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1-42 of 7,255 results for Joseph Swain
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Scrap-book containing 169 India paper proofs
Multiple artists/makers
1844–83
Maria Magdalena Mattsdotter (in "Good Words for 1864," opp. p. 657)
Joseph Swain
1864
I am Referred to Cecilia (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 44)
Joseph Swain
1860
The Sweeper stopping to lift his cap to a female acquaintance (illustration to "The Streets of Paris," in "Good Words for 1864," p. 513)
Joseph Swain
1864
Bessy's Spectacles (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 233)
Joseph Swain
1860
Where the Sugar Goes (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 330)
Joseph Swain
1860
Bessy's Reflections (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 385)
Joseph Swain
1860
Bedford to the Rescue (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 583)
Joseph Swain
1860
Lovel's Mother (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 652)
Joseph Swain
1860
Punch, or the London Charivari, vol. 80
Multiple artists/makers
January–June, 1881
Will His Eyes Open?, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Drifting Away, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Tessa at Home, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
At the Well, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
You Didn't Think It Was So Pretty, Did You?, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Niccolo at Work, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
A Florentine Joke, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Father, I Will Be Guided, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Coming Home, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
The Visible Madonna, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Figures worshipping a moneybag
Joseph Swain
Richard Doyle
1845–80
Mona Bridgida's Conversion, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
The Peasants' Fair, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Suppose You Let Me Look at Myself?, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
A Recognition, for "Romola" (originally published 1862–63)
Multiple artists/makers
1864
Specimen Pages of Engravings on Wood and "Process"
Joseph Swain & Son
1844
The Major's Daughter (from "Once a Week"), James McNeill Whistler American, Wood engraving; proof
The Major's Daughter (from "Once a Week")
James McNeill Whistler
Joseph Swain
June 21, 1862
The Major's Daughter (from "Once a Week," June 21, 1862), James McNeill Whistler American, Wood engraving
The Major's Daughter (from "Once a Week," June 21, 1862)
James McNeill Whistler
Joseph Swain
June 21, 1862
Illustration to "The Castle by the Sea", published in "Once a Week," January 11, 1862, Vol. VI, p. 84, Sir Edward John Poynter British, born France, Wood engraving
Illustration to "The Castle by the Sea", published in "Once a Week," January 11, 1862, Vol. VI, p. 84
Sir Edward John Poynter
Joseph Swain
1861
Danaë in the Brazen Chamber, Frederick Augustus Sandys British, Wood engraving
Danaë in the Brazen Chamber
Frederick Augustus Sandys
Joseph Swain
1867
The Old Chartist, Frederick Augustus Sandys British, Wood engraving on chine collé; proof
The Old Chartist
Frederick Augustus Sandys
Joseph Swain
1862
The Old Chartist ("Once a Week," vol. 6, p. 183), Frederick Augustus Sandys British, Wood engraving
The Old Chartist ("Once a Week," vol. 6, p. 183)
Frederick Augustus Sandys
Joseph Swain
February 8, 1862
A Dream of Love ("Once a Week," p. 393), Sir Edward John Poynter British, born France, Wood engraving
A Dream of Love ("Once a Week," p. 393)
Sir Edward John Poynter
Joseph Swain
October 4, 1862
A Seat in St. James's Park, George John Pinwell British, Wood engraving on chine volant; proof before letters
A Seat in St. James's Park
George John Pinwell
Joseph Swain
1870
Animal Life in a Primaeval Forest (in "Good Words for 1864," opp. p. 464)
Joseph Wolf
Joseph Swain
1864
The Ant-Eaters (in "Good Words for 1864," p. 467)
Joseph Wolf
Joseph Swain
1864
So have I found thee, Centre of melody, Telling they passion to the listening winds (in "Good Words for 1864," opp. p. 624)
Joseph Wolf
Joseph Swain
1864
Birds of Passage (in "Good Words for 1864," p. 873)
Joseph Wolf
Joseph Swain
1864
The Morning before the Massacre of St. Bartholomew (from "Once a Week"), James McNeill Whistler American, Wood engraving; proof
The Morning before the Massacre of St. Bartholomew (from "Once a Week")
Multiple artists/makers
August 16, 1862
The Major's Daughter (for "Once a Week," June 21, 1862), James McNeill Whistler American, Wood engraving; proof
The Major's Daughter (for "Once a Week," June 21, 1862)
Multiple artists/makers
1862
The Morning Before the Massacre of St. Bartholomew (from "Once a Week," August 16, 1862), James McNeill Whistler American, Wood engraving
The Morning Before the Massacre of St. Bartholomew (from "Once a Week," August 16, 1862)
Multiple artists/makers
August 16, 1862
A Call for the Manager
Charles Samuel Keene
Joseph Swain
n.d.