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Showing 6,272 results for Josiah Boydell
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Regnier Hansloe, an Anabaptist Minister, and His Wife (Cornelis Claesz  Anslo and His Wife Aeltje Gerritsdr Schouten), Josiah Boydell  British, Etching and mezzotint; second state of two
Multiple artists/makers
May 1, 1781
Design for a Frontispiece, Josiah Boydell  British, Watercolor, pen and brown ink, brush and wash, over graphite
Josiah Boydell
ca. 1793
Multiple artists/makers
1777
Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4), John Ogborne  British, Stipple engraving
Multiple artists/makers
first published 1795; reissued 1852
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, Thomas Gainsborough  British, Soft-ground etching; third state
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint with soft-ground etching, printed in gray ink; third state of three
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Soft-ground etching, printed in gray ink; second state of two
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint (sugar-lift process), printed in brown ink
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Riders, Thomas Gainsborough  British, Aquatint; second state of two
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), Thomas Gainsborough  British, Soft-ground etching with aquatint; second state of two
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; third state of three
Thomas Gainsborough
John & Josiah Boydell
1797
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; fourth state of four
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; second state of two
Thomas Gainsborough
John & Josiah Boydell
August 1, 1797
Pisces: Hogarth's Quadrille Fish, William Hogarth  British, Etching and engraving
William Hogarth
John & Josiah Boydell
ca. 1730
The Times, Plate 2, William Hogarth  British, Etching and engraving; fourth state of four
William Hogarth
John & Josiah Boydell
May 29, 1790
The Times, Plate 2, William Hogarth  British, Etching and engraving; fourth state of four
William Hogarth
John & Josiah Boydell
May 29, 1790
The Times, Plate 2, William Hogarth  British, Etching and engraving; fourth state of four
William Hogarth
John & Josiah Boydell
May 29, 1790
The Palace at Westminster: King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4), Robert Thew  British, Stipple engraving
Multiple artists/makers
first published 1795; reissued 1852
Key with List of Performers and Audience to: The Beggars Opera, William Hogarth  British, Etching and engraving
Multiple artists/makers
July 1, 1790
A Tyger, John Murphy  Irish, Mezzotint
Multiple artists/makers
1790
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, William Hogarth  British, Etching and engraving
Multiple artists/makers
February 1, 1791
William Hogarth, Benjamin Smith  British, Stipple engraving
Multiple artists/makers
June 4, 1795
William Hogarth, Benjamin Smith  British, Stipple engraving and etching
Multiple artists/makers
June 4, 1795
The infant Christ lying on a wooden box, the Virgin kneeling in prayer before him, Saint Joseph at left, shepherds at right, in an octagonal frame, after Reni, Jean-Baptiste Michel  French, Engraving
Multiple artists/makers
1783
Sigismonda (Sigismunda), Benjamin Smith  British, Etching and engraving
Multiple artists/makers
June 4, 1795
Multiple artists/makers
1793–98
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4), William Sharp  British, Etching and engraving
Multiple artists/makers
1793
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney  American, born England, Stipple engraving; third state of three
Multiple artists/makers
first published 1795; reissued 1852
Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1), Thomas Kirk  British, Stipple engraving
Multiple artists/makers
first published 1793; reissued 1852
The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Benjamin Smith  British, Stipple engraving and etching
Multiple artists/makers
originally published 1797; reissued 1852
The Beggar's Opera, Act III, William Blake  British, Etching and engraving
Multiple artists/makers
July 1, 1790
The Beggar's Opera, Act III, William Blake  British, Engraving
Multiple artists/makers
July 1, 1790
Girl and Pigs, Thomas Gaugain  British, Stipple engraving, printed a la poupée
Multiple artists/makers
May 1, 1802
Falstaff, Prince Henry and Poins at the Boar's Head Tavern (Shakespeare, King Henry the Fourth, Part 1, Act 2, Scene 4), Robert Thew  British, Stipple engraving
Multiple artists/makers
1796
Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), James Neagle  British, Etching and engraving
Multiple artists/makers
June 4, 1794
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1), Peter Simon  British, Stipple engraving
Multiple artists/makers
first published 1789; reissued 1852
Florizel, Perdita, etc. in the Shepherd's Cot (Shakespeare, Winter's Tale, Act 4, Scene 3), James Fittler  British, Etching and engraving
Multiple artists/makers
August 1, 1792
The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4, Robert Dodd  British, Etching and aquatint
Multiple artists/makers
January 1, 1792
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4), Peter Simon  British, Etching and engraving
Multiple artists/makers
September 29, 1792
King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3), Francis Legat  British, Etching and engraving
Multiple artists/makers
August 1, 1792