograph — A man in a hat kidnapping a child from a broadside entitled 'Los roba-chicos en acción'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man with a pitcher in his hand tapping the shoulder of another man resting on wooden beam, José Guadalupe Posada Mexican, Zincograph — A man with a pitcher in his hand tapping the shoulder of another man resting on wooden beam
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A pair of young men dancing for a crowd of older people, José Guadalupe Posada Mexican, Zincograph — A pair of young men dancing for a crowd of older people
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

An old man with spectacles and one hand behind his back painting on a wooden block, illustration for 'El Rey que Rabio', José Guadalupe Posada Mexican, Type-metal engraving — An old man with spectacles and one hand behind his back painting on a wooden block, illustration for 'El Rey que Rabio'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Caricature of three toreros (legs and torso/head), José Guadalupe Posada Mexican, Type-metal engraving — Caricature of three toreros (legs and torso/head)
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons', José Guadalupe Posada Mexican, Type-metal engraving — A man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A skeleton selling plucked chickens from a broadside entitled 'Una Calavera Chusca', José Guadalupe Posada Mexican, Zincograph — A skeleton selling plucked chickens from a broadside entitled 'Una Calavera Chusca'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A skeleton selling cheese from a broadside entitled 'Una Calavera Chusca', José Guadalupe Posada Mexican, Zincograph — A skeleton selling cheese from a broadside entitled 'Una Calavera Chusca'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A skeleton selling tortillas from a broadside entitled 'Una Calavera Chusca', José Guadalupe Posada Mexican, Zincograph — A skeleton selling tortillas from a broadside entitled 'Una Calavera Chusca'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Chaos and fatalities resulting from a broken electric trolley car, from a broadside entitled 'Alegre Inauguracion del Eléctrico Tranvía', José Guadalupe Posada Mexican, Zincograph — Chaos and fatalities resulting from a broken electric trolley car, from a broadside entitled 'Alegre Inauguracion del Eléctrico Tranvía'
José Guadalupe Posada
José Sanchez
1900 (a later impression)

A sorceress pointing her wand at a crocodile while royal figures watch, illustration for 'El Clarinete Encantado', José Guadalupe Posada Mexican, Type-metal engraving — A sorceress pointing her wand at a crocodile while royal figures watch, illustration for 'El Clarinete Encantado'
José Guadalupe Posada
José Sanchez
ca. 1890 (a later impression)

A couple sitting in an automobile, illustration for ' El Automóvil,' publisbed by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — A couple sitting in an automobile, illustration for ' El Automóvil,' publisbed by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
ca. 1908 (a later impression)

A man raising his glass with a group of men sitting at a table in the background, illustration for 'El Brindador Popular (The Popular Toastmaster)' published by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — A man raising his glass with a group of men sitting at a table in the background, illustration for 'El Brindador Popular (The Popular Toastmaster)' published by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
ca. 1894 (a later impression)

A clown standing with one hand on his hip and an elephant peering out from behind a curtain, illustration for 'El Clown Mexicano (The Mexican Clown)' published by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — A clown standing with one hand on his hip and an elephant peering out from behind a curtain, illustration for 'El Clown Mexicano (The Mexican Clown)' published by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A demon breathing fire and people running around in the foreground, illustration for 'El Testerazo del Diablo,' published by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — A demon breathing fire and people running around in the foreground, illustration for 'El Testerazo del Diablo,' published by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
ca. 1898 (a later impression)

Two men sweeping the street while a crowd of people in the background watch, illustration for 'Coleccion de Canciones Modernas Cuaderno No. 14,' edited by Antonio Vanegas Arroyo, José Guadalupe Posada Mexican, Type-metal engraving — Two men sweeping the street while a crowd of people in the background watch, illustration for 'Coleccion de Canciones Modernas Cuaderno No. 14,' edited by Antonio Vanegas Arroyo
José Guadalupe Posada
José Sanchez
1891 (a later impression)

A helmet and a figure's lower body, José Guadalupe Posada Mexican, Zincograph — A helmet and a figure's lower body
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man with his toungue out jumping in the air while cards fall out of his pockets, José Guadalupe Posada Mexican, Zincograph — A man with his toungue out jumping in the air while cards fall out of his pockets
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A profile of a man with a large nose looking to the left

José Guadalupe Posada

José Sanchez

ca. 1880–1910 (a later impression)

A figure with full, long hair, José Guadalupe Posada Mexican, Zincograph — A figure with full, long hair
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A group of Zapata followers on horseback from a broadside entitled 'Most wonderful miracle by the intercession of Our Most Blessed Lady of Perpetual Help worshipped in Cholula', José Guadalupe Posada Mexican, Zincograph — A group of Zapata followers on horseback from a broadside entitled 'Most wonderful miracle by the intercession of Our Most Blessed Lady of Perpetual Help worshipped in Cholula'
José Guadalupe Posada
José Sanchez
ca. 1910–11 (a later impression)

A woman kicking a man while he walks away from her, José Guadalupe Posada Mexican, Zincograph — A woman kicking a man while he walks away from her
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man with a gun standing over a woman he has just shot, José Guadalupe Posada Mexican, Zincograph — A man with a gun standing over a woman he has just shot
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Amador Salazar, José Guadalupe Posada Mexican, Zincograph — Amador Salazar
José Guadalupe Posada
José Sanchez
ca. 1910–1913 (a later impression)

A domestic scene with a mother holding her child's hand while talking to her husband, José Guadalupe Posada Mexican, Zincograph — A domestic scene with a mother holding her child's hand while talking to her husband
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man warning townspeople about what could happen to them from a broadside entitled 'Deportados a las Islas Marias', José Guadalupe Posada Mexican, Zincograph — A man warning townspeople about what could happen to them from a broadside entitled 'Deportados a las Islas Marias'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A rich man with bags of money at his feet sending people away, José Guadalupe Posada Mexican, Zincograph — A rich man with bags of money at his feet sending people away
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man dancing in the middle of a crowd and taking off his hat, José Guadalupe Posada Mexican, Zincograph — A man dancing in the middle of a crowd and taking off his hat
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A madman having visions of monsters, José Guadalupe Posada Mexican, Zincograph — A madman having visions of monsters
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A young boy cowering from a demon, illustration from 'El cuento Nniño de los dulces', José Guadalupe Posada Mexican, Zincograph — A young boy cowering from a demon, illustration from 'El cuento Nniño de los dulces'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Demons running away from a woman on a deer riding through a field of crosses, José Guadalupe Posada Mexican, Type-metal engraving — Demons running away from a woman on a deer riding through a field of crosses
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A revolutionary soldier on horseback with a rifle (Heraclio Bernal), José Guadalupe Posada Mexican, Zincograph — A revolutionary soldier on horseback with a rifle (Heraclio Bernal)
José Guadalupe Posada
José Sanchez
ca. 1911 (a later impression)

Firing squad shooting a man with his left hand on his chest, José Guadalupe Posada Mexican, Type-metal engraving — Firing squad shooting a man with his left hand on his chest
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A soldier raising his rifle to hit a woman (The Fifth of May), José Guadalupe Posada Mexican, Type-metal engraving — A soldier raising his rifle to hit a woman (The Fifth of May)
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

The murder of the Chief of Police Miguel Cabrera, José Guadalupe Posada Mexican, Zincograph — The murder of the Chief of Police Miguel Cabrera
José Guadalupe Posada
José Sanchez
ca. 1910 (a later impression)

A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930), José Guadalupe Posada Mexican, Zincograph — A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930)
José Guadalupe Posada
José Sanchez
ca. 1899 (a later impression)