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23 results for Kikuchi Tsunesada
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Blade and Mounting for a Short Sword (<i>Wakizashi</i>), Kawachino Kamifujiwara Rai[...] Japanese, Steel, wood, lacquer, gold, abalone shell, iron, silver, copper-gold alloy (<i>shakudō</i>), copper, silk, Japanese
Blade and Mounting for a Short Sword (Wakizashi)
Multiple artists/makers
blade, 18th century; mounting, 18th–early 19th century
Cuttle Fish, Kikuchi Yōsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Cuttle Fish
Kikuchi Yōsai
early 19th century
Cherry Flowers, Kikuchi Yōsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Cherry Flowers
Kikuchi Yōsai
19th century
Woman with a Cat, Kikuchi Keigetsu Japanese, Woodblock print; ink and color on paper, Japan
Woman with a Cat
Kikuchi Keigetsu
ca. 1910
Eaves Decorated with Irises for the Tango Festival, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan
Eaves Decorated with Irises for the Tango Festival
Kikuchi Yōsai
dated 1867
Purifying Sound (Seirai), Kikuchi Keigetsu Japanese, Hanging scroll; ink and color on silk, Japan
Purifying Sound (Seirai)
Kikuchi Keigetsu
ca. 1915
Lady Iga, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan
Lady Iga
Kikuchi Yōsai
1860s
Maiko, Kikuchi Keigetsu Japanese, Hanging scroll; ink and color on silk, Japan
Maiko
Kikuchi Keigetsu
mid 1920s
Two Carp, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan
Two Carp
Kikuchi Yōsai
Metaphoto (No. 210), Alan Kikuchi-Yngojo American, Instant dye diffusion transfer print (Polaroid) with attached media
Metaphoto (No. 210)
Alan Kikuchi-Yngojo
1981
虫尽金具大小拵 Blade and Mounting for a Sword (<i>Katana</i>), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, lacquer, copper-gold alloy (<i>shakudō</i>), gold, copper-silver alloy (<i>shibuichi</i>), ray skin (<i>same</i>), silk, Japanese
虫尽金具大小拵 Blade and Mounting for a Sword (Katana)
Yokoyama Kōzukedaijō Sukesada
乙柳軒政信 Otsuryūken Masanobu
blade, 17th century; mounting, early 19th century
Blade and Mounting for a Short Sword (Wakizashi), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, lacquer, ray skin (samé), thread, copper-gold alloy (shakudō), copper, gold, copper-silver alloy (shibuichi), iron, Japanese
Blade and Mounting for a Short Sword (Wakizashi)
Yokoyama Kōzukedaijō Sukesada
乙柳軒政信 Otsuryūken Masanobu
blade, late 17th century; mounting, 19th century
Blades and Mountings for a Pair of Swords (<i>Daishō</i>), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, lacquer, copper-gold alloy (<i>shakudō</i>), gold, copper-silver alloy (<i>shibuichi</i>), ray skin (<i>same</i>), silk, Japanese
Blades and Mountings for a Pair of Swords (Daishō)
Yokoyama Kōzukedaijō Sukesada
乙柳軒政信 Otsuryūken Masanobu
blades, 17th century; mountings, early 19th century
Two Girls Catching Fireflies, Kawamata Tsunemasa Japanese, Hanging scroll; ink, color, and gold on silk, Japan
Two Girls Catching Fireflies
Kawamata Tsunemasa
first half of the 18th century
The Actor, Arashi Otohachi, 1695–1769 in an Unidentified Role, Tsunegawa Shigenobu Japanese, Woodblock print; ink and color on paper, Japan
The Actor, Arashi Otohachi, 1695–1769 in an Unidentified Role
Tsunegawa Shigenobu
"Evening Faces" chapter from The Tale of Genji (Genji monogatari), Kawamata Tsunemasa Japanese, Hanging scroll; ink and color on paper, Japan
"Evening Faces" chapter from The Tale of Genji (Genji monogatari)
Kawamata Tsunemasa
18th century
Blade for a Sword (<i>Katana</i>) with Mounting (<i>Shikomizue</i>), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, cherry-blossom bark, brass, lacquer, Japanese
Blade for a Sword (Katana) with Mounting (Shikomizue)
Yokoyama Kōzukedaijō Sukesada
blade, dated February 1677; mounting, 19th century
Artificial Moon Trail, Tokyo, Kikuji Kawada Japanese, Gelatin silver print
Artificial Moon Trail, Tokyo
Kikuji Kawada
1969, printed 1989
“Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi) , Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan

“Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi)

Utagawa Hiroshige
Uoya Eikichi
1857
Collection of Thirty-six Kyōka Poems (Roku roku kyōka sen) 六々狂歌撰, Fukuchi Hakuei 福智白瑛 Japanese, Woodblock printed book; ink and color on paper, Japan
Collection of Thirty-six Kyōka Poems (Roku roku kyōka sen) 六々狂歌撰
Fukuchi Hakuei 福智白瑛
1814, January (Bunka 11)
Taiko, Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho Japanese, Wood, hide, metal, Japanese
Taiko
Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho
19th century
Hatsune Riding Ground, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 名所江戸百景), Utagawa Hiroshige 歌川広重 Japanese, Polychrome woodblock printed book; ink and color on paper, Japan
Hatsune Riding Ground, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 名所江戸百景)
Utagawa Hiroshige 歌川広重
Uoya Eikichi 魚屋栄吉
1856–58
Chizu (The Map), Kikuji Kawada Japanese
Chizu (The Map)
Kikuji Kawada
1965