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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 49 results for Kamen

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Mules, Kamen American, suede, American — Mules
Kamen
1946–48

Somber & Tall the Forest of Oaks

Judith Kamen

1953

Of Glory in the Flower

Judith Kamen

1965

Begin these wood-birds but to couple now

Judith Kamen

1960s

Armor (<i>Gusoku</i>), Bamen Tomotsugu Japanese, Iron, lacquer, copper-gold alloy (shakudō), silver, silk, horse hair, ivory, Japanese, Toyohara, Echizen province — Armor (Gusoku)
Bamen Tomotsugu
18th century

Untitled, David Klamen American, Graphite on paper — Untitled
David Klamen
1993

Untitled, David Klamen American, Oil on canvas — Untitled
David Klamen
1994

Vase, Karen Karnes American, Stoneware — Vase
Karen Karnes
post WWII

Jar and lid, Karen Karnes American, Wood-fired stoneware — Jar and lid
Karen Karnes
1980s

T'na, Wood, skin, Burmese (Karen) — T'na
Burmese (Karen)
late 19th century

Hpà-si ("frog drum"), bronze, Thai (Karen) — Hpà-si ("frog drum")
Thai (Karen)
mid 19th–19th century

Salt-glaze Vessel

Karen Karnes

1978

A Major Romance

Karen Kilimnik

1998

Head of a Girl, Irving Amen American, Monotype — Head of a Girl
Irving Amen
early 20th–mid 20th century

Woman in green and black and white, Irving Amen American, Color woodcut — Woman in green and black and white
Irving Amen
early 20th century

Man and woman fleeing, Irving Amen American, woodcut — Man and woman fleeing
Irving Amen
early 20th century

Bird in the Wood, Irving Amen American, Color woodcut — Bird in the Wood
Irving Amen
1961

Seated Girl, Irving Amen American, Monotype — Seated Girl
Irving Amen
early 20th–mid 20th century

Indian Bride, Irving Amen American, Color woodcut — Indian Bride
Irving Amen
1954

Seasons Greetings Irving Amen, Irving Amen American, Color woodcut — Seasons Greetings Irving Amen
Irving Amen
1954

Burmese, Karen

19th century

Spindled and Spun, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Karen J. Revis American, Linocut and screenprint — Spindled and Spun, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Karen J. Revis
Black Women of Print
2022

Shield, Wood, paint, fiber, seeds, feathers, Asmat, Damen or Kaimo — Shield
Asmat, Damen or Kaimo
mid-20th century

Na Dhi, Wood, wire, Karen or Lahu people — Na Dhi
Karen or Lahu people
19th century

Irving Amen

1948

Cavalier du Baton

Irving Amen

ca. 1950

Irving Amen

1956

Piazza San Marco

Irving Amen

1954

Irving Amen

1954

Irving Amen

ca. 1945

Irving Amen

1954

Irving Amen

ca. 1950

Triptych: Eve, Lilith, and Adam

Irving Amen

1957

Irving Amen

1955

Karen Hansen Carson

Cirrus Editions

1973

Lore: What We Were Told / What We Saw / What We Tell Ourselves

Multiple artists/makers

2022–23

Trinity: Tall Box Leaning, Box With Dot, Long Flower Box, Kate Shepherd American, Etching and soft-ground etching printed on Somerset Velvet paper — Trinity: Tall Box Leaning, Box With Dot, Long Flower Box
Kate Shepherd
Karen McCready Fine Art
1999

Four screenprints: Eraser; Post-It, Rectangular; Post-it, Square; Rock, Kate Shepherd American, Four screenprints — Four screenprints: Eraser; Post-It, Rectangular; Post-it, Square; Rock
Kate Shepherd
Karen McCready Fine Art
1997

Metu Neter: The Great Oracle of Tehuti and the Egyptian System of Spiritual Cultivation, Ra Un Nefer Amen Panamanian — Metu Neter: The Great Oracle of Tehuti and the Egyptian System of Spiritual Cultivation
Ra Un Nefer Amen
Khamit Media Trans Visions
1990

Backdrops Circa 1940s, Lorna Simpson American, Screenprint diptych on felt panels — Backdrops Circa 1940s
Multiple artists/makers
1998