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Showing 460 results for Kajikawa Katsuhira

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Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves, Kajikawa Katsuhira Japanese, Nashiji (pear-skin) lacquer decorated with togidashi sprinkled and polished lacquer and metal inlay; Ojime: metal drum inlaid with gold; Netsuke: carved wood figure, Japan — Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves
Kajikawa Katsuhira
Hagiya Katsuhira
late 18th–19th century

Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession

, Kajikawa Japanese, Two cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on nashiji lacquer ground<br/>Netsuke: ivory; Ryūgūjō (The Dragon King's undersea palace) in a clam<br/>Ojime: agate bead, Japan — Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession
Kajikawa
Hanabusa Itchō
late 18th–early 19th century

Case (Inrō) with Design of Maple Leaves beside Inscriptions, Kajikawa School, Lacquer, cherry bark, gold hiramakie; Interior: plain and roiro, Japan — Case (Inrō) with Design of Maple Leaves beside Inscriptions
Kajikawa School
19th century

Inrō with Treasure Boat, Kajikawa Bunryūsai Japanese, Gold and black lacquer and nashiji ground with gold and silver hiramaki-e, red lacquer, and mother-of-pearl inlay<br/>Netsuke: kingfisher; carved ivory <br/>Ojime: Chinese children; porcelain (Kutani ware, Japan — Inrō with Treasure Boat
Kajikawa Bunryūsai
19th century

Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse), Kajikawa School, Gold and silver maki-e with mother-of-pearl inlay and black lacquer; Ojime: agate bead; Netsuke: metal king of hell, Japan — Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse)
Kajikawa School
19th century

Case (Inrō) with Design of Six Immortal Poets, Kajikawa School, Gold and silver maki-e with black and red lacquer relief and mother-of-pearl inlay; Ojime: bronze Bodhidharma; Netsuke: carved lacquer Chinese children and auspicious symbols, Japan — Case (Inrō) with Design of Six Immortal Poets
Kajikawa School
19th century

Case (Inrō) with Design of Cherry-Blossom Viewing, Kajikawa School, Lacquer decorated with togidashi sprinkled and polished lacquer; Ojime: stone bead with silver bird inlay; Netsuke: metal button engraved with figure of Fukurokuju, Japan — Case (Inrō) with Design of Cherry-Blossom Viewing
Kajikawa School
late 18th–19th century

Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria, Kajikawa School, Gold and silver maki-e on black lacquer, Japan — Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria
Kajikawa School
19th century

Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse), Kajikawa Hidetaka Japanese, Lacquer, roiro, gold, brown and red togidashi, nashiji; Netsuke: fukurokuju<br/>Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse)
Kajikawa Hidetaka
18th–19th century

Blade and Mounting for a Dagger (Tantō), Kuniyoshi Japanese, Steel, wood, copper-gold alloy (shakudō), copper-silver alloy (shibuichi), gold, lacquer, rayskin (samé), silk, abalone shell, silver, Japanese — Blade and Mounting for a Dagger (Tantō)
Multiple artists/makers
blade, dated 1525; mounting, 19th century

Case (Inrō) with Design of Court Lady in Boat with Drum (obverse); Geese Taking Flight (reverse), Shibayama Shokasai Japanese, Lacquer, kinji, gold hiramakie, kirigane, nashiji, metal, ivory, raden inlay; Interior: nashiji and fudame, Japan — Case (Inrō) with Design of Court Lady in Boat with Drum (obverse); Geese Taking Flight (reverse)
Shibayama Shokasai
Kajikawa School
19th century

Sword guard (<i>Tsuba</i>) With Flower Basket Motif (花籠透鐔), 萩谷勝平 Hagiya Katsuhira Japanese, Iron, copper-silver alloy (<i>shibuichi</i>), gold, silver, copper, Japanese — Sword guard (Tsuba) With Flower Basket Motif (花籠透鐔)
萩谷勝平 Hagiya Katsuhira
鈴木勝容 Suzuki Katsuhiro
1860

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Girl and Lover in Snow, Koikawa Harumasa Japanese, Woodblock print; ink and color on paper, Japan — Girl and Lover in Snow
Koikawa Harumasa
early 19th century

Kōrin's Painting Style (Kōrin gashiki), Aikawa Minwa Japanese, Set of two Woodblock printed books; ink and color on paper, Japan — Kōrin's Painting Style (Kōrin gashiki)
Aikawa Minwa
1818

Knife Handle (Kozuka), Katsutora Japanese, Copper-silver alloy (shibuichi), silver, Japanese — Knife Handle (Kozuka)
Katsutora
late 18th century–early 19th century

Drawing of a Bison, and Heads of a Bison and Horse, Unidentified artist, Matted drawing; ink on paper, Japan — Drawing of a Bison, and Heads of a Bison and Horse
Unidentified artist
Katsushika Hokusai
19th century

Cranes on Branch of Snow-covered Pine, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Cranes on Branch of Snow-covered Pine
Katsushika Hokusai
late 1820s

Grasshopper and Iris, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Grasshopper and Iris
Katsushika Hokusai
late 1820s

Seaside Village in Winter, from Hokusai’s Album of Realistic Pictures (Hokusai shashin gafu), Katsushika Hokusai Japanese, Detached plate from a woodblock printed book; ink and color on paper, Japan — Seaside Village in Winter, from Hokusai’s Album of Realistic Pictures (Hokusai shashin gafu)
Katsushika Hokusai
1814

Drunken Asaina, Katsushika Hokusai Japanese, Fan mounted as hanging scroll; ink and color on paper, Japan — Drunken Asaina
Katsushika Hokusai
ca. 1810

Mariko, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Mariko
Katsushika Hokusai
ca. 1805

Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka)
Katsushika Hokusai
ca. 1833

Ancient View of Yatsuhashi in Mikawa Province (Mikawa no Yatsuhashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Ancient View of Yatsuhashi in Mikawa Province (Mikawa no Yatsuhashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
ca. 1834

The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)
Katsushika Hokusai
ca. 1832

Bird-and-Flower Paintings, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Bird-and-Flower Paintings
Katsushika Hokusai
Kumagai Naozane
ca. 1816–20

View of Saruhashi (Monkey Bridge), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — View of Saruhashi (Monkey Bridge)
Katsushika Hokusai
Senseki
ca. 1816–20

The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1831–32

Squeaking a Ground Cherry, from the series Seven Fashionable Useless Habits (Furyu nakute nana kuse), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Squeaking a Ground Cherry, from the series Seven Fashionable Useless Habits (Furyu nakute nana kuse)
Katsushika Hokusai
ca. 1798

Poem by Jitō Tenno (Empress Jitō), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Jitō Tenno (Empress Jitō), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1839

Poem by Kakinomoto Hitomaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Kakinomoto Hitomaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1839

Poem by Kanke (Sugawara Michizane), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Kanke (Sugawara Michizane), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
ca. 1839

Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1839

Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
1827–30

Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32