丹铎神庙将于4月26日（星期日）至5月8日（星期五）关闭。大都会艺术博物馆第五大道馆将于5月4日（星期一）关闭。

规划您的参观
门票
中文 (简体)
捐赠会员资格
门票
我们正在努力尽快翻译此页面。感谢您的理解。

Search for Art

1-42 of 6,024 results for Josiah Boydell
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Regnier Hansloe, an Anabaptist Minister, and His Wife (Cornelis Claesz Anslo and His Wife Aeltje Gerritsdr Schouten), Josiah Boydell British, Etching and mezzotint; second state of two
Regnier Hansloe, an Anabaptist Minister, and His Wife (Cornelis Claesz Anslo and His Wife Aeltje Gerritsdr Schouten)
Multiple artists/makers
May 1, 1781
Design for a Frontispiece, Josiah Boydell British, Watercolor, pen and brown ink, brush and wash, over graphite
Design for a Frontispiece
Josiah Boydell
ca. 1793
The Holy Family with Saint John the Baptist at right, Joseph holding a book behind at right
Multiple artists/makers
1777
Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4), John Ogborne British, Stipple engraving
Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, Thomas Gainsborough British, Soft-ground etching; third state
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Riders, Thomas Gainsborough British, Aquatint; second state of two
Wooded Landscape with Riders
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), Thomas Gainsborough British, Soft-ground etching with aquatint; second state of two
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place)
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; third state of three
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Thomas Gainsborough
John & Josiah Boydell
1797
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; fourth state of four
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough British, Hand-colored soft-ground etching and aquatint; second state of two
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four
The Times, Plate 2
William Hogarth
John & Josiah Boydell
May 29, 1790
The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four
The Times, Plate 2
William Hogarth
John & Josiah Boydell
May 29, 1790
The Times, Plate 2, William Hogarth British, Etching and engraving; fourth state of four
The Times, Plate 2
William Hogarth
John & Josiah Boydell
May 29, 1790
Pisces: Hogarth's Quadrille Fish, William Hogarth British, Etching and engraving
Pisces: Hogarth's Quadrille Fish
William Hogarth
John & Josiah Boydell
ca. 1730
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough British, Aquatint (sugar-lift process), printed in brown ink
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough British, Aquatint with soft-ground etching, printed in gray ink; third state of three
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough British, Soft-ground etching, printed in gray ink; second state of two
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
The Palace at Westminster: King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4), Robert Thew British, Stipple engraving
The Palace at Westminster: King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852
A Tyger, John Murphy Irish, Mezzotint
A Tyger
Multiple artists/makers
1790
William Hogarth, Benjamin Smith British, Stipple engraving
William Hogarth
Multiple artists/makers
June 4, 1795
Key with List of Performers and Audience to: The Beggars Opera, William Hogarth British, Etching and engraving
Key with List of Performers and Audience to: The Beggars Opera
Multiple artists/makers
July 1, 1790
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, William Hogarth British, Etching and engraving
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
Multiple artists/makers
February 1, 1791
William Hogarth, Benjamin Smith British, Stipple engraving and etching
William Hogarth
Multiple artists/makers
June 4, 1795
The infant Christ lying on a wooden box, the Virgin kneeling in prayer before him, Saint Joseph at left, shepherds at right, in an octagonal frame, after Reni, Jean-Baptiste Michel French, Engraving
The infant Christ lying on a wooden box, the Virgin kneeling in prayer before him, Saint Joseph at left, shepherds at right, in an octagonal frame, after Reni
Multiple artists/makers
1783
Sigismonda (Sigismunda), Benjamin Smith British, Etching and engraving
Sigismonda (Sigismunda)
Multiple artists/makers
June 4, 1795
Portrait of Michelangelo: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Multiple artists/makers
1793–98
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4), William Sharp British, Etching and engraving
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4)
Multiple artists/makers
1793
The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, Robert Dodd British, Etching and aquatint
The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
Multiple artists/makers
January 1, 1792
The Beggar's Opera, Act III, William Blake British, Etching and engraving
The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790
The Beggar's Opera, Act III, William Blake British, Engraving
The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790
The Beggar's Opera, Act III, William Blake British, Engraving
The Beggar's Opera, Act III
Multiple artists/makers
1790
Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1), Thomas Kirk British, Stipple engraving
Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1)
Multiple artists/makers
first published 1793; reissued 1852
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney American, born England, Stipple engraving; third state of three
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852
The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Benjamin Smith British, Stipple engraving and etching
The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1)
Multiple artists/makers
originally published 1797; reissued 1852
Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), James Neagle British, Etching and engraving
Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4)
Multiple artists/makers
June 4, 1794
Falstaff, Prince Henry and Poins at the Boar's Head Tavern (Shakespeare, King Henry the Fourth, Part 1, Act 2, Scene 4), Robert Thew British, Stipple engraving
Falstaff, Prince Henry and Poins at the Boar's Head Tavern (Shakespeare, King Henry the Fourth, Part 1, Act 2, Scene 4)
Multiple artists/makers
1796
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1), Peter Simon British, Stipple engraving
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1)
Multiple artists/makers
first published 1789; reissued 1852
Imogen (Shakespeare, Cymbeline, Act 3, Scene 6), Thomas Gaugain British, Stipple engraving; proof
Imogen (Shakespeare, Cymbeline, Act 3, Scene 6)
Multiple artists/makers
1803
King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3), Francis Legat British, Etching and engraving
King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3)
Multiple artists/makers
August 1, 1792
Florizel, Perdita, etc. in the Shepherd's Cot (Shakespeare, Winter's Tale, Act 4, Scene 3), James Fittler British, Etching and engraving
Florizel, Perdita, etc. in the Shepherd's Cot (Shakespeare, Winter's Tale, Act 4, Scene 3)
Multiple artists/makers
August 1, 1792
Infant Shakespeare Attended by Nature and the Passions, Benjamin Smith British, Stipple engraving; early trial state
Infant Shakespeare Attended by Nature and the Passions
Multiple artists/makers
1799
Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, from "Boydell's Shakespeare Gallery", James Stow British, Etching and engraving
Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, from "Boydell's Shakespeare Gallery"
Multiple artists/makers
1797