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Showing 3,116 results for Julian Jackson

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April Study 7, Julian Jackson American, Inkjet print — April Study 7
Multiple artists/makers
2012

Congressional Presentation Sword and Scabbard of Major General John E. Wool (1784–1869), Samuel Jackson American, Steel, gold, brass, diamonds, rubies, American, probably Baltimore — Congressional Presentation Sword and Scabbard of Major General John E. Wool (1784–1869)
Samuel Jackson
1854–55

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

Composed Armor, Julian Arrechia Spanish, Steel, copper alloy (latten), leather, Italian — Composed Armor
Julian Arrechia
Raymond Bartel
ca. 1450–60 and later, restored and composed in the 1920s

Autumn Rhythm (Number 30), Jackson Pollock American, Enamel on canvas — Autumn Rhythm (Number 30)
Jackson Pollock
1950

The Red Bridge, Julian Alden Weir American, Oil on canvas, American — The Red Bridge
Julian Alden Weir
1895

The Factory Village, Julian Alden Weir American, Oil on canvas, American — The Factory Village
Julian Alden Weir
1897

Fruit, Julian Alden Weir American, Oil on canvas, American — Fruit
Julian Alden Weir
ca. 1888

Angenett Jackson American, Silk embroidery on linen — Angenett Jackson
1838

Tankstelle [Gas Station], Julian Faulhaber German, Chromogenic print — Tankstelle [Gas Station]
Julian Faulhaber
2008

Ithaca, Julian Schnabel American, Oil and broken dinnerware on wood — Ithaca
Julian Schnabel
1983

Bones and Trumpets Rubbing Against Each Other Towards Infinity, Julian Schnabel American, Plaster, glazed and unglazed ceramic, cervidae antlers, cervidae leg/hoof, oil paint and wax on wood. — Bones and Trumpets Rubbing Against Each Other Towards Infinity
Julian Schnabel
1981

Untitled, Julian Lethbridge British, Acrylic, graphite, and brush and black ink on paper — Untitled
Julian Lethbridge
1988

Untitled, Julian Lethbridge British, Acrylic, graphite, and ink on paper — Untitled
Julian Lethbridge
1988

Untitled, Julian Lethbridge British, Acrylic, graphite, and brush and black ink on paper — Untitled
Julian Lethbridge
1988

Obsession II, Julian Stanczak American, born Poland, Acrylic on canvas — Obsession II
Julian Stanczak
1965

Untitled, Julian Lethbridge British, Oil on canvas — Untitled
Julian Lethbridge
1991–92

Good as Gold, Julian Hatton American, Oil on canvas — Good as Gold
Julian Hatton
2001

Untitled, Julian Lethbridge British, Oil on canvas — Untitled
Julian Lethbridge
2003–4

Archetypal Painting for A.G., Julian Schnabel American, Acrylic and modeling paste on canvas — Archetypal Painting for A.G.
Julian Schnabel
1975–76

Study for "Shrimp Scow on Barnegat Bay", Julian Levi American, Wash and ink with graphite on illustration board — Study for "Shrimp Scow on Barnegat Bay"
Julian Levi
1939

Textile length, Julian Tomchin American, Silk — Textile length
Julian Tomchin
Chardon Marché
1967

Textile length, Julian Tomchin American, Silk, textralized Antron nylon — Textile length
Julian Tomchin
Chardon Marché
1967

Portrait of God (from the Mutant Kings series), Julian Schnabel American, Oil, dirt, and wax on canvas tarpaulin — Portrait of God (from the Mutant Kings series)
Julian Schnabel
1981

Shrimp Scow on Barnegat Bay, Julian Levi American, Oil on canvas — Shrimp Scow on Barnegat Bay
Julian Levi
1939

Side Chair, Alexander Jackson Davis American, Black walnut, modern upholstery, American — Side Chair
Alexander Jackson Davis
Burns and Brother
ca. 1857

Library Table, Alexander Jackson Davis American, Oak, walnut, cherry, poplar, American — Library Table
Alexander Jackson Davis
Burns and Trainque
ca. 1855

Side Chair, Alexander Jackson Davis American, Rosewood, American — Side Chair
Alexander Jackson Davis
Burns and Trainque
ca. 1848

Boats, Julian Alden Weir American, Pastel and graphite on paper, American — Boats
Julian Alden Weir

Boots, Julian & Kokenge Company American, leather, cotton, silk, metal, American — Boots
Julian & Kokenge Company
ca. 1915

Copy after Botticelli, Julian Alden Weir American, Watercolor on paper, American — Copy after Botticelli
Julian Alden Weir

Art Palace and Lagoon, Panama-Pacific International Exposition, San Francisco, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Art Palace and Lagoon, Panama-Pacific International Exposition, San Francisco
Julian Clarence Levi
1915

Capella Palatina, Palermo, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Capella Palatina, Palermo
Julian Clarence Levi
1903

Garden Camp Highwall, Lake Placid, New York, Julian Clarence Levi American, Watercolor on off-white wove paper, American — Garden Camp Highwall, Lake Placid, New York
Julian Clarence Levi
1943

Interior of Church, Sienna, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Interior of Church, Sienna
Julian Clarence Levi
1902

Patio del Mexuar, Alhambra, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Patio del Mexuar, Alhambra
Julian Clarence Levi
1904

Thunder Hole, Mount Desert, Julian Clarence Levi American, Watercolor and graphite on off-white wove paper, American — Thunder Hole, Mount Desert
Julian Clarence Levi
1916

View of Mt. McKenzie and Lake—August 19, 1969, Julian Clarence Levi American, Watercolor and graphite on white wove paper, American — View of Mt. McKenzie and Lake—August 19, 1969
Julian Clarence Levi
1969

Anna Dwight Weir Reading a Letter, Julian Alden Weir American, Watercolor, gouache, black ink, and graphite on white wove paper, American — Anna Dwight Weir Reading a Letter
Julian Alden Weir
ca. 1890

Connecticut Village (Going to School), Julian Alden Weir American, Oil on canvas, American — Connecticut Village (Going to School)
Julian Alden Weir
after 1891