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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,004 results for José Ramón Chávez Pérez
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José Ramón Chávez Pérez
ca. 1972
Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel
Portrait of Nicolás Matías Fernández Méndez
José Campeche
ca. 1800
Saint Christopher, Melchor Pérez Holguin Bolivian, Oil on canvas, Bolivia
Saint Christopher
Melchor Pérez Holguin
ca. 1710–20
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings), José Chávez Morado Mexican, Linocuts and letterpress on buff paper
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings)
Multiple artists/makers
1947
The Ivory Tower (also known as The Wisemen and the Press), José Chávez Morado Mexican, Lithograph
The Ivory Tower (also known as The Wisemen and the Press)
José Chávez Morado
1942
Galloping riders on horses (El Galope), from "Eight Studies by Mexican Masters of Graphic Arts" (1952), José Chávez Morado Mexican, Lithograph
Galloping riders on horses (El Galope), from "Eight Studies by Mexican Masters of Graphic Arts" (1952)
José Chávez Morado
Latin American Research Bureau, New York
ca. 1952
Poster entitled '50,000 covered' depicting dogs at a 'sumptuous feast', José Chávez Morado Mexican, Lithograph and letterpress on buff paper
Poster entitled '50,000 covered' depicting dogs at a 'sumptuous feast'
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
Flyer relating to unifying communities against the resistance, older farmworker being kicked to the ground by a younger man, José Chávez Morado Mexican, Photo-relief and letterpress on tan paper
Flyer relating to unifying communities against the resistance, older farmworker being kicked to the ground by a younger man
José Chávez Morado
ca. 1940
A poster relating to the potential slaughter of Republicans Spaniards at the end of the Spanish Civil War, José Chávez Morado Mexican, Linocut and letterpress on pink paper (relief printing) backed in linen
A poster relating to the potential slaughter of Republicans Spaniards at the end of the Spanish Civil War
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
Corrido (ballad) issued by the 'Liga de Escritores y Artistas Revolucionares' (LEAR) with an image of Plutarco Elías Calles being dragged from his bed, José Chávez Morado Mexican, Linocut and letterpress on tan paper
Corrido (ballad) issued by the 'Liga de Escritores y Artistas Revolucionares' (LEAR) with an image of Plutarco Elías Calles being dragged from his bed
José Chávez Morado
ca. 1935
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado), José Chávez Morado Mexican, Linocut and letterpress on buff paper
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado)
Multiple artists/makers
1938
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - Escobedo; ballad of the good neighbour - Chávez Morado; ballad regarding the expropriation of foreign petroleum companies - Zalce; ballad on the eclipse of the peso - Chávez Morado, José Chávez Morado Mexican, Linocut and letterpress on orange paper
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - Escobedo; ballad of the good neighbour - Chávez Morado; ballad regarding the expropriation of foreign petroleum companies - Zalce; ballad on the eclipse of the peso - Chávez Morado
Multiple artists/makers
1938
Flyer relating to farmers from Jalisco who attempted to improve their communities only to be exploited by profiteers and losing their graneries to them, José Chávez Morado Mexican, Photo-relief and letterpress on tan paper
Flyer relating to farmers from Jalisco who attempted to improve their communities only to be exploited by profiteers and losing their graneries to them
José Chávez Morado
Taller de Gráfica Popular, Mexico City
ca. 1940
Corrido (ballad) relating to a woman who cheated on her husband and was then killed, José Chávez Morado Mexican, Photo-relief and letterpress on pink paper
Corrido (ballad) relating to a woman who cheated on her husband and was then killed
José Chávez Morado
ca. 1940
A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of Latin American Fascism, José Chávez Morado Mexican, Lithograph in red and black on buff paper backed on linen
A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of Latin American Fascism
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
Poster entitled 'Let's all burn Judas' referring to political betrayal in Mexico and that leaders should be burned as Judas-like traitors, José Chávez Morado Mexican, Lithograph on buff paper backed with linen
Poster entitled 'Let's all burn Judas' referring to political betrayal in Mexico and that leaders should be burned as Judas-like traitors
Multiple artists/makers
1939
Semana de Ayuda a España, José Chávez Morado Mexican, Lithograph with red lettering
Semana de Ayuda a España
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1938
50,000 Covered, José Chávez Morado Mexican, Lithograph and letterpress
50,000 Covered
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
La Risa del Pueblo (The Laughter of the People), José Chávez Morado Mexican, Lithograph and letterpress
La Risa del Pueblo (The Laughter of the People)
Multiple artists/makers
1939
When the USSR conquers imperialist interests and Mexico’s reactions to her putative sons, José Chávez Morado Mexican, Lithograph on buff paper back with linen
When the USSR conquers imperialist interests and Mexico’s reactions to her putative sons
Multiple artists/makers
1939
Four flyers printed on one sheet, José Chávez Morado Mexican, Linocut, letterpress on buff paper
Four flyers printed on one sheet
Multiple artists/makers
1938
A large folio newspaper entitled 'Extra, Extra, War, Skulls/Skeletons Hesitant about the War' comprising six pages richly illustrated; page 1 by Zalce, page 2 by Chávez Morado, page 3 by O'Higgins, page 4 Mendez, page 5 by Chávez Morado, page 6 by O'Higgins, José Chávez Morado Mexican, Lithographs, linocuts, letterpress
A large folio newspaper entitled 'Extra, Extra, War, Skulls/Skeletons Hesitant about the War' comprising six pages richly illustrated; page 1 by Zalce, page 2 by Chávez Morado, page 3 by O'Higgins, page 4 Mendez, page 5 by Chávez Morado, page 6 by O'Higgins
Multiple artists/makers
1939
A poster showing a seated Mexican blowing a trumpet with a human head representing the falsity of the press (fake news) with the title 'The laughter of the public—away with your nonsense', José Chávez Morado Mexican, Lithograph on orange paper
A poster showing a seated Mexican blowing a trumpet with a human head representing the falsity of the press (fake news) with the title 'The laughter of the public—away with your nonsense'
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
Oversized skulls representing evil forces (the black market, bribes and famine) chasing two skeletons, José Chávez Morado Mexican, Linocut on tan paper
Oversized skulls representing evil forces (the black market, bribes and famine) chasing two skeletons
José Chávez Morado
1945
"Caudrilla" bulls standing on hind legs in a group (number 16), José (Josep) Granyer Spanish, Sheet folded in half with letterpress title and publication details on front, poem by Pérez de Ayala on inside cover facing the print (etching)
"Caudrilla" bulls standing on hind legs in a group (number 16)
Multiple artists/makers
ca. 1959
Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican
Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764
The Marriage of the Virgin, José Sánchez Mexican, Oil on canvas, Mexican
The Marriage of the Virgin
José Sánchez
ca. 1690
Guitar, José Massague Spanish, Pine top, figured maple back and sides, rosewood binding, ivory nut, rosewood, mastic, and mother-of-pearl inlaid decoration, Spanish
Guitar
José Massague
ca. 1755–60
Unicórnio : antologia de inéditos de autores portugueses contemporãneos, José-Augusto França Portuguese
Unicórnio : antologia de inéditos de autores portugueses contemporãneos
José-Augusto França
1951–56
17 de Marzo: Jornada de Solidaridad con Zimbabwe
Faustino Pérez
1970
Pages 1, 2, 7 and 8 of an eight page broadsheet 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings) addressing imperialism with images of 'calaveras' accompanied by 'corridos' (ballads); on the first page, a calavera cow with foot and mouth disease in nylon stockings refering to the contamination of milk
Multiple artists/makers
1947
Poster with two images, on the left by Chávez Morado relating to when the USSR conquers imperialist interests (Hitler on his knees, Mussolini at left etc) and at right by Anguiano, regarding the situation in Mexico and the reactions of her putative sons
Multiple artists/makers
1939
A large folio newspaper entitled 'Extra, Extra, War, Skulls/Skeletons Hesitant about the War' comprising six pages richly illustrated; page 1 by Zalce, page 2 by Chávez Morado, page 3 by O'Higgins, page 4 Mendez, page 5 by Chávez Morado, page 6 by O'Higgins
Multiple artists/makers
1939
Flyer relating to unions; workers of different occupations surrounding a man in the centre holding a book
José Chávez Morado
Taller de Gráfica Popular, Mexico City
ca. 1940
A broadsheet issued by the 'Liga de Escritores y Artistas Revolucionares' (LEAR) with an image of Plutarco Elías Calles being dragged from his bed, a popular corrido (ballad) below
José Chávez Morado
ca. 1935
A broadsheet relating to the tram strikes in Mexico and a 'corrido' (ballad)
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939
Belt, José Cotel French, Leather, plastic, French
Belt
José Cotel
ca. 1973
[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print
[Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s
[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print
[Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s
[Mining Site Chincha Islands], José Negretti Peruvian, Albumen silver print
[Mining Site Chincha Islands]
José Negretti
1860s–70s